Porous Manifold Japansk Terom by Ryumei Fujiki and Yukiko Sato

Sølv Kunst · 2019

Porous Manifold Japansk Terom

by Ryumei Fujiki and Yukiko Sato

A' Design Award i Sølv 2019 in Kunst
CLIENT: F.A.D.S + Fujiki Studio, KOU::ARC
Estimated Number of Design Views: 39,966
Verification code 504690C70A · Verify this award

Visit Site View at A' Design Award Press Release

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About Porous Manifold Japansk Terom

Dette er et midlertidig japansk terom utstilt i Echigo-tsumari Art Triennale 2018 og har en nestet struktur med to-tatami-rom innebygd i ti fots kvadrat. I denne utstillingen ble arkitekter bedt om å svare på temaet om hvordan man kan overvinne konseptet om homogent rom som var dominerende på 1900-tallet. Skjelettet ble designet ved å bruke det tilfeldige mønsteret som ble kalt Voronoi Division for å forvrenge homogent rom. Og det ble foreslått at arkitekturen med et stort antall hull kunne åpnes og lukkes etter behov for å kommunisere med utsiden som en levende ting.

About the A' Design Award i Sølv

Porous Manifold Japansk Terom er vinner av A' Design Award i Sølv, en usedvanlig prestisjefylt anerkjennelse som tildeles design i toppklassen som er nydelige og imponerende. Sølvvinnere er enormt briljante og usedvanlig kreative verk som viser designernes enestående ekspertise, talent og skarpsindighet. Porous Manifold Japansk Terom forventes å være et praktfullt utstillingsverk som er bemerkelsesverdig profesjonelt og dypt nyskapende. Dette designet, som har vunnet A' Design Award i Sølv, er en svært bemerkelsesverdig, beundret oppfinnelse som gagner og flytter grensene for kunst, vitenskap, design og teknologi. Porous Manifold Japansk Terom er et skaperverk mange misunner, som vekker ønsker, gir positive følelser og vekker undring og forundring.

Press Kit

Unique Properties: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Dimensions & Packaging: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Tags: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Production Technology: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Design Challenge: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Research: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inspiration: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Project Duration: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Operation Flow: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patents: F.A.D.S + Fujiki Studio, KOU::ARC
Image Credits: Masahiro Hoshida, Fujiki Studio, KOU::ARC