Xicpanahuī campa tlahtōlli
Aeriform Maicpalli ītēchcopa Kristian Ruden

Tlanāhuatīlli Aeriform Maicpalli ītēchcopa Kristian Ruden cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.


BronseCaltlapechtli· 2025

Aeriform Maicpalli

īpal Kristian Ruden

Tlanāhuatīlli: Kristian Ruden

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

14,189

Tlapalli

Tlanēxtilistli

Ītechcopa Aeriform Maicpalli

In Eheca Maicpalli yancuic quichihua in netlatzontequiliztli ica iyancuica tequitl itech tlachihualiztli ihuan tlacatlamachiliztli. Momachihuiloh ipan ixiptlayancuiliztli ihuan tlacayotlamachiliztli, ini icpalli miec nepanonemiliztli quinamiqui: netlatzontequiliz pampa mocahua, nepantla notemaloz, nozo quetztica pachihuiliztli. Ineztica tlachihualiztli quipiya ayequeh mololiztli ihuan pepetzca netlaliliztli pampa cuicuica motlaloa. Chihualli ica xiuhcristal-cuachicuilli, yancuic tlapilchihualli ihuan cualli ichcatl nozo ehuatl, in Eheca Maicpalli quicentlalia mahuiztic neci ica tlamatiliz tequitl, quichihua ce huey tlanahuatilli pampa axcan caltequitl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Aeriform Maicpalli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Aeriform Maicpalli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Aeriform Maicpalli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
The Aeriform is a luxury seating design focused on both comfort and aesthetic appeal. Its form draws inspiration from aerodynamic shapes, offering a sculptural presence. Crafted from high-quality materials, the armchair is designed with ergonomic support in mind. The use of innovative materials and precise craftsmanship sets it apart, blending artistry with functionality. Its unique design serves as both a functional piece and a statement of elegance, making it suitable for high-end interiors.
Huēyiliztli īhuān Tlacualtepēhualli
Amchair sports 3 layer fiberglass frame with XPS foam core, various thickness and hardness of PU padding foam, fabric/leather upholstery with a single seam running around the edge. Base is done in steel with a 3D printed shell (time saving measures during prototype creation).
Dimensions of armchair: 1026 x 931x 1135
Dimensions of ottoman: 687 x 571 x 409
Tōcāitl
Armchair, sculptural, ergonomic, luxury, comfort, presence, high-end, dynamic, aerodynamic, seating
Tlachīhualiztli Māchiyōtl
The prototype started with a foam core, CNC-milled from XPS foam and assembled with adhesive foam. It was sanded smooth, coated with epoxy resin, and layered with fiberglass for a strong shell. The base and legs were laser-cut steel, welded, and finished with a 3D-printed shell. The frame was padded with foam and batting, then covered with a precisely cut and sewn fabric. Finally, the chair was assembled with its base, lazy Susan, and headrest cushions.
Tlanāhuatīlli Nētēcahuilīztli
Main challenge was the lack of proper studies of comfort in anthropometric books. While ergonomy is well documented, there isn't much information abou comfort. Ergonomy looks at things from 2 dimensions, and while it's a good start, seating is usually a dynamic activity for the body and needs to be studied in 3-4 dimensions. Thats why personal testing on the jig was conducted.
Tlatēmōliztli
Research started with ergonomics. Drawing inspiration from anthropometry books and personal tests on a special jig constructed to allow for change in seat and backrest positioning and change of angles. From that data was constructed a 3D "skeleton" of the armchair and then iterations took place in virtual reality. Testing was performed with people ages 18-60 as the main target demographic. First 1:1 model was made out of polystyrene and tested as well. Drawing conclusion on overall dimensions.
Tēyōllālīliztli
The Aeriform Armchair draws inspiration from the natural elegance of bird wings, evoking the feeling of an embrace. Designed entirely within virtual reality, the form was conceived from a flowing, ribbon like structure suspended in space. Influenced by Pierre Paulin’s Ribbon Chair, the design was further refined to create a more imposing and luxurious piece. Extensive prototyping and ergonomic testing via jigs and models were undertaken to ensure optimal comfort across various seating angles.
Tēquitl Cāhuitl
Work on the project began in December 2023 and came to conclusion in June 2024 as the main focus of the diploma project.
Tēquitl Ōhuitl
The Armchair is designed for ease and comfort, promoting a natural seating posture. Its flowing structure supports the body, distributing weight evenly and allowing various sitting angles, such as sideways or with legs crossed. No complex adjustments are needed; interaction is intuitive. A Lazy Susan facilitates movement and fidgeting, while the springy base offers a rocking motion. The design combines aesthetic elegance with practical functionality for a comfortable and inviting experience.
Patentēmeh
Patent pending. PVZ 2024-42455. Kristian Ruden. 2024. UPV.
Īxiptla Tlanēxtīlli
Image #1: Creator Kristian Ruden, Photo of Aeriform, 2024
Image #2: Creator Kristian Ruden, Photo of Aeriform, 2024
Image #3: Creator Kristian Ruden, Render of Aeriform, 2024
Image #4: Creator Kristian Ruden, Render of Aeriform, 2024
Image #5: Creator Kristian Ruden, Render of Aeriform, 2024

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