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Press Release

Poem Sapce Minimal Waste Dress

A' Design Award 2025 Bronze Winner in Fashion, Apparel and Garment Design

18 April 2025

Poem Sapce Minimal Waste Dress by Bonan Li
Poem Sapce Minimal Waste Dress by Bonan Li
Poem Sapce Minimal Waste Dress by Bonan Li
Poem Sapce Minimal Waste Dress by Bonan Li
Poem Sapce Minimal Waste Dress by Bonan Li

Bonan Li · CLIENT: Bonan Li Studio

Poem Sapce is a minimal waste dress that combines an innovative pleating method with zero waste cutting. The dress is made from handwoven fabrics produced by local artisans in several regions, preserving traditional weaving techniques. Localized fabric shrinkage shapes the cloth, forming organic three dimensional folds instead of cutting material away. Each pleat position is fixed by hand and mapped onto cardboard for small batch production. The sculptural folds move with the body and offer both comfort and structure.

Press Kit

Unique Properties
The Shrink Pleat Minimal Waste Dress redefines sustainable fashion by integrating innovative pleating techniques with zero-waste cutting. Crafted from locally handwoven fabrics sourced globally, this design preserves traditional craftsmanship while reducing energy consumption. By harnessing localized fabric shrinkage, it forms organic, three-dimensional silhouettes with minimal material waste.
Dimensions & Packaging
Length: 1500 mm x Width: 800 mm x Thickness: 50 mm
Tags
sustainable fashion, zero-waste design, innovative pleating, fabric shrinkage technique, handwoven textiles, three-dimensional garment, traditional craftsmanship, small-batch production, sculptural fashion, eco-conscious design
Production Technology
The design employs zero-waste cutting and an innovative pleating technique that utilizes localized fabric shrinkage to create organic, three-dimensional forms. Each pleat position is meticulously hand-fixed and mapped onto cardboard for small-batch production, ensuring precision and minimizing waste in the manufacturing process.
Design Challenge
The most challenging aspect of this project was balancing sustainability with structural innovation. Achieving precise pleat placement through fabric shrinkage required extensive testing, as different textiles reacted unpredictably. Additionally, sourcing ethically handwoven fabrics while maintaining production feasibility posed logistical challenges. Overcoming these obstacles involved iterative experimentation, collaboration with artisans, and refining techniques to ensure both aesthetic integrity and minimal waste.
Project Duration
This project was exhibited in Cave of the Day, Cave of the Night in Brooklyn, New York. It began in New York in 2013 and was completed in mid-2014 in New York.
Operation Flow
The Shrink Pleat Minimal Waste Dress transforms through a unique pleating method that shapes the fabric organically using controlled shrinkage. Instead of traditional cutting, the fabric naturally adjusts, creating sculptural folds that move with the body. Each pleat is carefully placed to enhance form and flexibility, offering comfort and structure. This approach reduces fabric waste while achieving a dynamic, flowing silhouette that feels effortless yet meticulously crafted.
Research
This research explores sustainable garment construction through fabric behavior analysis and zero-waste design. The objective was to develop an innovative pleating method that minimizes waste while enhancing three-dimensionality. Using an experimental approach, I tested localized fabric shrinkage and pleat fixation techniques, documenting results through draping, hand-marking, and pattern adjustments. Material tests were conducted to study fabric reactions, with findings informing a scalable, small-batch production model. The research promotes sustainability by reducing textile waste and preserving traditional weaving techniques.
Inspiration
The intersection of traditional craftsmanship and contemporary sustainability inspired the Shrink Pleat Minimal Waste Dress. I sought to challenge conventional garment construction by exploring fabric behavior through pleating and shrinkage techniques. Drawing from research on localized textile manipulation, I developed a method to create dynamic, sculptural forms while minimizing waste. This project reflects my commitment to preserving heritage weaving techniques.
Image Credits
Photographer Hao Zeng

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