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Guanshan Merkeidentitet by Hong Jia Min
Guanshan Merkeidentitet by Hong Jia Min
Guanshan Merkeidentitet by Hong Jia Min
Guanshan Merkeidentitet by Hong Jia Min
Guanshan Merkeidentitet by Hong Jia Min

Jern Grafikk · 2025

Guanshan Merkeidentitet

by Hong Jia Min

  • A' Design Award i Jern 2025 in Grafikk
  • CLIENT: Jijia Brand Creative Studio
  • Estimated Number of Design Views: 1,720
  • Verification code 81369AC06F · Verify this award
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About Guanshan Merkeidentitet

Guanshan er en merkeidentitet skapt for en melketebutikk. Designet bruker kinesiske skrifttegn som grunnlag og moderniserer strukturen i tradisjonell embetsskrift samtidig som den klassiske ånden bevares. Med røtter i østlig gjenstandsestetikk kombinerer identiteten billedspråket fra tuschmalte vifter og teservise. Det sentrale motivet viser en vifte og en tekopp i en overlappende komposisjon, som skaper en dobbel symbolikk. Tuschpenselstrøkene antyder bamburammen til en tradisjonell rund vifte, mens koppens silhuett henter inspirasjon fra Jianzhan-teboller.

About the A' Design Award i Jern

Guanshan Merkeidentitet er vinner av A' Design Award i Jern, en prestisjefylt anerkjennelse som tildeles gode design som oppfyller de profesjonelle og industrielle kravene man forventer av veldesignede skaperverk. Jernvinnere viser stor dyktighet, høy spesialisering, ekspertforståelse og kreativ kapasitet hos skaperne. Guanshan Merkeidentitet forventes å være et høyt ansett, beundret og verdsatt skaperverk som er praktisk og nyskapende. Dette designet, som har vunnet A' Design Award i Jern, integrerer bransjens beste praksis og har kompetente tekniske egenskaper knyttet til kunnskap og talent. Guanshan Merkeidentitet respekteres for sin grundighet og er utformet for å gi forbedringer i livskvalitet som bidrar til å gjøre verden til et bedre sted.

Press Kit

Unique Properties
Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Dimensions & Packaging
The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Tags
Oriental, Creativity, Tea , Ink Painting, Chinese
Production Technology
The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Design Challenge
The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Research
We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Inspiration
Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Project Duration
Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Operation Flow
Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Patents
Copyrights belong to Hong Jia Min, 2024.
Image Credits
Hong Jia Min

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