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Vibes अफिस भित्री डिजाइन by Daisuke Nagatomo and Minnie Jan
Vibes अफिस भित्री डिजाइन by Daisuke Nagatomo and Minnie Jan
Vibes अफिस भित्री डिजाइन by Daisuke Nagatomo and Minnie Jan
Vibes अफिस भित्री डिजाइन by Daisuke Nagatomo and Minnie Jan
Vibes अफिस भित्री डिजाइन by Daisuke Nagatomo and Minnie Jan

फलाम इन्टेरियर · 2020

Vibes अफिस भित्री डिजाइन

by Daisuke Nagatomo and Minnie Jan

  • A' Design Award फलाम पुरस्कार 2020 in इन्टेरियर
  • CLIENT: MisoSoupDesign
  • Estimated Number of Design Views: 17,498
  • Verification code B675B8162F · Verify this award
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About Vibes अफिस भित्री डिजाइन

भाइब्स ताइवानको सिन्चुमा रहेको एक मेसिन निर्माण कम्पनीको लागि बनाइएको अफिस लबी र क्याफेटेरिया भित्री डिजाइन हो। यो डिजाइन डिजिटल जानकारीको प्रवाहबाट प्रेरित छ र यसमा सफा तथा तरल आकारहरूको प्रयोग गरिएको छ। भित्री सजावटको लागि गिलास, ढुङ्गा, सेरामिक्स र काठ प्रयोग गरिएको छ। डिजिटल रूपमा मिलिङ गरिएका काठका लुभरहरू लबीको खुला ठाडो स्पेसमा माथिसम्म उठेका छन्। दुई तलाहरू बीचको खुलापनले कर्मचारीहरू बीचको सञ्चारलाई सहयोग गर्दछ। तल्लो तला (बेसमेन्ट) मा रहेको क्याफेटेरियामा न्यानो काठको सतहहरू प्रयोग गरिएको छ र यो प्राङ्गणतर्फ खुल्छ। नीलो एक्सेन्ट रङले कर्पोरेट छविलाई नयाँपन प्रदान गर्दछ।

About the A' Design Award फलाम पुरस्कार

Vibes अफिस भित्री डिजाइन A' Design Award फलाम पुरस्कारको विजेता हो, राम्ररी डिजाइन गरिएका रचनाबाट अपेक्षित व्यावसायिक र औद्योगिक आवश्यकता पूरा गर्ने राम्रा डिजाइनहरूलाई दिइने प्रतिष्ठित मान्यता। फलाम विजेताहरूले आफ्ना सर्जकहरूको ठूलो कौशल, उच्च विशेषज्ञता, विज्ञ बुझाइ र सृजनात्मक क्षमता देखाउँछन्। Vibes अफिस भित्री डिजाइन उच्च सम्मानित, प्रशंसित र प्रिय, व्यावहारिक र नवीन रचना बन्नेछ भन्ने अपेक्षा छ। Vibes अफिस भित्री डिजाइन को सूक्ष्मताका लागि सम्मान पाइन्छ र जीवनको गुणस्तर सुधारेर संसारलाई अझ राम्रो बनाउन मद्दत गर्न यो डिजाइन गरिएको हो।

Press Kit

Unique Properties
To differentiate from other technology companies in Hsinchu, we re-evaluate the idea of branding and corporate identity, hoping to get away from heaviness of traditional image of the industry, yet making a brand new impression of how technology would be in the current time. Using the Syntec Blue as the accent color, it elevates the sense of fashion and activate corporate image.
Dimensions & Packaging
Design Area
1st floor: 676 square meter
2nd floor: 425 square meter
Basement: 900 square meter
Tags
MisoSoupDesign, Daisuke Nagatomo, Minnie Jan, Syntec, OfficeDesign
Production Technology
The general area uses glass, stone, ceramics, and wood for interior finishes. The open space vertical area at the lobby incorporate digitally milled wood louvers to create the impression of vibes. For the basement cafeteria area, it is emphasizing the more natural and comfortable feeling by applying warmer tone of wood surfaces.
Design Challenge
The hardest part of this project is to understand old structure and figure out the possibility of new design.
Research
The most important goal for this project is to show the possibility of utilizing the old structure and update to the current needs of the company to establish higher brand value.
Inspiration
The inspiration for the design for this office renovation is the flow of digital information. The company is one of the most outstanding CNC machine manufacturers in Taiwan, which is trying to renew the company identity and brand itself with a higher value. To archive a new branding image, the design incorporates a clean and fluid feeling as its strong vibes.
Project Duration
Design 2017 09-2018 01
Construction 2018-2019
Opening 2019 07
Operation Flow
The people who work in the space can communicate via the open space between ground level and second floor. The lobby entrance emphasizes the character of the company by creating a strong impression of the brand image. The cafeteria has a clear view of the courtyard in front to create a comfortable dining experience during their lunch break.
Image Credits
Image #1: Photographer Studio Millspace, 2019
Image #2: Photographer Studio Millspace, 2019
Image #3: Photographer Studio Millspace, 2019
Image #4: Photographer Studio Millspace, 2019
Image #5: Photographer Studio Millspace, 2019
Video Credits:MisoSoupDesign, 2019

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