Shiroyama Tlacualcalli ītēchcopa Ivan Krupin

Tlanāhuatīlli Shiroyama Tlacualcalli ītēchcopa Ivan Krupin cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Iztacteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCallitic· 2025

Shiroyama Tlacualcalli

īpal Ivan Krupin

Tlanāhuatīlli: Shiroyama

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

24,210

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #165963

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Shiroyama Tlacualcalli

In neltocōni īpan inīn tequitl ca nepanōhualiztli īhuan necentlālīliztli. In tlachīhchihualiztli quincentlālīa machiyōtlahtōlli īhuan tlamachiyōmeh īpan Kazajo īhuan Xapōn āltepētlamachiliztli. In neltocōni īpan Ryoanji Tetl Xōchitlālpan īhuan Wabi Sabi cualli nepanōhua īca teōcuahuitl Baiterek īhuan tlachīhualli Bozzhira tepēmeh. Yāhualpan cemānāhuatl calaqui tlacalaquiyān īca tetl quīcuīloh ītech ātēnco, icpaltin tlachīhualli quēn huēyi teteīn īhuan quitēmictia cāhuitl īca tlānextli nextimani ītech tepozyoh caltzintli, īhuan cē cemānāhuatl nepapan tlamantli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Shiroyama Tlacualcalli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Shiroyama Tlacualcalli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Shiroyama Tlacualcalli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The main theme of the project is interpenetration and interconnection. Starting with the name, Japanese translation of the name of the location, through the relationship with the nature of the rocky seashore on which the restaurant is located and ending with the interpenetration of Japanese and Kazakh culture, expressed in metaphors, colors and selection of materials and author’s elements. Each element in the interior has its own meaning and contribution to the overall harmony and atmosphere.
Huēyiliztli īhuān Tlacualtepēhualli: Total area of the restaurant is 286 sqm.
Tōcāitl: Shiroyama, Uniting, Culture, Nature, Restaurant
Tlachīhualiztli Māchiyōtl: An interesting point is that to save money, CBPB slabs were used to imitate concrete panels in wall decoration. Characteristic local materials were also used, such as tabletops made of local Elm, and stones were taken from the shore under the windows of the restaurant. A podium in the center of the room allows patrons behind the bar to use regular chairs, eliminating the difference in height.
Tlanāhuatīlli Nētēcahuilīztli: The main challenge when creating the project was the construction budget, as well as the remoteness and isolation of the city. The search for cost reduction and the need to use local possibilities and materials were the main problems when creating the interior
Tlatēmōliztli: An important point in the creation of the project was the task of immersing visitors in a harmonious atmosphere of the environment and showing how local nature and culture can subtly resonate with another culture. My goal was to give visitors a sense of harmony between Japanese cuisine and their familiar surroundings and cultural symbols, without going into design for the sake of design in the form of just a good impersonal interior.
Tēyōllālīliztli: I found inspiration in the nature of the Caspian Sea coast, on the shore of which the restaurant is located, and panoramic glazing allows us to strengthen this connection. I looked for themes in Japanese and Kazakh culture to combine them. Thus, the central composition personifies the sacred Baiterek tree, uniting the past, present and future in Kazakh culture, which is reflected in the stylized inverted sea, while other elements gently lead into the atmosphere of Japanese contemplation
Tēquitl Cāhuitl: The project started in January 2023 and was completed in March 2024. Located in Aktau, Kazakhstan.
Tēquitl Ōhuitl: The interior was created taking into account changes in natural light throughout the day. In the morning it is filled with sunlight and becomes light, thanks to the reflective property of the metal ceiling, in the evening the reflection of the sunset fills it with its own shades, and at night the restaurant is immersed in a cozy atmosphere created by accent lighting and a variety of backlights that highlight the architecture and interior elements.
Īxiptla Tlanēxtīlli: Image #1 : Photographer Rauf Ismailov
Optional image #1 : Photographer Rauf Ismailov
Optional image #2 : Photographer Rauf Ismailov
Optional image #3 : Photographer Rauf Ismailov
Optional image #4 : Photographer Ivan Krupin