Anima Mahmaicpalli ītēchcopa Pietro Luigi Verona

Tlanāhuatīlli Anima Mahmaicpalli ītēchcopa Pietro Luigi Verona cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Iztacteocuitlatl īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCaltlapechtli· 2025

Anima Mahmaicpalli

īpal Pietro Luigi Verona

Tlanāhuatīlli: Pietro Luigi Verona

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Caltlapechtli Tlamantli

50,980

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #164499

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Anima Mahmaicpalli

In Anima mahmaicpalli ce hueyi tlachihchihualiztli ca, quitlalia ipan in ixiptlayotl ihuan tlamantli itechca cemanahuacayotl. Ica pahtli ihuan nepantlahtoque ixiptlayotl, quinequi quichihua cualli nemiliztli pampa in aquin quitequipanoa, quinyolitia in cualli yollotl itechca cemanahuac tlamantli. Ochihualoc ica chicahuac tachializtli ipan Brasil iyolca miyec nepapan yolqueh ihuan xihuitl, in mahmaicpalli cueponi inin tlanemililiztli ipan ce nelli tlachihualoni. Quinextia in mahuiztic ixiptlayotl itechca Brasil iyolnemiliztli, quintenehua in neltiliztli ipahtli tlamantli ihuan in mahuiztiliztli iyoliliztli tlaixiptlayotl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Anima Mahmaicpalli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Anima Mahmaicpalli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Anima Mahmaicpalli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The creative process was entirely manual, from the concept with hand drawings, to its construction and improvement in the wooden piece, the design was improved with 3D scanning technology of the physical prototype, facilitating the manufacturing process on the 5 axis CNC and guaranteeing lines organic and aesthetic that reflect the authenticity of natural forms. The piece offers visual and emotional comfort, bringing the essence of nature to indoor environments.
Huēyiliztli īhuān Tlacualtepēhualli: Width 880 mm x Depth 900 mm x Height 700 mm
Tōcāitl: armchair, wood, design, soul, handmade
Tlachīhualiztli Māchiyōtl: Materials are Tauari Brazilian reforestation Wood. Natural Fabric from Brazil cotton.
the design was improved with 3D scanning technology of the physical prototype, facilitating the manufacturing process on the 5 axis CNC and ensuring organic and aesthetic lines that reflect the authenticity of natural forms.
Tlanāhuatīlli Nētēcahuilīztli: The greatest challenge was understanding the elements that contribute to nature’s beauty and translating them into an armchair design. We immersed ourselves in observation, sketching organic lines, symmetry, and playful forms found in the natural world. Once the design was finalized, the next step was crafting a prototype using natural materials such as wood and cotton fabric. Working freehand, we constructed the wooden armchair's base, ensuring that the intricate, handmade quality from our drawings was preserved in the final product. This process beautifully linked nature’s essence with our craftsmanship.
Tlatēmōliztli: Brazil is home to one of the world's richest biodiversities. The objective of our research was to explore and understand the elements that contribute to the beauty of our native flora and fauna. We employed a hands-on approach, venturing into the field to closely observe various plants and animals. As we explored, we sketched our observations, capturing the intricate details and characteristics that make these living beings remarkable. This immersive method not only enhanced our appreciation of nature but also informed our design concepts, allowing us to translate this beauty into our work.
Tēyōllālīliztli: From the shapes and materials of the armchair, the project aims to express the positive experience transmitted in the beauty of nature's playful and symmetrical forms, giving us good feelings, which we experience when we are in contact with natural elements. The Anima armchair was designed based on the observation of aspects present in both Brazilian fauna and flora, with the aim of transmitting the beauty perceived through the interpretation of shapes.
Tēquitl Cāhuitl: January 2024 and finished June 2024. It was made in Nova Petropolis, Rio Grande do Sul. Brazil
Tēquitl Ōhuitl: Imagine sinking into the Anima armchair after a long day. Its organic and natural curves invite you to relax, wrapping you in a cocoon of comfort with the Tauari wood. As you settle in, the playful lines and natural aesthetic create a soothing atmosphere, reminiscent of a serene walk in nature. You might take a moment to enjoy a good book, the chair cradling you like a gentle embrace.
Calpolli Tlācah: Pietro Luigi Verona
Īxiptla Tlanēxtīlli: Pietro Luigi Verona