Ceramic Forest Kantoor by I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung is a highly esteemed winner of the very prestigious 2020 A' Design Award in Brons in Interieur en Tentoonstellingsontwerp Competition Category.
BronsInterieur· 2020
Ceramic Forest Kantoor
by I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung
Client: Merge Interiors
A' Design Award in Brons Winner in Interieur Category
Verified Award Winner
Verify Award Status for #92890The Design
About Ceramic Forest Kantoor
Bij het werken in een visueel comfortabele omgeving met ontworpen ruimtelijkheid, wordt de werkproductiviteit verhoogd, is het display en het werkgebied ook getransformeerd in artistieke ruimtes. In de halfopen ruimtes zijn onafhankelijke werkruimtes afgebakend, terwijl vliesgevelglas natuurlijk licht heeft laten doordringen en de vitaliteit van het witte kleurenschema heeft vastgelegd door een goed verlichte en lichte werkruimte te creëren door de ruimtelijkheid van het geheel te optimaliseren. interieur.
The Recognition
About the A' Design Award in Brons
Ceramic Forest Kantoor is winnaar van de A' Design Award in Brons, een hoogst prestigieuze erkenning die wordt toegekend aan uitstekende ontwerpen die zich onderscheiden door creativiteit, vindingrijkheid en scherpzinnigheid. Winnaars in Brons zijn ruimschoots vaardige en opvallend creatieve artefacten die de grote ervaring, verbeelding en het vernuft van hun ontwerpers bevestigen. Ceramic Forest Kantoor wordt verwacht een hooggewaardeerd, bewonderd en gekoesterd object te zijn dat opmerkelijk professioneel en innovatief is. Dit ontwerp dat de A' Design Award in Brons heeft gewonnen, verwerkt de beste praktijken in kunst, wetenschap, ontwerp en technologie en is uitstekend door zijn aandacht voor detail. Ceramic Forest Kantoor bevredigt schitterend behoeften, raakt verlangens, charmeert gevoelens en spreekt de nieuwsgierigheid aan.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The client of this project is Nobel Ceramic and Tiles, the supplier of most ceramic products for Starbucks, who founded its own brand, Cilin, and established its office in Neihu, Taipei. The design of the overall office space was inspired by ceramic from which design elements and vocabulary was generated. The office with showroom adopted white wall cabinet and grey Bolon carpet and black metalwork as its main elements.
- Dimensions & Packaging
- With an interior area of 514 square meters, the supervisor offices are allocated near the perimeter of the site near the window for ample natural lighting and window views, while allowing natural lighting to flood into the interior of spacious layered space, and for spaces such as server room, dark room, accounting office, etc., area allocated at the side area, and VP office, legal office, and staff working area are located at the inner area.
- Tags
- Display Cabinet, Mug, Special Paint, Curtain Wall Glass, Open Office
- Production Technology
- For creating the stern and grand spatial qualities of the commercial space and the office that is befitting to the corporate core values, the reception lobby was treated with elegant grey plaster primer paint accentuating the humble beauty of ceramic. The interior of the office space adopted Mexin ceiling and Bolon carpet for acoustic consideration in creating a quiet working environment.
- Design Challenge
- As the spatial expression is derived from the consideration of color and size of products on display in a boundless fashion, the design department has also requirements for sample storage, therefore, apart from the white minimalist design, the geometric linework has also helped to maintain the sense of order for the working area, complemented with recessed opening for product display which has further embellished this transitional space.
- Research
- The ceiling of the showroom features a circular arc design symbolizing the round opening of a ceramic mug, as the showroom cabinet and white color wall softens the serious working ambiance but still maintain a sense of order and layers strung together within a spatial consistency.
- Inspiration
- The elevator lobby is imbued with the symbolism of Kiln, and as it is surrounded by timberwork, the warm and stern beauty of kilns was articulated grey-scale color relating to the personable texture. With LED lighting giving a layering effect to the interior, special door panels and installation artwork forming motifs of Taiwanese Folk Art has brought strong contrast in this visual focus of this area.
- Project Duration
- The project was completed in October 2013 in Taipei, Taiwan.
- Operation Flow
- As the program purpose of merchandise showroom is to express the core imagery of products; therefore, the design has gone beyond the conventional rhythmic nature of normal space by injecting an enriched stream of brand characteristics in every segment of the showroom so that this space becomes a museum of exquisitely made objects which also makes it an ideal location for product introduction and sales discussion.
- Team Members
- I Ju Chan
Hsuan Yi Chen
Su Huang Hung - Image Credits
- Kyle Yu Photo, 2013
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