Wonderland Tlanextiliztli Calli Ihtic Tlachihchiualiztli ītēchcopa Chengzhe Zhang

Tlanāhuatīlli Wonderland Tlanextiliztli Calli Ihtic Tlachihchiualiztli ītēchcopa Chengzhe Zhang cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Iztacteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCallitic· 2020

Wonderland Tlanextiliztli Calli Ihtic Tlachihchiualiztli

īpal Chengzhe Zhang

Tlanāhuatīlli: Shanghai Hongshida Real Estate Development Co., LTD

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

24,169

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #92667

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Wonderland Tlanextiliztli Calli Ihtic Tlachihchiualiztli

Wonderland ca ce tlanextiliztli calli ihtic tlen Shanghai, China. In tlachihchiualiztli quiza itech Taoyuan Wonderland, ce tlalixcopincayotl tlen oquichiuh in Ming tlahtocayotl tlacuiloani Qiu Ying, ihuan quitequitiltia xoxoctic, tlaztaltic ihuan iztac tlapaltin ipan ce yolcehuiloyan. Ce nextic tetl tepantli achto quitlatia in tlachializtli, ihuan in hueyi mahtlactli metro ihcaticapa calli neci ipan in ohtli. In tlahco ohtli quihuica campa in tlanechicoliztli, campa in tlanextiliztli ihuan campa in atlaqualoyan. In tlatzintlan mani amoxpehpechtin ihuan tlachichiuhtin coyoctic tzacualtin quinxexeloa in tlaltepamitl. Ce pilcatoc tehuilotl tlachihchiualiztli tlen occenca 5,000 xocotl xochizhuayotl omomanaya ica maitl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Wonderland Tlanextiliztli Calli Ihtic Tlachihchiualiztli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Wonderland Tlanextiliztli Calli Ihtic Tlachihchiualiztli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Wonderland Tlanextiliztli Calli Ihtic Tlachihchiualiztli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Huēyiliztli īhuān Tlacualtepēhualli: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Tōcāitl: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Tlachīhualiztli Māchiyōtl: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Tlanāhuatīlli Nētēcahuilīztli: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Tlatēmōliztli: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Tēyōllālīliztli: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Tēquitl Cāhuitl: The Project started in January 2018 in Shanghai China
Tēquitl Ōhuitl: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Calpolli Tlācah: Mingxin Lu
Yunhui Tang
Īxiptla Tlanēxtīlli: Main Image: Photographer Hai Zhu, 2018