Weaving Zijden Sjaal by Ye Feng is a highly esteemed winner of the very prestigious 2023 A' Design Award in IJzer in Textiel, Stof, Texturen, Patronen en Doekontwerp Competition Category.

IJzerTextiel· 2023

Weaving Zijden Sjaal

by Ye Feng

Client: Communicate University of Zhejiang

A' Design Award in IJzer Winner in Textiel Category

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Verified Award Winner
Verify Award Status for #146769

View at A' Design Award Press Release Award Badge

Colors

The Design

About Weaving Zijden Sjaal

Weaving is een interactieve zijden sjaal die door de drager opnieuw geschikt kan worden. De vierkante sjaal meet 1000 bij 1000 millimeter. Twee banden doorkruisen het lichaam van de sjaal in een ketting-en-inslagpatroon, geïnspireerd op traditionele Chinese weeftechnieken. Door de banden in vier richtingen te trekken, verandert de gebruiker het patroon en kan tot wel 16 verschillende visuele combinaties creëren. Het ontwerp brengt de zijden sjaal van een plat oppervlak naar een driedimensionale vorm. Voor de patronen wordt digitaal printen toegepast, waarbij deze in elke combinatie perfect uitgelijnd blijven.

The Recognition

About the A' Design Award in IJzer

Weaving Zijden Sjaal is winnaar van de A' Design Award in IJzer, een prestigieuze erkenning die wordt toegekend aan goede ontwerpen die voldoen aan de professionele en industriële eisen die worden verwacht van goed ontworpen creaties. Winnaars in IJzer tonen grote vaardigheid, hoge specialisatie, deskundig inzicht en het creatieve vermogen van hun makers. Weaving Zijden Sjaal wordt verwacht een hooggewaardeerde, bewonderde en gekoesterde creatie te zijn die praktisch en innovatief is. Dit ontwerp dat de A' Design Award in IJzer heeft gewonnen, integreert de beste praktijken uit de sector en heeft bekwame technische kenmerken die verbonden zijn met knowhow en talent. Weaving Zijden Sjaal wordt gerespecteerd om zijn grondigheid en is ontworpen om verbeteringen van de levenskwaliteit te bieden die helpen de wereld een betere plek te maken.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: WEAVING break the shackles of the traditional two-dimensional space, making silk scarfs three-dimensional. By creating a warp and weft weave, the two tapes are crossed across the body of the scarf, giving it a new form of expression. In the process of using it, users can change the pattern of the silk scarf by twitching the drawstring, forming up to 16 different visual effects of arrangement and combination. This not only allows users to experience a new way of using silk scarves, but also makes them less likely to get tired of a "fixed" silk scarf.
Dimensions & Packaging: 1000mm *1000mm
Tags: Chinese-style techniques, Traditional culture, Innovation experience, Silk scarf, Interactive textile products
Production Technology: Digital printing is printing with digital technology. Digital printing technology is a high-tech product that integrates mechanical and computer electronic information technology with the continuous development of computer technology. With the increasingly diversified needs of customers, the traditional grey cloth printing has gradually developed from mass production to small batch and multi-variety personalization. The digital printing scarf not only has high quality and good output effect, but also can meet the needs of customers for small batch and personalized printing. Digital printing technology meets the increasingly diversified market demand with its advantages of high efficiency, low cost, good printing effect and less pollution, which brings an unprecedented development opportunity for textile printing and dyeing.
Design Challenge: In this design process, the biggest adjustment is to make the warp and weft weaving method through structural exposure, so that users can immerse into the experience, and at the same time the problem relating to pattern cohesion will be solved.
Research: Through researching traditional craftsmanship and traditional culture, a large amount of documentary material is compiled to select appropriate innovative methods for silk scarves and modernize their expression by using Chinese-style techniques in order to complete the design practice. Meanwhile, appropriate pattern contents are selected to form a seamless integration under various combinations. In this way, the user's attention to traditional craftsmanship and traditional culture is ignited and innovative development of silk scarf products is formed.
Inspiration: In the 20th century, women fully exercised their wisdom in using silk scarves. It became a great companion in their social lives and workplace. The real formation of the modern silk scarf was in the 1920s, when the traditional use of long shawls and headscarves was gradually out of fashion, and the techniques of folding and knotting of neck scarves were slowly paid attention to. 100 years have passed, though the silk scarf has been a very important component in the fashion industry, design innovation seems to be forgotten except for merely patterns.
China is the largest silk producer with a history of more than a thousand years. The craft of silk production has spread widely, evolving a variety of delicately intangible cultural heritage skills, of which the core is about the different interpretations of the warp and weft weaving method. The wisdom of the warp and weft weaving method should be able to be presented in the form and usage of silk scarf products, providing consumers with a brand new silk scarf product in the late 100 years, and it allows traditional Chinese culture to breathe a new life and shows vitality into silk scarf products.
Further, it is observed that another traditional wisdom in the world (Huarongdao Klotski) presents different permutations and combinations by moving the slider, which is conducive to solving the drawback brought by static graphics as it will lead to aesthetic fatigue.
Under the situation that silk scarf has fallen into innovation stagnation, the original purpose and inspiration of this design is to promote the innovative development of silk scarf, rekindle users' interest and concern for silk scarf products in the context of digital economy, and also to better let users experience the traditional wisdom and culture, bringing greater value to silk scarf products.
Project Duration: The project started in April 2021 in Tongxiang,CHINA and finished in December 2022 in Tongxiang,CHINA
Operation Flow: 1 Unfold the silk scarf
2 Draw the tapes in any of the four directions based upon preferences to form different arrangements
3 Pick your favorite combination of arrangements and put on
4 Have a bright mood, bingo!
Team Members: YE Feng
Image Credits: Image #1: Photographer ZHANG Zhaoguo, 2022
Image #2: Photographer ZHANG Zhaoguo, 2022
Image #3: Photographer ZHANG Zhaoguo, 2022
Image #4: Photographer ZHANG Zhaoguo, 2022
Image #5: Photographer ZHANG Zhaoguo, 2022