The Japanese Forest Ixiptlahcuiloliztli ītēchcopa Masaru Eguchi

Tlanāhuatīlli The Japanese Forest Ixiptlahcuiloliztli ītēchcopa Masaru Eguchi cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlaixcopinaliztli ihuan Tlaixcopinalpatlaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTlaixcopinaliztli· 2020

The Japanese Forest Ixiptlahcuiloliztli

īpal Masaru Eguchi

Tlanāhuatīlli: Sunpono

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlaixcopinaliztli Tlamantli

51,313

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #95058

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa The Japanese Forest Ixiptlahcuiloliztli

In Xapontlacah cuauhtlah omochih itech ce Xapontecah teoyotl neixcuitiliztli. Ce huehueh Xapontecah teoyotl itoca Animismo. Animismo neltocaliztli ca ahmo tlacameh yolqueh, ahmo yolqui tlamantli (tetl, tlachihualoni, oc cequintin) ihuan ahmo mottani tlamantli no quipiayah nequiliztli. Ixiptlahcuiloliztli quinnami inon. Masaru Eguchi quitlachihuilia in tlamantli techyolpachihui ipan tlayolpachihuiliztica. Cuauhtin, zacatl ihuan tetl quimattih in yoliztli tequitl. Ihuan noihqui tlachihualoni iuhquin atlamaxalli ohualcauhqueh itech cemanahuactli hueyi cahuitl quimattih in nequiliztli. Iuhqui tiquittah in ahmo tlamanelhuilli cemanahuactli, in moztla quitazqueh in axcan cemanahuacayotl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

The Japanese Forest Ixiptlahcuiloliztli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in The Japanese Forest Ixiptlahcuiloliztli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. The Japanese Forest Ixiptlahcuiloliztli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Huēyiliztli īhuān Tlacualtepēhualli: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Tōcāitl: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Tlachīhualiztli Māchiyōtl: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Tlanāhuatīlli Nētēcahuilīztli: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Tlatēmōliztli: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Tēyōllālīliztli: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Tēquitl Cāhuitl: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Tēquitl Ōhuitl: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Patentēmeh: Copyright: Masaru Eguchi
Īxiptla Tlanēxtīlli: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.