Kinetic Chinese Characters Nehnemi Tlahcuilolli ītēchcopa Li Xinlin

Tlanāhuatīlli Kinetic Chinese Characters Nehnemi Tlahcuilolli ītēchcopa Li Xinlin cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Tepoztli īpan Yancuicchihualiztli, Tlapohualiztepoztli, Tlanahuatiltepoztli ihuan Tepoztlalnamiquiliztli-Palehuilli Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliYancuicchihualiztli· 2020

Kinetic Chinese Characters Nehnemi Tlahcuilolli

īpal Li Xinlin

Tlanāhuatīlli: Li Xinlin

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Yancuicchihualiztli Tlamantli

24,163

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #96658

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Kinetic Chinese Characters Nehnemi Tlahcuilolli

Kinetic Chinese Characters ce tlamantli caxtolli huan ce nehnemi tlahcuilolli tequitl, tlen mochihua ipan in tlapohualtin tlen chino tlahcuilolli. Cecen tequitl quipia occe tlamantli tlen ica mopohua, huan mochihua zan ica computer tlahtolli huan algoritmos, ica Processing. Ihcuac motlalia in generative technology, in tlahcuilolli achto tlamantli tlen tlahuel melahuac catca, axcan mopatla huan huel miec tlamantli ompa panoz tlen ahmo huelitl monequi. Cecen tequitl quipia ce tepitzin amoxtlahtolli tlen quitemachtia, ipan in Asia huehuenechico tlen mocenpohua in xochitlahtolli huan tlacuilolli. Inin tequitl quinextia quenin in nehnemi tlahcuilolli hueliti motlalia ipan chino tlahcuilolli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Kinetic Chinese Characters Nehnemi Tlahcuilolli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Kinetic Chinese Characters Nehnemi Tlahcuilolli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Kinetic Chinese Characters Nehnemi Tlahcuilolli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Huēyiliztli īhuān Tlacualtepēhualli: Media & Print matter
Tōcāitl: Kinetic , Typography , Generative , Chinese Characters
Tlachīhualiztli Māchiyōtl: Processing and based on openprocessing.org
Tlanāhuatīlli Nētēcahuilīztli: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Tlatēmōliztli: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Tēyōllālīliztli: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Tēquitl Cāhuitl: 2019, College of Fine Arts, Seoul National University.
Tēquitl Ōhuitl: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Patentēmeh: LI XINLIN
Calpolli Tlācah: LI XINLIN
Īxiptla Tlanēxtīlli: LI XINLIN