On Belay Icpalli inic Neceuhtiloni ītēchcopa Chong Zhi Yu

Tlanāhuatīlli On Belay Icpalli inic Neceuhtiloni ītēchcopa Chong Zhi Yu cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2026

On Belay Icpalli inic Neceuhtiloni

īpal Chong Zhi Yu

Tlanāhuatīlli: Nanyang Academy of Fine Arrts

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

7,215

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #178950

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa On Belay Icpalli inic Neceuhtiloni

On Belay ce icpalli inic neceuhtiloni tlen occeppa quitequitiltia mecameh tlen ayocmo motequitiltiah ipan tepetlehcoliztli. Inin mecameh, macihui ayocmo cualli ipampa tepetlehcoliztli, quipiah oc inchicahualiz ihuan incuecuetlaxihuiliz, ic inon moihquitih ipan icpalli itzintlan ihuan icuitlapan. In tlaihquitl ixco yamanqui ihuan mocuecuetlaxoa, ihuan quimoyahua in etiliztli nohuiyan ic quitemaca chicahualiztli ahmo ica tepitztic tlamantli. In icuauhyo mochihua ica Kapur cuahuitl, ica tlanepanolli ihuan tlazalolli cuauhnepaniuhqueh tlen mochicahuah ica ome cuauhtzontecomeh ipan inacaztlan. In huehueh tlaihquitiliztli monechicoa ica tepetlehcoliztli tlalpiliztli ic quilpiah in mecameh ipan icuauhyo. In icpalli quipia 600 ica 850 ica 650 milimetroh ic huehyi.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

On Belay Icpalli inic Neceuhtiloni ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in On Belay Icpalli inic Neceuhtiloni ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. On Belay Icpalli inic Neceuhtiloni quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: On Belay ingeniously repurposes discarded climbing ropes as integral structural and tactile elements of a lounge chair. Though no longer fit for safety-critical use after extended wear or falls, these ropes retain strength and flexibility ideal for furniture applications. Woven meticulously into the seat and backrest, the design redefines lifesaving equipment into a durable, sustainable, and comfortable seating experience that bridges heritage craft with modern ecological responsibility.
Huēyiliztli īhuān Tlacualtepēhualli: Width 600 mm x Depth 850 mm x Height 650 mm
Tōcāitl: Sustainable , Upcycled materials, Climbing rope, Lounge chair, Tension weaving, Recycled furniture, Knotting techniques, Outdoor , Ergonomic seating, Conceptual furniture
Tlachīhualiztli Māchiyōtl: The seating structure combines traditional weaving techniques learned in Thailand with climbing rope knotting methods to bind reclaimed ropes securely onto a Kapur wood frame. The chair’s frame uses time-honored joinery methods including lap and bridle joints reinforced with dual dowels at frame corners to ensure strength and durability.
Tlanāhuatīlli Nētēcahuilīztli: The hardest part of this project was that it was our first, so many aspects were unfamiliar, especially weaving and knotting techniques. These skills required extensive practice and patience to master. Additionally, limited information and guidance made the learning curve steep. Overcoming these challenges deepened my understanding of material manipulation and craftsmanship, which was crucial for realizing the design successfully.
Tlatēmōliztli: I focused on upcycled materials and chose climbing ropes for this project. I researched various weaving techniques and climbing knotting methods, alongside exploring line art for visual inspiration. During mock-up stages, I drilled multiple holes to find optimal positions and consulted with my mentor to determine the best structure and joinery for the chair frame. I tested different diameters of climbing ropes and ultimately selected 5mm support rope for its balance of aesthetics and comfort. I am very satisfied with the final product. This design taught me that upcycling can be both practical and visually appealing.
Tēyōllālīliztli: Inspired by the themes of safety, trust, and connection inherent in rock climbing culture, On Belay transforms retired climbing ropes symbols of protection and resilience into core materials for furniture. These ropes embody stories of endurance and rebirth, and through creative upcycling, the design offers a poetic metaphor for rest and renewal, highlighting sustainable innovation intertwined with emotional narratives.
Tēquitl Cāhuitl: This Project started in August 2025 in Singapore NAFA and finished in NAFA's workshop.
Tēquitl Ōhuitl: The woven climbing rope seat provides a soft, flexible surface that naturally conforms to the human body, evenly distributing weight to deliver ergonomic support without rigid components. Its minimalist yet stable construction fosters a sense of security and calm, evoking the trust foundational to climbing safety. This tactile interaction invites relaxation and mindfulness, transforming the chair into a restorative haven for body and mind.