Concavity and Convexity Interiør for mottakssenter av Kevin Hsieh and Yunshuang Lin

Designet Concavity and Convexity Interiør for mottakssenter av Kevin Hsieh and Yunshuang Lin er en høyt verdsatt vinner av den svært prestisjetunge 2022 A' Design Award i Jern i konkurransekategorien Interiør- og utstillingsdesign.

JernInteriør· 2022

Concavity and Convexity Interiør for mottakssenter

av Kevin Hsieh and Yunshuang Lin

Klient: Form Space Design

Vinner av A' Design Award i Jern i kategorien Interiør

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Designet

Om Concavity and Convexity Interiør for mottakssenter

Concavity and Convexity er et mottakssenter i to etasjer, plassert i Taoyuan, Taiwan. Interiøret kombinerer klassiske linjer med moderne materialer. Galvaniserte nettpaneler er brukt som skjermer og som himlinger rundt trappene. Nettverket slipper lys gjennom, slik at lys og skygge beveger seg over de enkle, hvite veggene. En korridor med svarte og hvite striper og svarte speil skaper en visuell effekt som ligner en tunnel. Taket er utformet som en asymmetrisk, utskåret collage i stedet for et symmetrisk oppsett. Designet er inspirert av maleriene til Pierre Soulages.

Anerkjennelsen

Om A' Design Award i Jern

Concavity and Convexity Interiør for mottakssenter er vinner av A' Design Award i Jern, en prestisjefylt anerkjennelse som tildeles gode design som oppfyller de profesjonelle og industrielle kravene man forventer av veldesignede skaperverk. Jernvinnere viser stor dyktighet, høy spesialisering, ekspertforståelse og kreativ kapasitet hos skaperne. Concavity and Convexity Interiør for mottakssenter forventes å være et høyt ansett, beundret og verdsatt skaperverk som er praktisk og nyskapende. Dette designet, som har vunnet A' Design Award i Jern, integrerer bransjens beste praksis og har kompetente tekniske egenskaper knyttet til kunnskap og talent. Concavity and Convexity Interiør for mottakssenter respekteres for sin grundighet og er utformet for å gi forbedringer i livskvalitet som bidrar til å gjøre verden til et bedre sted.

Bak designet

Pressepakke

Krediteringer, teammedlemmer og tekniske detaljer levert av designeren.

Unike egenskaper: The interior is designed with modern elements to interpret the classical style, bringing galvanized mesh panels into the space as screens and ceilings between staircases. The mesh panel has a penetrating characteristic to bring in light, so that the space can form natural ripples and dance with light and shadow. This design creates an artistic and stylish appearance through the use of contradictory elements.
Dimensjoner og emballasje: Construction began in February 2021 and was completed in June 2021.
The total square footage is 1170 square meters. Located in Taoyuan, Taiwan, the two-story reception center includes a meeting area, audio visual room, exhibition area, VIP ROOM, pantry and lounge.
Stikkord: Symmetry, neoclassical, modern, material experimental, Corinthian Order, corrugated sheet, Pierre Soulages
Produksjonsteknologi: The concept of the corridor comes from Pierre Soulages paintings, using black and white stripes and black mirrors to create a visual interlacing effect, like a time tunnel. Through the mirror effect, light and different materials blending with each other, enlarging the depth of field and bringing spaciousness. The design of the ceiling is different from the common symmetrical approach, and is illustrated by asymmetrical collage carvings, allowing the classical to be presented in a modern form.
Designutfordring: This is not a newly built project, but a retrofit of the original building. Corrugated sheet and galvanized mesh panels are the symbol of inexpensive materials in Taiwan, often used in factories and countryside bungalows. In this case, the designer has taken a common, mundane material and elevated its value with the use of color palette, structure and classical elements to make it both modern and technological.
Forskning: In Pierre Soulages paintings, the squeegee is used to create strong color blocks and stripes on the paint. The texture becomes the visual focal point, and the presence of light is felt in the concavity and convexity of the paint. Therefore, this project is based on the development of a classical and modern space, full of texture and the flow of light and shadow.
Inspirasjon: Inspired by the abstract painter Pierre Soulages, the design explores the changing relationship between black, line and light through Pierre Soulages powerful and textured style of painting. The designer uses light as a design element, and through the reflection and interplay of colors and spatial textures, a sense of natural rhythm is derived from the space.
Prosjektvarighet: This project is built in Taiwan.
Driftsflyt: The designer installed galvanized mesh panels and metallic water ripple glass panels in the staircase, open the sense of space through the large vertical window openings. With a large amount of light and plain white walls, the designer let the expression of the space change with the weather and time of day.
Patenter: Copyrights belong to Form Space Design.
Teammedlemmer: Kevin Hsieh
Yunshuang Lin
Bildekreditering: Photographer: Hezi Studio