Designet Tibetan Thangka Art Museum av AND Studio er en høyt ansett vinner av den svært prestisjetunge 2024 A' Design Award i Sølv i konkurransekategorien Arkitektur-, Bygnings- og Konstruksjonsdesign.
SølvArkitektur· 2024
Tibetan Thangka Art Museum
av AND Studio
Klient: And Studio
Vinner av A' Design Award i Sølv i kategorien Arkitektur
Verifisert Prisvinner
Verifiser Prisstatus for #152344Designet
Om Tibetan Thangka Art Museum
Lhasa Thangka-museet er et museum for Thangka-kunst som ligger ved foten av fjellene i Lhasa. Bygningen er organisert på samme måte som et tibetansk kloster og skaper en dialog med fjellet og himmelen. En utvendig sti stiger mellom volumene og leder til en høytliggende plass, mens en innvendig rute organiserer utstillingsrommene. Tradisjonelle steinvegger er nytolket som doble ventilerte betongvegger, som forbedrer isolasjonen og reduserer energiforbruket. Lokale materialer og lokal arbeidskraft ble benyttet. Museet fremmer Thangka-kunst og tibetansk kultur.
Anerkjennelsen
Om A' Design Award i Sølv
Tibetan Thangka Art Museum er vinner av A' Design Award i Sølv, en usedvanlig prestisjefylt anerkjennelse som tildeles design i toppklassen som er nydelige og imponerende. Sølvvinnere er enormt briljante og usedvanlig kreative verk som viser designernes enestående ekspertise, talent og skarpsindighet. Tibetan Thangka Art Museum forventes å være et praktfullt utstillingsverk som er bemerkelsesverdig profesjonelt og dypt nyskapende. Dette designet, som har vunnet A' Design Award i Sølv, er en svært bemerkelsesverdig, beundret oppfinnelse som gagner og flytter grensene for kunst, vitenskap, design og teknologi. Tibetan Thangka Art Museum er et skaperverk mange misunner, som vekker ønsker, gir positive følelser og vekker undring og forundring.
Bak designet
Pressepakke
Krediteringer, teammedlemmer og tekniske detaljer levert av designeren.
- Unike Egenskaper
- Set against the foothills of the mountains, the Lhasa Thangka Museum is organized in the manner of a Tibetan monastery, with an emphasis on dialogue with the mountain and the sky. The detail design respects the heritage of the local culture and reproduces the traditional artistic features with a modern architectural language.The museum aims to be a window for the dissemination of Thangka art, it will treasure and promote Thangka culture and Tibetan culture.
- Dimensjoner og Emballasje
- The main tower is used as an exhibition space, as a vantage point to admire the landscape and at the same time acts as a "wind tower": it creates natural ventilation and cools the building during the very hot summers. The double wall structure guarantees the insulation of the building, the reduction energy consumption for heating and cooling by 30%, and the integration of the technical equipment.
- Stikkord
- museum, thangka art, concrete, brass, glass curtain wall
- Produksjonsteknologi
- The project is organized in two paths: the external one, which takes up the path of the Tibetan monastery, a climb between the different volumes, which recalls the ascent of the mountain, to lead to the high square, where During the “Sho Dun” festival, you can admire a large Thangka suspended against the tower; the other interior, which organizes the exhibition spaces and the objects on display following the path of the believer in search of enlightenment. In order to get as close as possible to the zero carbon objective, quite a lot of work has been done on the search for local materials and producers and reducing CO2 production and energy consumption. We convinced our Client not to import materials from elsewhere, avoiding long supply transportation, favoring local manpower and materials. To protect the environment, quarries are now banned in the region. We therefore chose to reinterpret the traditional stone walls with double ventilated concrete walls. We used pressed clay, a local ancestral technique, to create the floor of the exhibition spaces.
- Designutfordring
- At first we wanted to use the local stone, following the vernacular architecture. However quarrying is now prohibited in this region in order to protect the environment. We have therefore chosen to reinterpret the traditional stone walls with double walls in concrete.
We chose concrete instead of steel and metal cladding in order to avoid any importation of materials. - Forskning
- At the genesis of this project, a great collector contacted us to promote and exhibit this art from the Buddhist religion; a cultural and secular approach unprecedented in Tibet. Exploring Lhasa guided by a monk and by the client allowed us to immerse ourselves in this ancestral culture. For us, it was a question here of conceiving a poetic, spiritual project, intimately linked to this context. Through our architect's eyes, we have transcribed our learning of Buddhist culture to create a museum deeply rooted in the local reality; a secular place where the boundaries between art and spirituality merge.
- Inspirasjon
- Two years ago we were approached by the largest holder of Thangka art collection in the world to study for a museum project in Tibet. We have the ambition to reconcile modernity and tradition. For this we took an initiatory journey to learn Thangka art, local culture, in its expressions of volumetric and architectural composition. The progression through the Potala Palace inspires the journey around the volumes of our project.
- Prosjektvarighet
- The project started in February 2019 and finished in May 2022 in Lhasa, China
- Driftsflyt
- We designed this museum to promote learning and meditation. The light work and scenography are designed to sublimate the centuries-old paintings, which will serve as inspiration and testimony for future generations.
The museum itinerary was designed in collaboration with the curator and a local monk. The use of natural light as an architectural component has guided the design of the spaces. Zenithal light, claustra and fissures occasionally pierce the walls and roofs of the exhibition halls. - Patenter
- Design: AND Studio
Consultant: CSCEC AECOM Consultants Co., LTD - Teammedlemmer
- Lead Architect: Ning Wang
Lead Architect: Duccio Cardelli
Architect: Tomasso di Francia
Architect: Yutong Ma
Architect: Qinyi Li
Architect: Luca Amighetti
Architect: Dominika Kowalczyk - Bildekreditering
- Photo and Video by: Arch-Exist Photography
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