Changes Cycles and Shapes Digitale Kunst door Yuko Suzuki

Het ontwerp Changes Cycles and Shapes Digitale Kunst door Yuko Suzuki is een hoog aangeschreven winnaar van de zeer prestigieuze 2025 A' Design Award in Goud in de competitiecategorie Generatief, Algoritmisch, Parametrisch en AI-ondersteund Ontwerp.

GoudGeneratief· 2025

Changes Cycles and Shapes Digitale Kunst

door Yuko Suzuki

Opdrachtgever: Feral File

Winnaar van de A' Design Award in Goud in de categorie Generatief

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Kleuren

Het Ontwerp

Over Changes Cycles and Shapes Digitale Kunst

Dit werk verkent de vraag 'Wat is schilderen?' door de circulatie van visuele expressies uit te drukken. Geïnspireerd door overgangen in Mondriaans schilderijen, is het gebaseerd op een componentendiagram van schilderkunst, waarbij vorm beweegt tussen figuratief en abstract, en tussen ruis en lineariteit - een idee toegepast op kleur. Het werk roept de verschuivende staat van digitale materialiteit op, met de nadruk dat vormen tussen veranderingen de essentie zijn. Door texturen op te nemen die met een baren zijn gedrukt, weerspiegelt het de identiteit van de kunstenaar als graficus in digitale vorm.

De Erkenning

Over de A' Design Award in Goud

Changes Cycles and Shapes Digitale Kunst is winnaar van de A' Design Award in Goud, een immens prestigieuze erkenning die wordt toegekend aan eersteklas, schitterende en uitmuntende ontwerpen. Winnaars in Goud zijn uiterst innovatieve, zeer visionaire en glamoureus verblindende creaties die het genie, de wijsheid en de bekwaamheid van hun ontwerpers weerspiegelen. Changes Cycles and Shapes Digitale Kunst wordt verwacht een zeer geprezen, trendzettende en monumentale uitvinding te zijn die ongekende waarde levert. Dit ontwerp dat de A' Design Award in Goud heeft gewonnen, is een spectaculair, gerespecteerd project dat enorm baat en de grenzen van kunst, wetenschap, ontwerp en technologie verlegt. Changes Cycles and Shapes Digitale Kunst wekt intense gevoelens van verlangen, roept passie op, moedigt creativiteit aan en fascineert ons.

Achter het Ontwerp

Perskit

Credits, teamleden en technische details verstrekt door de ontwerper.

Unieke Eigenschappen: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Afmetingen & Verpakking: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tags: Generative Art, Coding
Productietechnologie: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Ontwerpuitdaging: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Onderzoek: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiratie: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Projectduur: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Werkproces: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Beeldcredits: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.