Trenta Icpalli ica imamahuan ītēchcopa Ibanez Razzera and Lorenzo Razzera

Tlanāhuatīlli Trenta Icpalli ica imamahuan ītēchcopa Ibanez Razzera and Lorenzo Razzera cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Iztacteocuitlatl īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCaltlapechtli· 2026

Trenta Icpalli ica imamahuan

īpal Ibanez Razzera and Lorenzo Razzera

Tlanāhuatīlli: Razzera

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Caltlapechtli Tlamantli

20,330

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #181457

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Trenta Icpalli ica imamahuan

Trenta ce icpalli ica imamahuan tlen quipia ce tepotzicpalli huelitini momalacachoa. Ce tepoztlamachiyotl icuitlapan quitlalia yei tlanacaztli ic mocuepa in tepotzicpalli, ic in icpalli cualli ipan tlahtolli ahnozo ic mocehuiz. In itzintlan mochihua ica Tauri cuahuitl tlapalilli tlen hualehua itech cuauhtlatoquiliztli occepa, ihuan in icalihtic mochihua ica cuauhamatl tlachihchiuhtli quen tonacayo. In cuauhtlamantli momachiyotia ica CNC tepoztlatequitl huel melahuac, auh in cuetlaxtli yolizmatqui tlaquentiliztli mochihua ica maitl. In tepoztlamantli quiselia ce tlapaliztli electrostatica. Coltic tlahuahuanaliztli tlen amo tlami ihuan yamanqui tlapatlaliztli quimaca in icpalli ce tlachihchiuhtli quen tetlacuicuitl. Ce icxipepechtli tlen quinamiqui quitlamia in tlacencahualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Trenta Icpalli ica imamahuan ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Trenta Icpalli ica imamahuan ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Trenta Icpalli ica imamahuan quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The design stands out for its innovative backrest adjustment system, offering three distinct comfort levels via a metallic mechanism on the rear. Its aesthetic is marked by high-complexity wood machining, featuring continuous curved lines and fluid transitions. Reconciling ergonomic excellence with a sculptural form, the chair adapts for both social interaction and deep relaxation, showcasing a sophisticated balance between technology and craftsmanship.
Huēyiliztli īhuān Tlacualtepēhualli: Armchair: Width 790mm x Depth 1040mm x Height 860mm. Ottoman (Puff): Width 620mm x Depth 500mm x Height 370mm. Primary Materials: Tauri Wood, Natural Leather, and Carbon Steel. The design integrates an internal anatomical plywood shell and a stained solid wood base.
Tōcāitl: Armchair, Trenta, Wood, Organic
Tlachīhualiztli Māchiyōtl: The production combines high-precision CNC machining for the wooden components with artisanal upholstery. The base is crafted from reforestation Tauri wood with a stained finish, while the internal structure features anatomical plywood. Metallic parts receive a durable electrostatic coating. This synergy between advanced automation and reforestation wood sourcing ensures structural integrity and environmental responsibility for the high-end market.
Tlanāhuatīlli Nētēcahuilīztli: The main technological challenge was reconciling the organic, fluid lines of the original sketch with the constraints of industrial production. Executing the complex wood machining required significant software optimization and a high degree of technical synergy with the manufacturing chain. Developing the integrated metal adjustment system within a wooden structure also demanded meticulous engineering to maintain structural durability without compromising the sculptural silhouette.
Tlatēmōliztli: This applied research bridges artistic sketching with industrial precision to achieve fluid forms and elevate the regional furniture cluster's potential. Using iterative 3D modeling and CNC optimization via CAD/CAM tools, designers worked with machine programmers and Italian consultants. Results include an innovative reclining system and complex joinery, proving that design complexity and reforestation sourcing drive regional technological growth and luxury business value.
Tēyōllālīliztli: The inspiration stems from the desire to transform wood into a fluid language, where sinuous curves challenge the boundary between creative manual sketches and precision engineering. This project invites the viewer to explore its tridimensional details, offering a sensory journey through natural materials and high-end manufacturing.
Tēquitl Cāhuitl: The armchair was developed in 2021 (or late 2020) as part of a commemorative collection in Brazil.
It was officially launched on the market in early 2022. It was one of the highlights at ABIMAD'33 (Brazilian Furniture and High Decoration Accessories Fair), which took place between February 1st and 4th, 2022, in São Paulo.
Tēquitl Ōhuitl: The user interacts with the piece through a manual adjustment system located on the backrest. By operating the metallic mechanism, the chair reclines into three specific comfort angles. This feature allows for a personalized experience, transforming the object from a standard armchair into a lounging piece. The transition is smooth and intuitive, emphasizing user-centric design and functional versatility.
Calpolli Tlācah: Ibanez Razzera
Lorenzo Razzera
Īxiptla Tlanēxtīlli: Photographer Roberto Majola, Main image, 2022
Photographer Roberto Majola, Optional Image #1, 2022
Photographer Roberto Majola, Optional Image #2, 2022
Photographer Roberto Majola, Optional Image #3, 2022
Photographer Roberto Majola, Optional Image #4, 2022
Video Credits Roberto Majola, 2022