Free Air Tepoztli Tlaxinachtli (Tlachihualli ica Tepoztli) ītēchcopa Huang Yu Jung

Tlanāhuatīlli Free Air Tepoztli Tlaxinachtli (Tlachihualli ica Tepoztli) ītēchcopa Huang Yu Jung cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Iztacteocuitlatl īpan Toltecayotl ihuan Toltecayotl Tlatlaliliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlToltecayotl· 2025

Free Air Tepoztli Tlaxinachtli (Tlachihualli ica Tepoztli)

īpal Huang Yu Jung

Tlanāhuatīlli: Fresh Design Studio

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Toltecayotl Tlamantli

77,555

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #168312

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Free Air Tepoztli Tlaxinachtli (Tlachihualli ica Tepoztli)

Free Air ce tepoztlachihualli tlen motlalihtoc ipan ce tlahtlacoyan campa nochi tlacameh panoh ipan Ube Altepetl, Japón. Inin tlachihualli quipiya iixnezca queh ce tehuilocaxitl tlen achi tlaltoctoc, tlen quinextia in tlanextiliztli ihuan in tepozchihualoyan ihuehcauh tlahtolli itech inon tlalli. In tlacpac tlapohual mochihchiuh ica 316 tepoztli tlen amo teposquicihui, quipiya ce tezcatl ixco, ihuan omochihchiuh ica digital tepozamatl tlachihualiztli. In tlani tlapohual omopatzcac ica huehue bronce tepoztli. In yahualtic momoloca machiyomeh ihuan zan quezqui campa monepanoah quichihuah in etic tepoztli ma neci ehcauhyo. Inin tlachihualli quipiya 300 centímetros ihuecapan ihuan quinnotza in tlachixqueh ma monechicocan ihuan ma quimatocacan.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Free Air Tepoztli Tlaxinachtli (Tlachihualli ica Tepoztli) ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Free Air Tepoztli Tlaxinachtli (Tlachihualli ica Tepoztli) ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Free Air Tepoztli Tlaxinachtli (Tlachihualli ica Tepoztli) quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Through a single piece of art,an urban space is liberated from the burdens of its past as an industrial city.This is an artwork that makes the presence of wind and air visible,allowing the free-flowing breeze to sweep across Japan.Rooted in Ube City’s historical foundation as an industrial hub,the piece invites observation of how artistic intervention revitalizes spaces,fostering a transformation towards green,nature-integrated urban living.At the same time,with Japan and Taiwan collaborating in the advancement of semiconductor technology,this fusion of innovation envisions a future of freedom and new possibilities for everyday life.
Huēyiliztli īhuān Tlacualtepēhualli: 300(H)x193(W)x179(D)CM
Tōcāitl: Made in Taiwan, Artwork, Art Therapy, Sculpture, Freedom, Air, Metal Sculpture
Tlachīhualiztli Māchiyōtl: The artwork is crafted using 316 stainless steel and bronze.The stainless steel component is produced through digital sheet metal forming technology,a highly competitive method that eliminates the need for custom forming tools,molds,dies,or presses.This approach allows for precise fabrication,enabling the creation of truly unique works of art. As for the bronze casting process, casting has been an enduring metallurgical technique for thousands of years.By incorporating both contemporary digital fabrication methods and time-honored bronze casting techniques,this artwork embodies the fusion of cutting-edge technology with centuries-old craftsmanship-a beautiful legacy of innovation and tradition.
Tlanāhuatīlli Nētēcahuilīztli: The artist aims to finalize the organic form with full, rounded bubbles, ensuring that the bubbles appear natural from every angle to emphasize freedom. To create maximum tension and contrast, the connection points must be minimized while still maintaining structural strength. Additionally, the form must align with the material’s characteristics to counteract the top-heavy visual effect, preventing the intended sense of lightness and freedom from turning into an overwhelming sense of oppression instead.
Tlatēmōliztli: The artist seeks to connect art and healing, believing that beauty brings joy, which fosters health and happiness. A free mind is key to well-being. He aims to create a small yet impactful artwork that transforms its surroundings into a tranquil, uplifting space, offering viewers freedom and happiness. Through art, the most natural form of healing can occur.
A static sculpture must appear dynamic. The invisible air should become visible, and heavy metal materials should radiate lightness and freedom.
Medical research confirms emotions influence health. Maintaining a positive mindset is the artist’s focus. Installed in Ube City, Japan, the piece evokes joy, encouraging viewers to pause, play, and feel free. It inspires a state of mental clarity—"net zero," a carefree, healthy mindset.
The artist believes this artwork’s therapeutic effect is its greatest real-life impact.
Tēyōllālīliztli: In archaeological activities,it is common to find partially unearthed old bottle bodies,symbolizing the essence of "discovery and exploration".In this creation,a bottle is depicted as being partially buried in the ground,subtly conveying messages about the past life of this land.It serves as a reminder that this former industrial city, through the intervention of artistic transformation,can be revitalized and become lighter, shedding its former heaviness.
For the upper part of the artwork, medical-grade 316 stainless steel is chosen for its highly reflective mirror surface,enhancing the clarity of environmental reflections while evoking a sense of eternity and technological sophistication.Meanwhile,the lower portion,which is embedded underground,is crafted from antique bronze to interpret the historical depth of the land.This contrast allows the materials themselves to tell a compelling story.
Tēquitl Cāhuitl: Sculpture creation began in Taiwan in January 2024 and was completed and installed in Japan in September. Starting in October,it was publicly exhibited at the Ube Biennale (Modern Japanese Sculpture Exhibition).The exhibition is scheduled to conclude in December 2025.
Tēquitl Ōhuitl: Everyone is welcome to touch the artwork,approach it,and interact with it.Try to let your body feel the lightness and freedom-like air-transforming that sensation into a state of spiritual liberation.If,after experiencing the artwork,you feel a sense of relaxation and healing,that brings me the greatest joy,for it means reaching a realm where art and therapy merge into one.
Īxiptla Tlanēxtīlli: Photographer (Kao,Ming-Chieh)