Great Blue Hole Cozcatl ītēchcopa Jung Ki Min

Tlanāhuatīlli Great Blue Hole Cozcatl ītēchcopa Jung Ki Min cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Bronse īpan Cozquitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCozquitl· 2026

Great Blue Hole Cozcatl

īpal Jung Ki Min

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Cozquitl Tlamantli

8,583

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #182523

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Great Blue Hole Cozcatl

Great Blue Hole ce cozcatl tlen omoyolchiuh ica inon hueyi ateoztotl atlihtic itoca no ihqui, tlen ca Belice. Inin tlachihualiztli quicuepa ce hueyi tlalnantli yuhcatlalli ipan ce tlachihualli tlen huel motlaquentia iuhqui tepozmachiyotl. Tepoztli tlatlapantli momana ipan tepozmecatl tlen ahmo neneuhqui inhuehueyaca, ic mochihua tlatzintiliztli ihuan huecatlan tlachializtli. Omotequitili tepoztequiliztli, tepozatiliztli, tlapetlaniliztli ica esmalte, tetl tlatlaliliztli, chasing ihuan repousse ic mochihuazque in tlachihualli ihuan in ixco tlamachiyotl. Inin cozcatl quipia 130 mm ipatlahuaca, 15 mm ihuecatlan ihuan 75 mm ihuehcapan, ica ce epyollotl mecatl tlen quipia 450 mm. In tlacanacayotl inenemiliz quiolinia in tlanextli ipan in tlatlapantli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Great Blue Hole Cozcatl ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Great Blue Hole Cozcatl ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Great Blue Hole Cozcatl quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Huēyiliztli īhuān Tlacualtepēhualli: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Tōcāitl: silver, necklace, jewelry, natural
Tlachīhualiztli Māchiyōtl: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Tlanāhuatīlli Nētēcahuilīztli: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Tlatēmōliztli: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Tēyōllālīliztli: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Tēquitl Cāhuitl: The project started in August 2018 in New York, USA, and was completed in May 2019.
Tēquitl Ōhuitl: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Īxiptla Tlanēxtīlli: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.