Fluids Tequitl Monechicoa ītēchcopa Kevin Sun

Tlanāhuatīlli Fluids Tequitl Monechicoa ītēchcopa Kevin Sun cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Bronse īpan Tlaixnamiquiliztli, Nenonotzaliztli ihuan Tlatequipanoliznemiliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseTlaixnamiquiliztli· 2020

Fluids Tequitl Monechicoa

īpal Kevin Sun

Tlanāhuatīlli: Gooest Media Technologydaqing Co., Ltd

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Tlaixnamiquiliztli Tlamantli

15,009

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #91012

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Fluids Tequitl Monechicoa

Fluids ce monechicolli tlein monextilia ika tlahuilli inic quichihua ixiptlayotl atl tlein melahuac motlaloa. Chicuace huehueyi tlanextilizmachiotl (high definition projectors) quitzacua ce tlaixnextilizpetlatl (projection screen) tlein 32 metlatl ihuan 4 metlatl ipatlahuac, ihuan ome tepoztlachiya (radar sensors) quimatih intla acameh quimatoca ixnextilizpetlatl. Ihcuac ce temachtiliani quimatoca petlatl, canin motocah huica ce huehueyi tepoztlahtolli (computer) ihuan ixiptlayotl monenehuilia ipan on canin motocac. Temachtilianimeh no huelih moquetzah zan quen catcah ipan tlanextli ihuan mochihuah cetiliztli ipan ixiptlayotl para occequintin tlachixqueh. In nechicolli ontlamih chicuacen tonalcuepohtli ihuan ompohualli-mahtlactli tonalcuepohtli (6 minutos ihuan 40 segundos). In olini omochiuh ika ce tlahtolmachiotl (model) tlein quinemilia quenin momoloni ihuan motlaloa atl (computational fluid dynamics).

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Fluids Tequitl Monechicoa ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Fluids Tequitl Monechicoa ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Fluids Tequitl Monechicoa quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: FLUIDS is an important part of our interactive art programs. The audiences can touch the wall make interactions to feel the change in the picture by touching the wall or to enjoy it quietly standing in the scene. When other audiences touch the wall, the audience also is integrated into the project as part of the picture. And other audiences can also enjoy a unique viewing experience when they view from the perspective of the observer.
Huēyiliztli īhuān Tlacualtepēhualli: HD Projectors: 6 sets, 11520px X 1200px;
Computer:1 set;
Projection screen: 32M*4M;
Radar recognition: 2 sets;
Duration: 6 minutes and 40 seconds
Tōcāitl: interaction, multimedia installation, digital art, light&shadow art,experience,surroundings,philosophy,exhibition
Tlachīhualiztli Māchiyōtl: This software used photoshop for the initial art creative design. During the software development phase, Unity3D was used to compile and produce the software logic design. Experiment design using (CFD) Computational Fluid Dynamics model.
Tlanāhuatīlli Nētēcahuilīztli: All along, how to make the flow of liquid flow more realistic on the basis of digital interaction, make the flow more artistic aesthetic is the main technical difficulty.
After a lot of time for analog design and actual calculation, and through a large number of audience data feedback results fusion, to get the results of the current extremely beautiful. And as far as possible to make it suitable for a variety of scenes for interactive appreciation. In the software operation, the software is optimized without reducing the aesthetic feeling and feeling effect, so that the software can be carried out at a lower cost of hardware.
Tlatēmōliztli: In the process of R & D, we design and develop iteratively, with a total of nine version types. Each version we conducted a small range of audience experience tests. Based on the feedback from the audience, we optimize and design logically. This will make us more targeted from the audience's point of view to create the project, and finally complete the release of the current version. This project is a very modular design concept, will make the software upgrade and change when according to the needs of different customers.
Tēyōllālīliztli: This project started through the abstract artistic conception way, with the help of digital multimedia form to redefine the light, and the light line into the visual effect such as liquid flow, subvert the perception of light within the cognitive, break the boundary line of the inherent cognitive form of light. Lost, immersed, reborn; fluid carries forward, converging into a powerful stream of consciousness, expressing the attachment, antagonism and blending of human life and nature.
Tēquitl Cāhuitl: The project was started in May 2019 in Daqing, and finished in June 2019. It is an important part of the interactive art program of Gooest Technology in 2019 and is a special exhibition at the first Digital Art Innovation Development and Cross-Border Integration Summit (held in 2019).
Tēquitl Ōhuitl: People interact with the screen. When the audience touches the screen, it recognizes and judges where the screen touched and feeds it back to the computer for data processing. At this time, the screen produces a feedback effect at the position touched by the audience. Achieve a visual experience of human-picture interaction.
Calpolli Tlācah: Kevin Sun
Īxiptla Tlanēxtīlli: Image #1: Creator Kevin Sun, FLUIDS, 2019.
Image #2: Photographer Kevin Sun, FLUIDS, 2019.
Image #3: Photographer Kevin Sun, FLUIDS, 2019.
Image #4: Photographer Kevin Sun, FLUIDS, 2019.
Image #5: Photographer Kevin Sun, FLUIDS, 2019.