Het ontwerp Oruha Stoel door Yuya Nakazawa is een hoog aangeschreven winnaar van de zeer prestigieuze 2026 A' Design Award in Goud in de competitiecategorie Meubelontwerp.
GoudMeubels· 2026
Oruha Stoel
door Yuya Nakazawa
Opdrachtgever: Yedit
Winnaar van de A' Design Award in Goud in de categorie Meubels
Geverifieerde Prijswinnaar
Verifieer de prijsstatus voor #178435Het Ontwerp
Over Oruha Stoel
Het ontwerp presenteert een zitmeubel dat is opgevat als een publieke geheime basis, die persoonlijke beschutting biedt binnen gedeelde omgevingen. De structuur brengt sculpturale aanwezigheid in balans met functioneel comfort en ondersteunt langdurig gebruik en sociale interactie. Gebogen oppervlakken en zorgvuldig geproportioneerde elementen creëren een gevoel van omhulling terwijl de openheid behouden blijft. Natuurlijke afwerkingen verbeteren de duurzaamheid, het onderhoudsgemak en het sierlijk verouderen, waardoor het stuk kan integreren in alledaagse leefruimtes terwijl de tactiele warmte behouden blijft.
De Erkenning
Over de A' Design Award in Goud
Oruha Stoel is winnaar van de A' Design Award in Goud, een immens prestigieuze erkenning die wordt toegekend aan eersteklas, schitterende en uitmuntende ontwerpen. Winnaars in Goud zijn uiterst innovatieve, zeer visionaire en glamoureus verblindende creaties die het genie, de wijsheid en de bekwaamheid van hun ontwerpers weerspiegelen. Oruha Stoel wordt verwacht een zeer geprezen, trendzettende en monumentale uitvinding te zijn die ongekende waarde levert. Dit ontwerp dat de A' Design Award in Goud heeft gewonnen, is een spectaculair, gerespecteerd project dat enorm baat en de grenzen van kunst, wetenschap, ontwerp en technologie verlegt. Oruha Stoel wekt intense gevoelens van verlangen, roept passie op, moedigt creativiteit aan en fascineert ons.
Achter het Ontwerp
Perskit
Credits, teamleden en technische details verstrekt door de ontwerper.
- Unieke Eigenschappen
- Oruha Chair proposes the idea of a private sanctuary within a public space.
While functioning as a sculptural object that shapes the surrounding environment, the chair transforms into an intimate personal zone when occupied.
The form could not have been achieved through linear or parametric design logic. Instead, it emerged through an iterative process of continuous adjustment between visual intensity and physical comfort. The armrests, which receive the most direct contact, maintain sharp visual edges while offering a gentle and secure tactile experience.
This balance allows the chair to exist simultaneously as spatial sculpture and functional furniture. - Afmetingen & Verpakking
- Width 740mm Depth 550mm Height 760mm Seated height 430mm
- Tags
- Chair, Furniture, Sculptural Design, Wood, Handmade, Emotional Design, Armchair, Spatial Object
- Productietechnologie
- Due to its complex organic geometry, Oruha Chair is extremely difficult to reproduce through industrial manufacturing or automated processes.
The chair was realized almost entirely by hand, using traditional Japanese planes and hand tools.
Rather than imposing a fixed form onto the material, the final shape emerged through direct dialogue with the wood, prioritizing tactile quality, structural integrity, and sculptural coherence. This process positions craftsmanship not as decoration, but as a design methodology. - Ontwerpuitdaging
- After extensive sketching and the creation of five clay models, translating the form into wood presented a fundamental challenge. There was no established woodworking methodology capable of directly realizing the intended geometry.
Through repeated trial and error, two full-scale prototypes were abandoned before completing this third iteration.
Because of the organic form, conventional symmetry, reference points, and measurement systems proved ineffective. Ultimately, the process required trusting sensory judgment and material feedback over numerical precision. This approach became inseparable from the final outcome. - Onderzoek
- The designer’s background in video editing strongly influenced the conceptual framework of this project. Video editing is a practice of shaping emotional perception by controlling sequence, rhythm, and context.
Oruha Chair applies this editorial thinking to three-dimensional form.
Personal emotions and experiences were deconstructed and reassembled, not as narrative, but as physical tension, curvature, and spatial presence. The result is a chair that communicates emotionally through form rather than explanation. - Inspiratie
- Oruha Chair was inspired by the concept of waves, representing continuous transitions between tension and release.
Rather than designing a chair solely from ergonomic data or predefined typologies, this project approaches seating as an emotional and spatial experience shaped by contrast.
The form was developed as a response to the designer’s belief that emotions, like waves, can be edited, reorganized, and translated into physical presence. These transitions were carved directly into solid wood as flowing yet controlled organic curves.
Although the chair presents an edgy, sculptural appearance, sitting in it reveals a smooth, enveloping comfort. This intentional reversal between visual tension and bodily softness defines the core experience of Oruha Chair. - Projectduur
- The project began in Kanagawa in January 2025 and ended in October 2025.
- Werkproces
- Despite its expressive form, Oruha Chair provides stable and comfortable seating suitable for extended use.
Structural stability and load distribution were carefully examined through repeated physical testing, ensuring that the sculptural design does not compromise safety or usability.
Unlike many sculptural chairs that discourage everyday use, Oruha Chair is intended to be touched, sat on, and lived with. - Beeldcredits
- Photography: Photographer Mitsuaki Takahashi, 2025
Video credit: Video editor Yuya Nakazawa, 2025
Sound: Soundtrack Composer Heitaro Ashibe, 2025
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