The Ori Chanyotl Tlacalaquilistli Ichtiukan Kalyektlaliliztli ītēchcopa Zouii Design

Tlanāhuatīlli The Ori Chanyotl Tlacalaquilistli Ichtiukan Kalyektlaliliztli ītēchcopa Zouii Design cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Bronse īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCallitic· 2025

The Ori Chanyotl Tlacalaquilistli Ichtiukan Kalyektlaliliztli

īpal Zouii Design

Tlanāhuatīlli: Zouii Design

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Callitic Tlamantli

10,901

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #168797

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa The Ori Chanyotl Tlacalaquilistli Ichtiukan Kalyektlaliliztli

Ori se chanyotl kalyektlaliliztli ipan se kalampan tlen kipia 112.3 metlatl tlaxelolli itech Taiwan. Nin chantli kipia yeyi kochiyan, se nemiyan tlapialoyan, se tlakualoyan uan ome maltiloyan. Tlauilli kiixyekana kalyektlaliliztli. Se Japantekatl pilokichpetlaniloni tlauilli kinextia kalkalaquiloyan, ixaxtli-uan-ikuayo tlaixpanyoyoltin kitlalilia ipan itlachialoyan Yanshuei Atoyatl, uan se koyoktik ilhuicatlyektli kiixyekana tlauilli itech tlakualoyan. Nin koyoktik ilhuicatlyektli noihki kiixtlapachoua tlaxkaltlalilhkalko akaokichtli tepostli ilhuicatl, ihuan kipia ipan itlanechikoltlaliliz kalli. Tepamitl tlachiualli ika chichiltik-iztak tepostetl paintli, ihuan koatlacaltin patlaualhtin xiuhpapaloti tlakuiloli tepetlatl motekaya ipan kalkalaquiloyan tlalpanko. Ome tepetlatlaxpiyaloyan patlanij ipan achi molcaxpiyaloyan.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

The Ori Chanyotl Tlacalaquilistli Ichtiukan Kalyektlaliliztli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in The Ori Chanyotl Tlacalaquilistli Ichtiukan Kalyektlaliliztli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. The Ori Chanyotl Tlacalaquilistli Ichtiukan Kalyektlaliliztli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This project's design strategy forgoes strict stylistic constraints, instead weaving a spatial language imbued with the patina of time, inspired by the homeowner's love for European vintage furniture. By balancing the tranquility of Japanese aesthetics with Scandinavian simplicity, the space merges historical depth with contemporary sensibilities. Light plays a key role: a Japanese pendant defines the entrance, floor-to-ceiling windows frame the Yanshuei River, and a curved ceiling guides illumination toward the dining area. The layout was reimagined by swapping the TV and sofa, enhancing flexibility for future adaptations.
Huēyiliztli īhuān Tlacualtepēhualli: The site spans 112.3 square meters, featuring three bedrooms, a living room, a dining area, and two bathrooms. To enhance flexibility, the design team reduced the study's size, allowing it to function as a guest or children's room in the future. The dining table was repositioned into the social area, making it a central hub for family activities rather than a separate space. Additionally, two independent storage rooms replaced fixed cabinetry, ensuring ample storage while preserving openness and spatial fluidity, creating a more adaptable and harmonious living environment.
Tōcāitl: Light Tone, Light and Shadow, Subtractive Design, Eco-friendly Building Materials, Open Plan, Reduced Design.
Tlachīhualiztli Māchiyōtl: The project's material selection focuses on natural textures and a composed aesthetic, using low-saturation tones to highlight the depth of time. The walls feature mineral paint in a milky white hue with gray undertones, creating a refined yet warm visual experience. Serpentine-patterned ceramic tiles in the entrance mimic natural stone veining, fostering a tranquil yet intricate transition. Wood and zebra patterns introduce a striking yet balanced contrast, enhancing the space with meticulous detailing. Through these elements, the design achieves a harmonious blend of subtle texture and visual depth.
Tlanāhuatīlli Nētēcahuilīztli: The greatest technical challenge of this project lay in the complexity of the kitchen's piping system. Originally, multiple pipelines were dispersed across the kitchen ceiling, requiring the design team to balance the need for concealment with the preservation of a sense of height. Ultimately, by incorporating curved ceiling elements, the design successfully minimized the visual impact of the piping. The seamless circulation, combined with a comfortable ceiling height, further enhanced the spatial fluidity.
Tlatēmōliztli: This project's design concept emphasizes 'the narrative of light and shadow' and 'subtractive design,' achieving a balance between functionality and poetic expression. Furniture revolves around the homeowner's antique European collection, seamlessly blending with Scandinavian simplicity to evoke historical warmth and modern refinement. The dining area reinforces this philosophy, using a composed backdrop that allows furnishings to shape the living narrative. By integrating light, materials, and circulation, the design crafts a space that transcends mere form, creating a harmonious and immersive experience.
Tēyōllālīliztli: A home is more than its structure and layout; it is a dynamic space filled with personal memories and emotions. This project's design concept revolves around the interplay of light, materials, and spatial flow, shaping an environment that reflects the resident's unique character. Named 'Ori,' meaning 'light' in Hebrew, the project symbolizes the fluidity of daily life illuminated by light. Envisioned in 2022, The Ori was designed as a sanctuary where light, shadow, people, and objects engage in a continuous dialogue, fostering harmony and an ever-evolving living experience.
Tēquitl Cāhuitl: The project finished in January 2024 in Taiwan.
Tēquitl Ōhuitl: Six months after completion, a follow-up visit revealed that the homeowner had already begun adjusting the furniture layout, responding to natural light, mood, and daily needs to create a more personalized living space. They praised the storage room design, noting its flexibility exceeded expectations by enhancing storage efficiency while maintaining visual simplicity. With clutter neatly organized, natural light flowed more freely, enriching the home's ambiance. This evolving interaction between space and inhabitant affirmed the design's success in fostering adaptability and harmony in daily life.
Calpolli Tlācah: Ching-Yi Lin, Hsien-Ming Hsu, Yi-Hong Tsai, Hsiu-Ting Hsieh
Īxiptla Tlanēxtīlli: Uncolored Studio