Carimbo Machiyosello ītēchcopa Igor Pinheiro

Tlanāhuatīlli Carimbo Machiyosello ītēchcopa Igor Pinheiro cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Tepoztli īpan Tlacuilolli, Tlacuilolixiptlaliztli ihuan Tlachialtlanonotzaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliTlacuilolli· 2020

Carimbo Machiyosello

īpal Igor Pinheiro

Tlanāhuatīlli: Igor Pinheiro

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Tlacuilolli Tlamantli

11,175

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #84998

Xicnēxtia axcān Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Carimbo Machiyosello

Ce machiyosello inic machilos in aquin iyauhca uan in itequiuh, uan quinhuicas nohuian. Pehualis, in tlanequilis catca temos ce otli inic panoltis in tlalpac amo digital. Zan yuhqui ce negocios tarjeta, zan cuali, zan tepiton tlaxtlahuili uan quipixtis in tlalpac. Inic ce sello motemohqui. Ce toca-machiyo. In inepantlah quinamictia Igor in ohuic uan cualnesi chihualisyolotl, auh in yahualtic tlatsacualis quitzompeuhtia ipan atl-nemilis uan quimaca tlanequilis. Inon omentin tlamiah ce textura inic in tlili huelis nenis ipan, quimacah cuali tlapiyalis inic iyauhca marca personal. Tlamiyan, Minion Pro chipactic tlahcuiloa in tlanonots informacion.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Carimbo Machiyosello ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Carimbo Machiyosello ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Carimbo Machiyosello quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: A stamp to identify its owner and his work and take it everywhere. The inner part represents Igor's confusing and beautiful creative process, while the round frame wraps it up in fluidity and gives it purpose. These two combined build a texture the ink can flow through, providing the perfect support to his personal brand. At last, Minion Pro gracefully writes the contact information.
Huēyiliztli īhuān Tlacualtepēhualli: Measuring 38,1 x 38,1 mm (1,5 x 1,5 in), this stamp was made to fit anywhere, from Post-its to envelopes, and yet bear appropriate readability. It's a point to attract the eye and it's a circle to seize space.
Tōcāitl: stamp, carimbo, paper, tinta, design, signature, custom made, business card, ink, rubber stamp
Tlachīhualiztli Māchiyōtl: Tools used for the completion of the project itself include Adobe Illustrator, Adobe Bridge, a MacBook Pro and a Wacom Intuos tablet. Later, Adobe Photoshop, a Nikon D3200 and some Nikkor lenses were additionally used for the presentation construction.
Tlanāhuatīlli Nētēcahuilīztli: One of the most challenging aspects was whether a design so intricate could be done. The question was about it being either feasible or just a bleed-prone design. It should produce sufficient clarity, not only to its ornaments but to type these supported. However, the crucial point was the availability of suppliers that could deliver the stamp. Manual etching was not a practical option, so finding a capable rubber-stamp maker was key. Those aspects, once met, proved Carimbo possible.
Tlatēmōliztli: The functioning and visual language behind stamps were under careful observation. It was to understand how they work and their characteristics. Research demonstrated how some designs often aid inherent stamping limitations. By using ornaments perhaps too complex for such a limited medium, they become canvases for misprints. The outcome is a unique textured combination of deliberate features and pure chance. This reasoning informs engraving attributes, e.g. contrast, as it did this project's.
Tēyōllālīliztli: The stamp is a signature. That's the sentence that best summarizes this project. At first, the intention was to find a way of approaching the offline world. Something like a business card, only classier, cheaper and environment friendly. So a stamp (carimbo) was the choice. A stamp to identify its owner and his work and take it everywhere. A signature.
Tēquitl Cāhuitl: The project began in about August 2014 in Caruaru. Occasional sketching and research filled the following five to six months leading into 2015. The final design was, then, worked on, tested, its corresponding rubber stamp ordered. Photos were taken, assets were made. A month or so later, Carimbo was published in March 2015.
Tēquitl Ōhuitl: You make sure the rubber stamp is clean, as not to yield unwanted artifacts. Dab it on an ink pad a few times, on several spots to get a thorough spread. To remove any excess and so avoid bleeds, do it over briefly right before stamping. Now press it on a clean flat paper surface. Apply even pressure across the mount in a gentle but firm manner. Wait, then pull the stamp up with a swift motion. Tilt the handle with caution towards one direction, if a specific part of the print lacks legibility.
Patentēmeh: Copyrights belong to Igor Pinheiro, 2015.
Īxiptla Tlanēxtīlli: Image #1: Art Director Igor Pinheiro, Last Slide, 2015.
Image #2: Art Director Igor Pinheiro, Paper, 2015.
Image #3: Art Director Igor Pinheiro, Stamp 2, 2015.
Image #4: Art Director Igor Pinheiro, Frame, 2015.
Image #5: Art Director Igor Pinheiro, Stamp, 2015.