Wild Rhythm Primærfunksjon: Utstillingshall av Chao Wen

Designet Wild Rhythm Primærfunksjon: Utstillingshall av Chao Wen er en høyt verdsatt vinner av den svært prestisjetunge 2020 A' Design Award i Sølv i konkurransekategorien Interiør- og utstillingsdesign.

SølvInteriør· 2020

Wild Rhythm Primærfunksjon: Utstillingshall

av Chao Wen

Klient: Jade Simple Design

Vinner av A' Design Award i Sølv i kategorien Interiør

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Farger

Designet

Om Wild Rhythm Primærfunksjon: Utstillingshall

Wild Rhythm er en utstillingshall i Chongqing, Kina. Interiøret dekker 240 kvadratmeter og kan også fungere som et galleri, en bar eller et boareal. Sement, stål og maling er hovedmaterialene, og enkle tradisjonelle metoder er brukt gjennomgående. En andre etasje ble lagt til der takhøyden tillater det, og en spiraltrapp ble bygget rundt en eksisterende bærende søyle. Et lagerrom ble plassert over baren for å øke det brukbare arealet. Designet fører rommet tilbake til grunnleggende byggeelementer og reduserer unødvendig dekorasjon og sløsing.

Anerkjennelsen

Om A' Design Award i Sølv

Wild Rhythm Primærfunksjon: Utstillingshall er vinner av A' Design Award i Sølv, en usedvanlig prestisjefylt anerkjennelse som tildeles design i toppklassen som er nydelige og imponerende. Sølvvinnere er enormt briljante og usedvanlig kreative verk som viser designernes enestående ekspertise, talent og skarpsindighet. Wild Rhythm Primærfunksjon: Utstillingshall forventes å være et praktfullt utstillingsverk som er bemerkelsesverdig profesjonelt og dypt nyskapende. Dette designet, som har vunnet A' Design Award i Sølv, er en svært bemerkelsesverdig, beundret oppfinnelse som gagner og flytter grensene for kunst, vitenskap, design og teknologi. Wild Rhythm Primærfunksjon: Utstillingshall er et skaperverk mange misunner, som vekker ønsker, gir positive følelser og vekker undring og forundring.

Bak designet

Pressepakke

Krediteringer, teammedlemmer og tekniske detaljer levert av designeren.

Unike egenskaper: Compared with the traditional household exhibition hall, designers are not rigidly placing each simulation cell in the space. And at the beginning of the design, their product positioning is like its brand name, meaning growing wildly, they don't have the limitation of the product line, giving more freedom to the space. In the space, you can regard it as an exhibition hall, and you can also regard it as a gallery, a bar, even a residential accommodation.
Dimensjoner og emballasje: The project covers 240 square meters. The biggest advantage of the original space is that its story height is relatively high, but a large column in the middle of the original building destroys the integrity of the original space. In addition to the construction of the second floor, designers also built a scenario spiral stair around the original structural column, and set up the storage room through the empty high relationship on the bar, increasing its layering sense and actual use space.
Stikkord: Interior, New Life Exhibition Hall, Modern, Simple, Pure, Art, Life Aesthetics, Ideal Residence
Produksjonsteknologi: Just because this is a pure space, all design intents are derived from basic demands of life, so in the aspect of material usage, designers will return to the essence of architecture as far as possible. Then cement, steel and paint are the materials they use the most, the craft is also as simple and traditional as possible. All the planning is just for returning to the most basic building level so as to reduce unnecessary waste and superposition.
Designutfordring: Although some space of the building is relatively high, we cannot carry out construction of the second floor in the whole space due to the influence of beam mesh, smoke exhaust and fire fighting equipment. And the space that can be built is separated by piecemeal. So we made full use of the complex spatial foundation, and we have created a variety of spatial forms in a relatively limited space through the setting of stairs, thus creating conditions for the later construction of atmosphere.
Forskning: In the commercial society, and even the whole society, there is a surplus of consumption, which virtually produces a great waste of resources. And people who live in the environment seem to have slowly forgotten the essence of life. Therefore, designers hope that the pure space can arouse people's rethinking of life. Finally, the space becomes basic and simple, the decoration and the architecture are integrated, and the design and selection of the furniture are also based on actual use.
Inspirasjon: The inspiration originates from the residential living environment of designers' childhood, because of shortage of material, all parts of families are derived from the basic needs of life. With the development of economy and the accumulation of material, people begin to tend to be exaggerated and wasteful. So, designers hope the furniture are the products from thinking about the practical aspects, and the space also returns to the most basic requirements from the perspective of buildings.
Prosjektvarighet: The project started in September 2018 in Chongqing and finished in July 2019 in Chongqing.
Driftsflyt: Pure is the most fundamental reason of finishing the project completely. From the beginning of the design, designers integrated the decoration with the building, which effectively ensured that the project was not affected too much in the implementation process. Thus, ensured a perfect realization of the design intention.
Patenter: Copyrights belong to Chao Wen, 2019.
Teammedlemmer: Chao Wen
Bildekreditering: Image #1: Photographer In Space, Storage Area and Display Area, 2019.
Image #2: Photographer In Space, Chair Exhibition Area, 2019.
Image #3: Photographer In Space, Bedroom Display Area, 2019.
Image #4: Photographer In Space, Hand-made Activity Space, 2019.
Image #5: Photographer In Space, Bar Area, 2019.