Flip Icpalli Xelihuini ītēchcopa Niko Kapa

Tlanāhuatīlli Flip Icpalli Xelihuini ītēchcopa Niko Kapa cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Tepoztli īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliCaltlapechtli· 2025

Flip Icpalli Xelihuini

īpal Niko Kapa

Tlanāhuatīlli: Snk

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Caltlapechtli Tlamantli

12,116

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #166217

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Flip Icpalli Xelihuini

Ipan in tlanahuatilnemiliztli in pializtli tlachihualli ihuan chipahual ixiptlayotl, in cualchihualoni mottalia ipan tlapohualli cuechtli ihuan tlahcuilolli, ic motta cennepanoliztli nepapan tlapantli mochitin tequipanohua ipan in tequitl. In chihualiztli quinmaca in icpalli ma nenemi nepapan calacoyan ihuan ma nanquilia in yolnemiliztli ihuan monequiliztli in aquin mochihuana, pampa huel xelihui zan ica cuecuepaliztli. Ahtle ahmo ic pampa oncah, ihuan in nepapan tlapantli tlatequipanohua inic quichihuah ce lamanqui auh cenca chicahuac chihualoni.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Flip Icpalli Xelihuini ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Flip Icpalli Xelihuini ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Flip Icpalli Xelihuini quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Flexibility and transformation are the fundamental ideas behind this design. The design allows the chair to migrate between different settings and respond to moods and needs of the user, since it can be transformed just by flipping it. This results to different seating postures and designs as per the needs of the user. Besides the alteration, this gives the product a visual consolidation, emphasizing the reduction of materials and unification of forms.
Huēyiliztli īhuān Tlacualtepēhualli: Structural stability is attained by the overlapping plywood strips that curve into one another and are glued on connection points. These provide the necessary flexibility that thin layers of plywood offer as a construction material, together with the cushions attached to them. Plywood sheets are spray painted and varnished on all sides. Besides the natural beech wood finish, they come in black and white colored types.
Tōcāitl: Transformable, flexible, fluid, plywood, sustainable
Tlachīhualiztli Māchiyōtl: The manufacturing process used for the plywood is steam bending which is a low energy, low waste process using no toxic glues, just water. The process of steaming the wood also seasons it at the same as it is bent, using a fraction of the energy required in conventional kiln drying. Having in mind always the use of low environmental impact solutions, plywood is used with low VOC finishes and Bio Shield natural oil finishes, in order to reveal the textural qualities of wood construction.
Tlanāhuatīlli Nētēcahuilīztli: With the fluidity of seat and the linearity if strips, the design is suggestive of plant growth. In this way it expresses the spirit of the material it is made of and reveals the textural qualities of wood construction. With an intentionally clear and simple form for this furniture, adaptation to the product philosophy of Dorma Design was taken into account, in order to make this chair complementary of company’s group of furniture and suitable for mass production.
Tlatēmōliztli: The research focused on how the curve segments can be combined together taking into account physically satisfying posture as well as ergonomics. Full scale mockups were produced in order to check the weight and functionality of the furniture prior to fabrication. Cushions were tested in order to act as an extension of the main framing, having as a basic principle the minimum use of material and minimum number of construction elements.
Tēyōllālīliztli: When you bend a strip of plywood you get an elastic curve. What geometry does this curve follow? The interest in line and movement is expressed through a refined vocabulary, derived from the functional aspects of the design. The main structural elements are strips of plywood that fold in a specific and supplementary manner, in line with proportions of the human body so as to establish the dimensions of the chair.
Tēquitl Ōhuitl: Exploring the value of wooden manufacture and the flexible nature of wood as a construction material, the Flip Flop chair is constructed of a series of plywood elements. Fluid linear forms establish a visual rhythm through the graphic lines of the design. This analytical construction logic with curves and crisp lines defines a characteristic profile with a light and elegant effect.
Īxiptla Tlanēxtīlli: Studio Niko Kapa