Jinglan Bay Art Tlanamacaloyan Calli ītēchcopa Nic Lee

Tlanāhuatīlli Jinglan Bay Art Tlanamacaloyan Calli ītēchcopa Nic Lee cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Iztacteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCallitic· 2024

Jinglan Bay Art Tlanamacaloyan Calli

īpal Nic Lee

Tlanāhuatīlli: China Resources Land South China Guangxi Co.

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

22,229

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #152974

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Jinglan Bay Art Tlanamacaloyan Calli

Jinglan Bay Art ce tlanamacaloyan calli iyollo ca ompa Liuzhou, ce tepetlaltlalli campa in atl mocueloa. In calitic quipia 1705 square metros ihuan quipia in canin motenamiquih, canin motlanamaca, canin motlanextilia, canin digital media ihuan VIP tlacamecayotl. Amo mocopina in tlalticpacyotl ica tlachihualiztli, yece ica tlanextli ihuan tlayohualli motenextilia in huehcapan tepemeh ihuan in huehcatl atl. In tliltic terrazzo omopetlauh ixquichca tezcatl mochihua, ic in quiahuac tlachializtli ihuan in tlacah innenemiliz ompa mota. In tetl amo tlachiuhtli itech in calaquiloyan quichihua in huehcatlan tepetzalan. Occequi tlachihualoni: tetzotzontli marmol, tepoztlalli tlapalli, tliltic cuahuitl ihuan oak cuahuitl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Jinglan Bay Art Tlanamacaloyan Calli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Jinglan Bay Art Tlanamacaloyan Calli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Jinglan Bay Art Tlanamacaloyan Calli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Huēyiliztli īhuān Tlacualtepēhualli: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Tōcāitl: sales center, landscape, museum, indoor architecture, interior design
Tlachīhualiztli Māchiyōtl: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Tlanāhuatīlli Nētēcahuilīztli: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Tlatēmōliztli: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Tēyōllālīliztli: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Tēquitl Cāhuitl: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Tēquitl Ōhuitl: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Īxiptla Tlanēxtīlli: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.