Flora Octopus Xochitl Octopus Tlamachihualli ītēchcopa Nana Watanabe

Tlanāhuatīlli Flora Octopus Xochitl Octopus Tlamachihualli ītēchcopa Nana Watanabe cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Bronse īpan Cozquitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCozquitl· 2026

Flora Octopus Xochitl Octopus Tlamachihualli

īpal Nana Watanabe

Tlanāhuatīlli: Nana Watanabe

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Cozquitl Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #176096

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Flora Octopus Xochitl Octopus Tlamachihualli

In Xochitl Octopus Tlamachihualli quinepanoa in yancuic cozcatl ihuan in tlamachtli tlaxinqui, quinextia ce tlacatzintli patlahuac auh miec ic momana, tlein oquimonextilih in tlamahuizolli michintin tlein onezqui ipan tlalnamiquiliztli. Amo quihuica in tepoztli nozo tetl in tlacuiloa, zan quihuica in ocuilin tlaocoltilli ihuan organza inic quichihua in tlaixtlamachtli, in atl imamanaliz, ihuan in yolizyotl ollintli. In yeicanextiliztli tlamachtiliztli quinextia in yoltiliztli ihuan in yancuicayotl, auh in chichiltic tlanepaniuhca tlapaltin quicuepa in ocuilin ipan ce tlaxinqui tlamachtiloni. Inin tlamachihualli tequiti quen cozcatl ihuan quen tlatolli, quinextia in toltecayotl ihuan in tlalticpac nemachiliztli ipan yancuic cozcayotl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Flora Octopus Xochitl Octopus Tlamachihualli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Flora Octopus Xochitl Octopus Tlamachihualli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Flora Octopus Xochitl Octopus Tlamachihualli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Flora Octopus Brooch combines textile embroidery with sculptural jewelry design, creating a lightweight yet voluminous form that resembles an imaginary marine creature. Unlike conventional jewelry made of metal or stones, it uses threads to express texture, fluidity, and movement. Its unique fusion of embroidery and three-dimensional construction highlights sustainability and artistry, offering a distinctive alternative in contemporary jewelry.
Huēyiliztli īhuān Tlacualtepēhualli: Dimensions: 16 x 18 x 15 cm
Weight: approx. 10 g
Materials: recycled polyester fabric, brass fittings, nylon.
Despite its voluminous size, the brooch is extremely lightweight, ensuring comfort and making it suitable even for delicate fabrics. The design balances artistic presence with everyday practicality. The packaging is made from recyclable paper, further emphasizing the brand's commitment to sustainability.
Tōcāitl: Embroidery, Textile Jewelry, Sculptural Brooch, Sustainable Design, Recycled Materials, Organza, Tulle, Transparency, Nature Inspired, Marine Aesthetics, Innovative Craft, Ethical Jewelry
Tlachīhualiztli Māchiyōtl: The brooch is created by layering recycled polyester organza with high-precision machine embroidery, then hand-assembling the pieces into a sculptural form. Instead of relying on traditional jewelry materials such as metal or gemstones, the design employs thread as a primary medium to construct a three-dimensional organic structure. This innovative approach redefines the boundaries of jewelry design, combining lightness, sustainability, and artistry in a single piece.
Tlanāhuatīlli Nētēcahuilīztli: The greatest challenge was transforming soft materials such as thread and fabric into a sculptural form that could maintain its structure. Conventional methods failed to provide stability, which led to the development of an original sewing and assembly technique. Another difficulty was to ensure durability while keeping the piece lightweight, so that it could be safely worn even on delicate fabrics. This was achieved through extensive material research and close collaboration with embroidery specialists. Furthermore, by filling the interior with loosely arranged tulle instead of tightly packed wadding, the design introduces a sense of air and transparency. The inner tulle subtly shines through the outer organza in a gradient effect, capturing the translucent and poetic beauty of creatures that inhabit the sea.
Tlatēmōliztli: This research set out to challenge the historical paradigm of jewelry design, which has traditionally relied on metals and gemstones, by exploring the potential of textiles as a primary medium. Through the observation of natural forms, material experimentation, and iterative prototyping, a unique methodology was developed to sculpt fabric into three-dimensional structures. In particular, the layering of organza on the exterior with softly inserted tulle inside creates an airy volume with translucency and subtle gradients of color. This technique evokes the ethereal beauty of marine life, with its transparent and fluid qualities. The result is a piece that is not only lightweight and sustainable but also expands the boundaries of jewelry, traversing the realms of fashion, craft, and art.
Tēyōllālīliztli: The design was inspired by the organic beauty of marine life, particularly the graceful yet mysterious form of an octopus. By combining floral motifs with oceanic imagery, it symbolizes both fragility and strength, evoking a sense of an imaginary paradise where nature and fantasy intertwine.
Tēquitl Cāhuitl: The project began in April 2025 in Fujisawa, Kanagawa, and was completed in June 2025. It was first unveiled at a solo exhibition in Tokyo in the same month, where it was introduced as a new approach to contemporary jewelry expression.
Tēquitl Ōhuitl: The brooch is easily attached by inserting the pin through fabric, offering a secure yet lightweight hold that does not damage even delicate garments. Once worn, it instantly transforms ordinary attire into an artful statement, embodying the organic beauty of nature. More than a decorative accessory, it offers a sensorial and expressive experience, allowing the wearer to carry a piece of sculptural poetry as part of their personal style.
Īxiptla Tlanēxtīlli: Photographer: Sayuka Tanaka, 2025