Looping Flower Ikebana Kulturrom av Ni Jie Guo

Designet Looping Flower Ikebana Kulturrom av Ni Jie Guo er en høyt verdsatt vinner av den svært prestisjetunge 2024 A' Design Award i Bronse i konkurransekategorien Interiør- og utstillingsdesign.

BronseInteriør· 2024

Looping Flower Ikebana Kulturrom

av Ni Jie Guo

Klient: Blankspace

Vinner av A' Design Award i Bronse i kategorien Interiør

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Designet

Om Looping Flower Ikebana Kulturrom

Ikebanakunsten er en meditasjon over livet i de fire årstidenes flyt, som omfatter den ultimate fangsten av flyktige øyeblikk i japansk estetikk, rekonstruksjonen av blomstenes og greinenes liv, og den innovative kollisjonen mellom struktur og estetikk. Designet av hele rommet bygger på ånden i Kusatsuki-ryu, ekstraherer elementer fra tradisjonell japansk arkitektur og omdanner dem til et moderne arkitektonisk språk, samtidig som det utforsker forholdet mellom samtidsarkitektur og estetikk gjennom abstrakte japanske elementer.

Anerkjennelsen

Om A' Design Award i Bronse

Looping Flower Ikebana Kulturrom er vinner av A' Design Award i Bronse, en høyt prestisjefylt anerkjennelse som tildeles enestående design som utmerker seg ved kreativitet, oppfinnsomhet og skarpsindighet. Bronsevinnere er rikt dyktige og påfallende kreative gjenstander som bekrefter designernes store erfaring, fantasi og ressurssterkhet. Looping Flower Ikebana Kulturrom forventes å være en høyt ansett, beundret og verdsatt gjenstand som er bemerkelsesverdig profesjonell og nyskapende. Dette designet, som har vunnet A' Design Award i Bronse, rommer beste praksis innen kunst, vitenskap, design og teknologi og utmerker seg ved sin omtanke for detaljer. Looping Flower Ikebana Kulturrom tilfredsstiller behov på en strålende måte, berører ønsker, sjarmerer følelser og vekker nysgjerrighet.

Bak designet

Pressepakke

Krediteringer, teammedlemmer og tekniske detaljer levert av designeren.

Unike egenskaper: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Dimensjoner og emballasje: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Stikkord: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Produksjonsteknologi: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Designutfordring: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Forskning: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Inspirasjon: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Prosjektvarighet: The project started in August 2022 and finished in December 2022 in China .
Driftsflyt: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Teammedlemmer: NI JIE GUO
Bildekreditering: BLANKSPACE