In Generations Chāntlacayōtl Calihtic Nemachtīlli ītēchcopa Hung-Sheng Chu and Pei-Wen Hsu

Tlanāhuatīlli In Generations Chāntlacayōtl Calihtic Nemachtīlli ītēchcopa Hung-Sheng Chu and Pei-Wen Hsu cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Tepoztli īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliCallitic· 2024

In Generations Chāntlacayōtl Calihtic Nemachtīlli

īpal Hung-Sheng Chu and Pei-Wen Hsu

Tlanāhuatīlli: Gt-space Interior Design Co., Ltd

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Callitic Tlamantli

9,393

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #154385

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa In Generations Chāntlacayōtl Calihtic Nemachtīlli

In Generations ītōcā in calihtic tlachīhualli mochīuh īpampa ce hueyi cemithualli tēixmatcāyōtl in Taiwan tlālpan. In chāntli quipiya 301 caxtoltetl metro īhuīcpa, īhuān quinepanoa ōme calpixcāyōtl in cē ilhuicaltepan. In cochiyaltēpan īhuān in tlacualōyān mocentlālia inic monequi mohueyilīz in cē īxtlāhuatl netēcatl. In tetzotzoncalli īxtlapal metztli tlachīhualli quipantlantia yāhualtin, xōchicualli chīchīltic (peonies), michin īhuān āmomōxtli. In tepāntli quipiya patlāhuac cōztic teōcuitlatl ihcuilōlli in tlen quilnamictia in Chīnātlācah venēnas quiltīloni; ihcuāc noihqui nēztoc in ihcuilōlli in cuahuitl tlazohtlīlli in āmatepēxitl īhuān in yāhualtic nextepēxitl-nacaztli tlacualtēpiltōn tlapechtli. Yāyaqui tlīltic tlazohtlīlli īhuān titaniohtli tepoztli tepilhuia in ītēmpan in tēixmatcāyōtl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

In Generations Chāntlacayōtl Calihtic Nemachtīlli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in In Generations Chāntlacayōtl Calihtic Nemachtīlli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. In Generations Chāntlacayōtl Calihtic Nemachtīlli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The marble floor of the foyer greets people with images of circles, peonies, fish, and algae, symbolizing the wealth and harmony that Chinese scholars pursue. The walls are decorated with colorful gilt to symbolize the latticework of Chinese windows, which extends to the wood lines on the ceilings of the social area, and the round walnut table in the dining room, representing the 'unity' of the family. The Oriental element translates traditional aesthetics with modern minimalist lines, and the silhouette is depicted with titanium-plated metal.
Huēyiliztli īhuān Tlacualtepēhualli: The site is 301 square meters in size and consists of two units on the same floor. The design team integrated the living room and dining room of the two units to expand the social area. To make the living room look wider, the ceiling trim stretches the visual center to the right to enlarge the living room. The TV wall crosses the corridor to the right and then extends to form a long axis, presenting a visual effect of horizontal extension of left and right.
Tōcāitl: Walnut, Chinese style, titanium plated, iron, marble, understated luxury.
Tlachīhualiztli Māchiyōtl: The style of the project is a fusion of East and West. The classic Chinese round table and the ceiling are made of walnut wood, a symbol of wealth, presenting a sophisticated, vintage look of Chinese culture. The ceiling and edges of the space are wrapped in black lines and titanium plating, while a black matte iron molding wall is paired with a crystal lighting fixture. The design team used modern materials to decorate the essence of Chinese style, conveying a modern oriental style with a humanistic touch.
Tlanāhuatīlli Nētēcahuilīztli: The project that serves an extended family is designed based on the aesthetic needs and expectations of each member. The elders preferred the traditional but not complex oriental style, while the middle-aged people preferred the minimalistic and modern style. To achieve a design that satisfies all three generations, the designer took the essence from both Chinese and modern styles and viewed the project from the perspective of all three generations, satisfying those who like modern style and those who like Chinese style.
Tlatēmōliztli: The name of the project, 'Between Three Generations', comes from the age range of the family. The elderly want the home to display the classical beauty of Chinese style, while the younger generation expects a modern and stylish look. The design team struck a balance between old and new, traditional and modern aesthetics. The building materials, colors, and design are in line with the aesthetics of each family member, creating a warm home for the extended family.
The project is set against a backdrop of cultural imagery to create an artistic design in the 'New Chinese' aesthetic.
Tēyōllālīliztli: 'Extended family' is not only the traditional Chinese desire for family reunion but also symbolizes the inheritance and continuity of family memory. Elderly, middle-aged, and young people have different expectations of interior design aesthetics. Elderly people hope that the space can have traditional Chinese classical aesthetics, while the young generation expects the minimalist of modernism. The design team took the concept of 'the dome-like heaven embraces the vast earth' to express the elegant oriental design with minimalistic lines, defining a modern oriental residence.
Tēquitl Cāhuitl: The project finished in March 2023 in Taiwan.
Tēquitl Ōhuitl: To install a wall-hanging TV, the TV wall is in the middle of the bedroom and serves as a boundary with the study room. The wall must be open but private, a divider but not an obstruction. Only the floor was not enough to support the weight of the TV and the wall, so the designers put more effort into the wall's conception to prevent it from tipping over and to withstand the weight of the wall. In the semi-open study room, to maintain openness, the high ceiling retains the light and unobstructed view.
Calpolli Tlācah: Hung-Sheng Chu, Pei-Wen Hsu
Īxiptla Tlanēxtīlli: GT-SPACE INTERIOR DESIGN CO., LTD.