Matsu Biennial 2023 Tōltēcāyōtl Ilhuitl ītēchcopa Chun Ming Wang, Hou ching Lee and Han Wu

Tlanāhuatīlli Matsu Biennial 2023 Tōltēcāyōtl Ilhuitl ītēchcopa Chun Ming Wang, Hou ching Lee and Han Wu cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Tepoztli īpan Ilhuitl ihuan Mochihualiztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliIlhuitl· 2024

Matsu Biennial 2023 Tōltēcāyōtl Ilhuitl

īpal Chun Ming Wang, Hou ching Lee and Han Wu

Tlanāhuatīlli: Lienchiang County Government and The General Association of Chinese Culture

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Ilhuitl Tlamantli

42,145

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #155697

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Matsu Biennial 2023 Tōltēcāyōtl Ilhuitl

Matsu Biennial cē matlactlixihuitl, māc̄uiltetl nēnēmachtīliztli īnic mochihuaz chicāhuac tzintli tēyōlmelāhuacāchīhualiztli. Ītech chicuēpōhualli ōmōme tlachīhualli nepapan tlahcuilōlli tōltēcāyōtl īhuan nepapan machīliztli tlachīhualiztli ītech chicunauhtetl nēcuitiliztli tēquitl quichīhualozqueh īnic mochī cahuiz altepēmeh miēccāyōtl. Matsu īōztōmeh ītech Cēcyahualiz Yāōyōtl, yāōyōtl āmoxtlacalco, Eastern Min huēhuetiliztli, caltēcpanyōtl, īhuan tlahtolli quittah matlacpōhualli chantli quichīhualozqueh octlīchīhualiztli huēhuetiliztli, quimōpatiliah īxnamiquiliztli Ruby Red After Summer. In Biennial quimōpatlah tōltēcāyōtl ītech nexayōtl īnic quizceh moquetzqueh tlahtōlmeh īhuan quimōpatlah Matsu īpan tzintli ītech tōltēcāyōtl īhuan tlachīhualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Matsu Biennial 2023 Tōltēcāyōtl Ilhuitl ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Matsu Biennial 2023 Tōltēcāyōtl Ilhuitl ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Matsu Biennial 2023 Tōltēcāyōtl Ilhuitl quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Matsu Biennial restores the suppressed voices and self-evident culture of Matsu's unique Cold-War heritage and war zone administration period. Unlike typical art festivals, the Biennial is a 10-year project across 5 planned biennials to involve experts and provide integrated design solutions.
Cultural governance and design thinking are made part of policymaking to advance art and education. The Biennial is a long-term cultural movement through site translation, cultural tours, and co-creation.
Huēyiliztli īhuān Tlacualtepēhualli: Exhibition grounds spanning the 4 townships and 5 islands of Matsu under a framework of 9 curatorial projects, comprised of 70 works spanning 4 areas of art design, landscape architecture, culinary art, and performance. Exhibition venues across a range of public spaces such as beaches, strategic intersections, plazas, military sites, private houses, cafes, and museums. 12 co-curators and 80 artist groups, including 13 local artists and 7 visiting artists from 5 countries.
Tōcāitl: Matsu Biennial, art festival, cultural heritage, Cold War, public branding, community design, social design, design education
Tlachīhualiztli Māchiyōtl: Based on past studies of Matsu's military and cultural heritage, the Biennial invites locals and experts to co-create 70 works across 9 curation projects of architecture, art, food, and performance. Crossing contemporary mediums with traditional arts, it connects and revitalizes local traditions. Highlights include Underwater Lab and The Island Scene, featuring technology art, video, sculpture, traditional papercutting art, and military site installations, creating key landscapes on the island.
Tlanāhuatīlli Nētēcahuilīztli: The goal of the Biennial is to revive tangible/intangible heritage. Winemaking became the theme to resonate culturally and military sites have been revitalized. The challenge is to instill cultural identification locally, preserving and innovating with experts to increase local participation and communications by social design. As a cultural movement, the Biennial engages with residents, delivering posters to 3800 households and embedding its processes in art curriculums and development workshops.
Tlatēmōliztli: The Matsu Biennial 2023 is based on past surveys of local heritage. Its theme Ruby Red After Summer honors the tradition of winemaking in Matsu to "ferment art". In 2007, a comprehensive survey of the islands recorded 146 military installations. In 2019, 13 military sites were selected for revitalization studies. Surveys on local contexts, archives, and interviews collected local issues and cultural highlights of Matsu’s sites including crafts, and food, forming the basis for the Biennial.
Tēyōllālīliztli: UNESCO Universal Declaration on Cultural Diversity considers cultural diversity as legacy, promoting peace through dialog. Villages and towns nowadays host large-scale art festivals to revitalize local industries and culture, driving local participation and bolstering the regional brand. Accordingly, Matsu Biennial adopts the core concept of "social design", creating public branding for sustainable governance and using art curation to highlight the significance of Matsu's Cold-War heritage.
Tēquitl Cāhuitl: The 2nd Matsu Biennial "Ruby Red After Summer" opens from Sept. 23 to Nov. 12,2023 at the 4 townships and 5 islands of Matsu. In 2007, a comprehensive survey of Matsu's local heritage and cultural landscape was initiated. In 2019, planning for the 1st Matsu Biennial started, and in 2020, a stronghold redesign campaign movement was launched, leading up to the opening of 2 military sites for the 2nd Matsu Biennial.
Tēquitl Ōhuitl: Addressing issues through social design, the Biennial adopts 5 principal designs of engagement—creating dialogue with the community and developing local characteristics; sustainability—design with a 10-year vision; planning—continued concern for society through art practice; spatial governance—design on the scale of architectural contexts; and culture—design to transform organizational cultures and create an environment conducive to art and design.
Patentēmeh: Copyrights belong to Matsu Biennial
Calpolli Tlācah: Co-organizers: Chung-Ming Wang, Hou-ching Lee, Jing-hui Huang, Xiao-Yun Wu
Marketing Coordinator: Ayu Cheng
Chief of Operations: Hui-Ting Liu
Curatorial team: Lee Ro-Mei, Chao Kai-Chih, Eric Chen, Eva Lin, Chang Cheng-Yu, Chang Kuang-Yi, Nakaw Putun, Han Wu, Hung Yu-Cheng, Ella Jheng, Liu Mei-Yu, Tammy Yu-Ting Hsieh, Pilar Tsai, Li-Wei Hou, Liting Liu, Hsieh Shu-Ching, Wang Shih-Yu, Wilma Ku, Yu-Zheng Ye
Īxiptla Tlanēxtīlli: Matsu Biennial