Fujifilm Clay Studio2 Kantoorinterieurontwerp by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 A' Design Award in Brons in Interieur en Tentoonstellingsontwerp Competition Category.
BronsInterieur· 2022
Fujifilm Clay Studio2 Kantoorinterieurontwerp
by Koji Aoki, Lin Su and Atsushi Fujita
Client: Fujifilm Corporation
A' Design Award in Brons Winner in Interieur Category
Verified Award Winner
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About Fujifilm Clay Studio2 Kantoorinterieurontwerp
Clay Studio 2 is een kantoorinterieur ontworpen voor product- en visueel ontwerpwerk in Tokio. De ruimte van 300 vierkante meter is opgezet als een rustige omgeving voor concentratie, in tegenstelling tot kantoren die vooral gericht zijn op communicatie. Beton, verf en houtcementplaat zijn onbewerkt gelaten, waardoor de ruimte lijkt te bestaan uit enkel balken en pilaren. Tuinaanleg en natuurlijk landschap vormen de achtergrond en brengen seizoensverandering in de ruimte. De bureaus zijn naar buiten gericht, en een tafel van zeven meter maakt korte vergaderingen mogelijk terwijl er afstand tussen mensen behouden blijft.
The Recognition
About the A' Design Award in Brons
Fujifilm Clay Studio2 Kantoorinterieurontwerp is winnaar van de A' Design Award in Brons, een hoogst prestigieuze erkenning die wordt toegekend aan uitstekende ontwerpen die zich onderscheiden door creativiteit, vindingrijkheid en scherpzinnigheid. Winnaars in Brons zijn ruimschoots vaardige en opvallend creatieve artefacten die de grote ervaring, verbeelding en het vernuft van hun ontwerpers bevestigen. Fujifilm Clay Studio2 Kantoorinterieurontwerp wordt verwacht een hooggewaardeerd, bewonderd en gekoesterd object te zijn dat opmerkelijk professioneel en innovatief is. Dit ontwerp dat de A' Design Award in Brons heeft gewonnen, verwerkt de beste praktijken in kunst, wetenschap, ontwerp en technologie en is uitstekend door zijn aandacht voor detail. Fujifilm Clay Studio2 Kantoorinterieurontwerp bevredigt schitterend behoeften, raakt verlangens, charmeert gevoelens en spreekt de nieuwsgierigheid aan.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
- Dimensions & Packaging
- The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
- Tags
- a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
- Production Technology
- concrete, painting, wood cement board
- Design Challenge
- It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition. - Research
- This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26 - Inspiration
- The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine. - Project Duration
- Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo - Operation Flow
- While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
- Team Members
- Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita
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