Designet Fontworks Inc. Tokyo Interiørdesign for hovedkontor av Tomohiro Katsuki er en høyt verdsatt vinner av den svært prestisjetunge 2020 A' Design Award i Bronse i konkurransekategorien Interiør- og utstillingsdesign.
BronseInteriør· 2020
Fontworks Inc. Tokyo Interiørdesign for hovedkontor
Klient: Prism Design
Vinner av A' Design Award i Bronse i kategorien Interiør
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Om Fontworks Inc. Tokyo Interiørdesign for hovedkontor
Fontworks Inc. Tokyo er et hovedkontorinteriør for et skriftstøperi, lokalisert i femte etasje i en bygning i Minato-ku, Tokyo. Kontoret dekker 431 kvadratmeter og er planlagt rundt fusjonen av analogt og digitalt arbeid. Et C-formet skrivebord støtter kreative oppgaver og samarbeid mellom ansatte. En stor skjerm plassert midt på en vegg holder forbindelsen med Creative Lab i Fukuoka, slik at de to lokasjonene kan kommunisere online. En trappeformet benk nær inngangen muliggjør uformelle møter med besøkende. Materialer inkluderer teppefliser, tre, Corian, stål og korktavle.
Anerkjennelsen
Om A' Design Award i Bronse
Fontworks Inc. Tokyo Interiørdesign for hovedkontor er vinner av A' Design Award i Bronse, en høyt prestisjefylt anerkjennelse som tildeles enestående design som utmerker seg ved kreativitet, oppfinnsomhet og skarpsindighet. Bronsevinnere er rikt dyktige og påfallende kreative gjenstander som bekrefter designernes store erfaring, fantasi og ressurssterkhet. Fontworks Inc. Tokyo Interiørdesign for hovedkontor forventes å være en høyt ansett, beundret og verdsatt gjenstand som er bemerkelsesverdig profesjonell og nyskapende. Dette designet, som har vunnet A' Design Award i Bronse, rommer beste praksis innen kunst, vitenskap, design og teknologi og utmerker seg ved sin omtanke for detaljer. Fontworks Inc. Tokyo Interiørdesign for hovedkontor tilfredsstiller behov på en strålende måte, berører ønsker, sjarmerer følelser og vekker nysgjerrighet.
Bak designet
Pressepakke
Krediteringer, teammedlemmer og tekniske detaljer levert av designeren.
- Unike egenskaper
- Fontworks Inc. moved its headquarters from Fukuoka City, Fukuoka Prefecture, to Minato-ku, Tokyo, for the purpose of providing further communication business and expanding our business.
Even in the new office, build have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely” - Dimensjoner og emballasje
- AREA:Total 431㎡
Located on the 5th floor of the building.
Ceiling height:CH2900mm(slab:H4100mm) - Stikkord
- Interior, Office, Design ,Font
- Produksjonsteknologi
- From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.Even in the new office, Fontworks have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely” Made. Will create, nurture and provide free ideas in our natural environment so that Fontworks can continue to provide services that are close to such changes in the environment.
MATERIAL LIST
1.Original Color Carpet Tile
2.Concrete PVC & Laminated Sheets
3.Wood PVC
4.PAINT
5.Corian
6.Aluminum Paint &Laminated Sheets
7.Wood Melamine decorative board
8.Artificial greening
9.OSB pattern Original Laminated Sheets
10.Artificial leather fabric
11.BLACK & WHITE Writing Laminated Sheets
12.Steel(BLACK & WHITE Paint)
13.Cork board - Designutfordring
- In 2018, when Fontworks celebrated our 25th anniversary, have formulated a tag line called “Character More Freely” with all our employees, and have been developing specific business activities over the past year. The fonts that Fontworks have consistently provided since our founding are also evolving at a tremendous speed in the environment in which they are used. From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.
Considering their history and beliefs, it was difficult to give an answer on what the future should be like with their approval. - Forskning
- We used various spreadsheet matrices to extract the root of the design.
Fusing the past and the present to find out what the future should be.
Both conventional and latest are needed, Hybridize them to create a new standard. - Inspirasjon
- On the there is an initial “C” -shaped desk that is common to keywords such as “Creative and Collaboration” that are necessary for a new office environment. In addition, a large display that is always connected to Creative Lab from Fukuoka is installed in the center of the wall to enable active communication between the two sites in online. At the entrance, there was a stair-shaped bench and display, and a space for casual communication with people outside the company was created while ensuring
- Prosjektvarighet
- ADD:Nisshin Aoyama Building 5F, 3-4 Kita Aoyama, Minato-ku, Tokyo, Japan,
The project design started in Feb 2019 in Fukuoka,Japan and finished in July 2019. Construction started in Tokyo in Aug 2019 and finished in Dec 2019. - Driftsflyt
- The characters have changed from handdraft typefaces to digital fonts with the times, but both co-exist without changing.
Analog and digital, Traditional and new technologies...
People change, but the essence does not change.
Considers the essence of mankind and expressed office space design from the font. - Teammedlemmer
- 1.Tomohiro Katsuki : PRISM DESIGN
2.Masanori Kobayashi : PRISM DESIGN
3.Yao Di : PRISM DESIGN
4.Naoki Ohtake : Design Studio GAKU - Bildekreditering
- All Photo Image : PHOTOGRAPHER,Katsumi Hirabayashi
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