Wonderland Primærfunksjon: Interiørdesign for utstillingssenter by Chengzhe Zhang

Wonderland Primærfunksjon: Interiørdesign for utstillingssenter by Chengzhe Zhang is a highly esteemed winner of the very prestigious 2020 A' Design Award i Sølv in Interiør- og utstillingsdesign Competition Category.

SølvInteriør· 2020

Wonderland Primærfunksjon: Interiørdesign for utstillingssenter

by Chengzhe Zhang

Client: Shanghai Hongshida Real Estate Development Co., LTD

A' Design Award i Sølv Winner in Interiør Category

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Verified Award Winner

Verify Award Status for #92667

View at A' Design Award Press Release Award Badge

Colors

The Design

About Wonderland Primærfunksjon: Interiørdesign for utstillingssenter

Wonderland er et utstillingssenterinteriør i Shanghai, Kina. Designet er inspirert av Taoyuan Wonderland, et landskapsmaleri av Ming-dynastiets maler Qiu Ying, og bruker grønne, rosa og hvite toner i et stille rom. En vegg av grå skifer skjuler først utsikten, og den ti meter høye hovedhallen avsløres langs stien. Den sentrale passasjen leder til konferanseområdet, utstillingsområdet og terommet. Gulvstående bokhyller og geometriske gjennombrutte skjermer deler inn områdene. En hengende glassinstallasjon med mer enn 5000 ferskenblomsterblader ble montert for hånd.

The Recognition

About the A' Design Award i Sølv

Wonderland Primærfunksjon: Interiørdesign for utstillingssenter er vinner av A' Design Award i Sølv, en usedvanlig prestisjefylt anerkjennelse som tildeles design i toppklassen som er nydelige og imponerende. Sølvvinnere er enormt briljante og usedvanlig kreative verk som viser designernes enestående ekspertise, talent og skarpsindighet. Wonderland Primærfunksjon: Interiørdesign for utstillingssenter forventes å være et praktfullt utstillingsverk som er bemerkelsesverdig profesjonelt og dypt nyskapende. Dette designet, som har vunnet A' Design Award i Sølv, er en svært bemerkelsesverdig, beundret oppfinnelse som gagner og flytter grensene for kunst, vitenskap, design og teknologi. Wonderland Primærfunksjon: Interiørdesign for utstillingssenter er et skaperverk mange misunner, som vekker ønsker, gir positive følelser og vekker undring og forundring.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Dimensions & Packaging: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Tags: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Production Technology: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Design Challenge: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Research: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspiration: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Project Duration: The Project started in January 2018 in Shanghai China
Operation Flow: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Team Members: Mingxin Lu
Yunhui Tang
Image Credits: Main Image: Photographer Hai Zhu, 2018