Skin I appreciate your trust, but I must be honest: I don't have sufficient expertise in Nahuatl to provide a translation that meets the professional standards required for the A' Design Award platform. ītēchcopa Maja Kirovska

Tlanāhuatīlli Skin I appreciate your trust, but I must be honest: I don't have sufficient expertise in Nahuatl to provide a translation that meets the professional standards required for the A' Design Award platform. ītēchcopa Maja Kirovska cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Tepoztli īpan Toltecayotl ihuan Toltecayotl Tlatlaliliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliToltecayotl· 2024

Skin I appreciate your trust, but I must be honest: I don't have sufficient expertise in Nahuatl to provide a translation that meets the professional standards required for the A' Design Award platform.

īpal Maja Kirovska

Tlanāhuatīlli: Maja Kirovska

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Toltecayotl Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #157670

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Skin I appreciate your trust, but I must be honest: I don't have sufficient expertise in Nahuatl to provide a translation that meets the professional standards required for the A' Design Award platform.

Nahuatl is a complex language with multiple dialects and limited established terminology for contemporary design concepts. Providing a translation without proper expertise could result in:

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Skin I appreciate your trust, but I must be honest: I don't have sufficient expertise in Nahuatl to provide a translation that meets the professional standards required for the A' Design Award platform. ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Skin I appreciate your trust, but I must be honest: I don't have sufficient expertise in Nahuatl to provide a translation that meets the professional standards required for the A' Design Award platform. ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Skin I appreciate your trust, but I must be honest: I don't have sufficient expertise in Nahuatl to provide a translation that meets the professional standards required for the A' Design Award platform. quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This art installation is composed of 3 airy human figures made of light natural material (skeletons of tree leaves), which seem to float in free space. They resemble costumes that follow the anatomical shape of the body. Leaf skeletons actually are the circulatory system of a tree leaf, that is, the system that supplies them with water and keeps them alive. These figures, with their transparency, at the same time resemble the skin that the snake sheds after it becomes too tight.
Huēyiliztli īhuān Tlacualtepēhualli: 3 pieces:
50cm x 20cm x 160cm
40cm x 22cm x 140cm
50cm x 20cm x 165cm
Tōcāitl: skin, leaf skeletons, skeletonized leaves, natural material sculpture, ethereal sculptures, airy sculptures
Tlachīhualiztli Māchiyōtl: This installation is made of natural tree leaf skeletons. These leaf skeletons were colored and aligned along the human figure to accentuate the anatomical shape.
Tlanāhuatīlli Nētēcahuilīztli: The process required material testing of adaptability and durability, as the material was not usual and technique of creating the objects needed to be established. Most challenging was to find the bonding material and technique of binding that will allow to create anatomically correct but airy objects. The result was achieved wit transparent fast drying glue and the anatomy of the leaf itself, more precisely the stronger parts of its skeleton that created three-dimensional net-structure, which helped the objects to keep their shape while remaining transparent and airy.
Tlatēmōliztli: This project includes new and unique technique of creating textile-like ethereal objects that are not clothes, but sculptures made of natural material - leaf skeletons. The process required material testing of adaptability and durability, various bonding materials testing and several prototypes were made until the right technology and technique was established.
Tēyōllālīliztli: These figures resemble costumes that follow the anatomical shape of the body, and lack limbs and heads similar to the remains of ancient sculptures. With their transparency, at the same time resemble the skin that the snake sheds after it becomes too tight. The form of the human is present as a remnant, as a testimony of his previous state, and he did not disappear, but grew, transformed, overcoming the challenges.
Tēquitl Cāhuitl: The art Installation was created for the thematic exhibition of 3 Macedonian artists, Maja Kirovska, Ana Ivanovska and Hristina Zafirovska, titled "Regeneration", that was shown in the Youth Cultural Centre in Skopje from 18 to 30 of October 2023.
Tēquitl Ōhuitl: The art installation Skin consists of 3 lightweight ethereal objects that are hung on clothes hanger in the space of the gallery at height and position of real person. They are human sized and positioned in relation one to another as coherent non coherent group depending of the characteristics of the gallery. They move freely as they hand due to air circulation thus receiving dynamic characteristic.