Xicpanahuī campa tlahtōlli
Time And Seasons Of Dunhuang Cāhuitl Tlapōhualli ītēchcopa Dapeng Zhang

Tlanāhuatīlli Time And Seasons Of Dunhuang Cāhuitl Tlapōhualli ītēchcopa Dapeng Zhang cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Tepoztli īpan Huehuetlacayotl ihuan Nemachiyotl Tequitiliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.


TepoztliHuehuetlacayotl· 2025

Time And Seasons Of Dunhuang Cāhuitl Tlapōhualli

īpal Dapeng Zhang

Tlanāhuatīlli: Dapeng Zhang

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Huehuetlacayotl Tlamantli

22,828

Tlapalli

Tlanēxtilistli

Ītechcopa Time And Seasons Of Dunhuang Cāhuitl Tlapōhualli

Tonalāmatl Tlahtōlli: Dunhuang Cāhuitl huān Xopantlah in cē tlahcuilōlli tlatlālīlli in quinamiqui in mūrāles Mogao Ōztōcalli īhuān in caxtōlli-huān-nāhui tōnaltin īn Chīna cāhuitlapōhualli. In tlapālli tetl-cualli īn Dunhuang oquichīuhqueh yancuīc īca tlahtōlmachiyōtl, īhuān in nehnemi mācuahuitl-huān in mahmāncatlālīlli īxiptlahuān ōmonāmictihqueh īhuān yancuīc āmatlahcuilōlli īca quīxtīlīzqueh in mīlchīhualiztli in cecen tōnalli. Cecen āmatlahcuilōlli quipiya 594 īhuān 841 milímetros īhuān mochīhua īca āyāntlālīlli tlapālōlōni tlahcuilōlli. In tlatlālīlli quitēmaca cē ōhtli īc mocencāhuaz in tlazohtlatōlli tlamachtīlli ahmo tlatlāntli, īhuān mopiya nelli huēyi cāhuitl huān yancuīc yōllōtlālīlli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Time And Seasons Of Dunhuang Cāhuitl Tlapōhualli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Time And Seasons Of Dunhuang Cāhuitl Tlapōhualli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Time And Seasons Of Dunhuang Cāhuitl Tlapōhualli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
"Dunhuang Seasonal Festivals" is an innovative design that blends the aesthetics of Mogao Caves murals with China's 24 solar terms. By reconstructing the Dunhuang mineral pigment color system and integrating brushstroke rhythms and decorative patterns, this project uses contemporary typography to visualize the agricultural philosophy of each solar term. It offers a new approach for the revitalization of intangible cultural heritage, balancing historical authenticity with modern minimalism.
Huēyiliztli īhuān Tlacualtepēhualli
594mm×841mm
Tōcāitl
Poster Design, Dunhuang Patterns, Typegraphy Design
Tlachīhualiztli Māchiyōtl
Screen Printing
Tlanāhuatīlli Nētēcahuilīztli
In terms of creative conception, it is extremely challenging to achieve the natural integration of Dunhuang elements with the structure and strokes of the font while also ensuring the readability of the font.
Regarding internal factors, having an in-depth understanding of the cultural connotations of Dunhuang and making the design conform to modern aesthetics places high demands on one's knowledge reserve and design capabilities.
Moreover, there are also problems of scattered information and difficulties in screening when it comes to the collected Dunhuang elements.
Tlatēmōliztli
Research Type: Cultural communication and design practice.
Research Objectives: To popularize Dunhuang culture and the agricultural culture related to the 24 solar terms, explore the design model that combines tradition and modernity, and provide new ideas for the cultural and creative industry.
Methodology: Sort out relevant classical documents and research materials, conduct on - site investigations in Dunhuang Mogao Grottoes, and carry out questionnaires and interviews to collect the public's understanding of traditional culture and their feedback on design works.
Data Collection and Tools: Data are collected from literature materials, on - site investigation records, and 200 questionnaires.
Participants and Experiments: Participants cover people of different ages and occupations. Around the first draft of the poster, evaluations are invited and the design is optimized accordingly.
Results: The poster integrates Dunhuang and solar - term elements. With its eye - catching design, it has been widely spread on social media, triggering enthusiastic discussions among the public about the two cultures and enhancing the cultural attention and influence.
Insights and Impacts: This research sets an example for cultural promotion, inspires creators to explore the value of traditional culture, promotes the innovation of cultural and creative product design, and enables traditional culture to integrate into modern life.
Real - world Impacts: Commercially, cultural and creative products related to the poster have a warm response, expanding the commercial value of traditional culture. Socially, it enhances the public's cultural identity and pride, and promotes cultural inheritance and development. In the design field, it leads the trend of integrating tradition and modernity, injecting vitality into the industry.
Tēyōllālīliztli
The inspiration for the project comes from the profound connection between Dunhuang murals and the Chinese 24 solar terms. The design combines Dunhuang elements with the agricultural themes of the solar terms, reinterpreting ancient visual language. The project digitally reconstructs Dunhuang mineral colors and traditional patterns, blending them with contemporary typography to breathe new life into them within the context of modern culture.
Tēquitl Cāhuitl
The project was launched in Dunhuang in November 2023, concluded in October 2024, and was exhibited at Zhejiang Sci-Tech University in November 2024.
Tēquitl Ōhuitl
The poster design facilitates profound interaction between audiences and the 24 Solar Terms and Dunhuang cultural heritage through four strategic dimensions: visual magnetism, informational storytelling, emotional resonance, and social media propagation. This multidimensional approach achieves dual cultural communication objectives - immersing viewers in traditional aesthetic philosophy while organically stimulating participatory engagement and grassroots dissemination momentum.
Īxiptla Tlanēxtīlli
Main image #1:Dapeng Zhang, Time and Seasons of Dunhuang, 2024.
Optional image #2:Dapeng Zhang, Poster display, 2024.
Optional image #3:Dapeng Zhang, Design application 1 , 2024.
Optional image #4:Dapeng Zhang, Design application 2 , 2024.
Optional image #5:Dapeng Zhang, Design application 3, 2024.

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