Xicpanahuī campa tlahtōlli
Silhouette Tlacualicpalli ītēchcopa Joana Santos Barbosa

Tlanāhuatīlli Silhouette Tlacualicpalli ītēchcopa Joana Santos Barbosa cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Tepoztli īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.


TepoztliCaltlapechtli· 2024

Silhouette Tlacualicpalli

īpal Joana Santos Barbosa

Tlanāhuatīlli: InsidherLand

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Caltlapechtli Tlamantli

13,355

Tlapalli

Tlanēxtilistli

Ītechcopa Silhouette Tlacualicpalli

Arquitecto Joana Santos Barbosa oquichihchiuh in Silhouette, ce icpalli tlacualiztica cualli itachializ, moihiyocuanenehmilia in cihuatl. Oquimottilih in maculpohualli omey xihuitl itlahcuilohcahuan, in oquitlahcuilohque miac tlamantli ce ixcopa, iuhqui cuicanih quipiayah intlapitzalohuan iuhqui intoneuh, Joana oquincentlalih inin necentlaliztli ipan ce chicpahuac chihchihualiztli. In tliltic tlamachiyotl quinextia in nenenhuiliztli in cihuatl itzintlan, in ye moca ipan, auh in cololtic icpalnemactli quitlalia ce ixcuemitl tepactic. Silhouette quipia tlahtoli ihuan machiyomeh auh nelli mahuiztic.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Silhouette Tlacualicpalli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Silhouette Tlacualicpalli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Silhouette Tlacualicpalli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
Silhouette is a surreal reminiscence of a woman's sensual curves that arise designed in an eye catching dining chair.
The slightly curved seat draws an inviting smile that harmonizes with the structure, revealing the movement of the hips, as parts of a female body. Silhouette shows contours of a mysterious profile and presents the observer with feminine sensuality.
Huēyiliztli īhuān Tlacualtepēhualli
Height 87cm
Width 46cm
Depth 53cm
Seat Height 48cm
Tōcāitl
diningchair, chair, silhouette, luxurychair, organicdesign, modernchair, moderndesign, luxuryfurniture
Tlachīhualiztli Māchiyōtl
Beech wood structure frame with translucent dark brown finish in high gloss varnish and luxury soft fabric with gold accents.
Tlanāhuatīlli Nētēcahuilīztli
The creative process of this chair was one of the most "suffered" among the pieces in Joana Santos Barbosa's portfolio. In fact, the design of this chair took more than two years to be completed between back and forth in the process because it carries such a strong symbolism that she wanted to transform it into a clean and sensual design.
The beech wood structure was hand crafted and carved to bring to mind the profile of a female body and was given a translucent brown finish that naturally stands out on the soft beige upholstery with fine golden threads that represent the delicacy of the female personality.
Tlatēmōliztli
The design of the Silhouette dining chair was influenced by the sensuality of a woman's curves. Both the woman and the functional object seem to merge naturally. It is thus possible to admire this integration in the surrounding perspectives of the chair, with special focus on the back, in which we identify parts of a body that seem to be living in the object.

The creative process was based on some works by twentieth century painters who applied the same technique of representing people and objects in a single dimension. However, working on the design of the chair in three dimensions, its development was carried out in full-scale prototypes, in order to get a functional and sensual final design that conveyed all its inspiration in an elegant look.
Tēyōllālīliztli
The representation of several realities seen simultaneously from a single point of view has become fascinating for several twentieth century artists like Paul Klee who drawn musicians and fragments of their musical instruments as an integral part of their own bodies.
The joint dimension of people and objects strongly influenced the Silhouette dining chair, whose elegant wooden structure uncovers parts of a woman’s body who sits on it.
Tēquitl Cāhuitl
Since the first sketch, the design took more than two years to be fully developed. The production is entirely made in the city of Porto, located in the north of Portugal.
Tēquitl Ōhuitl
Being a chair made of a single structure in solid wood, the object cannot be manipulated to acquire other forms. This chair was specially designed for dining spaces that appreciate the high quality of manual manufacturing processes and luxurious finishes.
Patentēmeh
© InsidherLand
Īxiptla Tlanēxtīlli
© InsidherLand | All images are InsidherLand property

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