Designet Fab Primærfunksjon: Interiørdesign for kino av Xiang Li er en høyt verdsatt vinner av den svært prestisjetunge 2021 A' Design Award i Sølv i konkurransekategorien Interiør- og utstillingsdesign.
SølvInteriør· 2021
Fab Primærfunksjon: Interiørdesign for kino
av Xiang Li
Klient: X+Living
Vinner av A' Design Award i Sølv i kategorien Interiør
Verifisert prisvinner
Verifiser prisstatus for #111752Designet
Om Fab Primærfunksjon: Interiørdesign for kino
Fab er et kinointeriør i Xi'an, Kina, med et gulvareal på 1150 kvadratmeter. Designet flytter en filminnspillingsscene inn i hovedhallen, slik at besøkende blir både et virkelig publikum og en tenkt deltaker i en filmproduksjon. Spesialtilpassede møbler støtter temaet, inkludert en badekar-sofa, hvilesteder i regissørstil og en billettluke formet som en kulisseeske. En loungebar og underholdningselementer som en gripeklo-maskin er kombinert med fire visningshaller. Akustiske krav og sittekomfort ble vektlagt gjennomgående.
Anerkjennelsen
Om A' Design Award i Sølv
Fab Primærfunksjon: Interiørdesign for kino er vinner av A' Design Award i Sølv, en usedvanlig prestisjefylt anerkjennelse som tildeles design i toppklassen som er nydelige og imponerende. Sølvvinnere er enormt briljante og usedvanlig kreative verk som viser designernes enestående ekspertise, talent og skarpsindighet. Fab Primærfunksjon: Interiørdesign for kino forventes å være et praktfullt utstillingsverk som er bemerkelsesverdig profesjonelt og dypt nyskapende. Dette designet, som har vunnet A' Design Award i Sølv, er en svært bemerkelsesverdig, beundret oppfinnelse som gagner og flytter grensene for kunst, vitenskap, design og teknologi. Fab Primærfunksjon: Interiørdesign for kino er et skaperverk mange misunner, som vekker ønsker, gir positive følelser og vekker undring og forundring.
Bak designet
Pressepakke
Krediteringer, teammedlemmer og tekniske detaljer levert av designeren.
- Unike egenskaper
- The design of the theater is different from traditional theaters. The project is not only rendering the film sense with different forms, but also giving the audiences dual identities, both an audience in the reality and a participant of the movie-shooting in the imagination. They are connected and laid down to enter the film world step by step. And instead of waiting boringly, they will enter an active participation sparticipation state through the mobilization of the atmosphere.
- Dimensjoner og emballasje
- The floor area of this project is 1150 sqm.
- Stikkord
- Li Xiang, retail, cinema, interior design, xliving, China
- Produksjonsteknologi
- Through some interesting customized furniture, we have taken the theme of the entire space to the extreme. Bathtub sofa, director's rest seat, as well as the ticket counter that imitates the set box, etc, all satisfy the function while cooperating with the creation of the theme, allowing consumers to experience the charm of the movie in an immersive atmosphere.
- Designutfordring
- The biggest challenge is how to break the trditional pattern. It is easily to be misunderstood that the design ignores functions while completing the aesthetics, but in fact, all the specific requirements of the acoustics environment and the comfort of the audience are all under our consideration at the beginning. We believe that the cinema should undergo a transformation of spatial attributes. It should meet the increasingly vigorous social needs of young people. Simply relying on the sale of movie tickets cannot allow it to maximize the value of a commercial space. So we broke through this situation and completed this design.
- Forskning
- Traditional theaters pay more attention on panoramic sound effects and the viewing experience on the screen while they lack creativity. The single business model of selling tickets and snacks, it weakens the experience and expectations that the venue can give the audienceThrough the design of this project, we have found a possibility that may be able to answer the problem of the future development of the theater.
- Inspirasjon
- The inspiration for the project comes from the movie itself. We moved the shooting scene of film production to the main hall of the theater. We hope that the audience will be immediately impressed by the dramatic scene the moment they enter the theater. At the same time, through the integration of different entertainment facilities, the interaction between the audience and the cinema is not limited to watching the movie itself, which increases the possiblity of their consumption.
- Prosjektvarighet
- The project finished in January 2020 in Xi'an, China.
- Driftsflyt
- According to the original plane, we can only build four relatively square video halls. Since this space pattern is difficult to provide rich viewing, instead of focusing on decoration, we integrated the space with other formats with similar entertainment attributes to build an avant-garde new cinema space. We moved the lounge bar into the theater space. It is not only an independently operable space, but also symbiotic and mutually beneficial with the cinema. The experiential claw machine and other entertainments also stimulates consumers to extend their stay in the theater, maximizes the value of the space.
- Teammedlemmer
- Lead Designer: Li Xiang
Project Director: Ren Lijiao
Project Director: Wu Feng - Bildekreditering
- Image#1: Photographer Shao Feng, FAB Cinema, 2019.
Image#2: Photographer Shao Feng, FAB Cinema, 2019.
Image#3: Photographer Shao Feng, FAB Cinema, 2019.
Image#4: Photographer Shao Feng, FAB Cinema, 2019.
Image#5: Photographer Shao Feng, FAB Cinema, 2019.
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