Taipei C House Ntchito Yaikulu ya Kapangidwe ka Nyumba Yokhala ndi Chu Cheng Chang

Dizayini ya Taipei C House Ntchito Yaikulu ya Kapangidwe ka Nyumba Yokhala ndi Chu Cheng Chang ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2021 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Mkati mwa Nyumba ndi Mawonekedwe.

BronzeMkati· 2021

Taipei C House Ntchito Yaikulu ya Kapangidwe ka Nyumba Yokhala

ndi Chu Cheng Chang

Kasitomala: CHU CHENG Design Interior Co., Ltd

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Mkati

8,318

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #110123

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Taipei C House Ntchito Yaikulu ya Kapangidwe ka Nyumba Yokhala

Malemba a Bukuli: Taipei C House ndi kapangidwe ka mkati ka nyumba yokhala, yomwe ili mumzinda wa Taipei, ku Taiwan. Nyumbayi ili ndi malo okwana pafupifupi masikweya mita 92.56 ndipo ili ndi khomo lolowera, chipinda cholandirira alendo, chipinda chodyera, khitchini, chipinda chophunzirira, zipinda ziwiri zogona, komanso zipinda ziwiri zosambira. M'malo mopanga mapangidwe ofanana ndi kachidule wamba, kapangidwe kameneka kamagwiritsa ntchito mawonekedwe osasunthika. Zozungulira za terrazzo ndi mapaneli achitsulo opangidwa ndi kuwala kwa laser amapanga mawonekedwe ozungulira m'malo omwe anthu amagwiritsa ntchito limodzi. Mitanda ndi nsanamira zasiyidwa poonekera poyera, ndipo kuwunika kosalunjika kwaikidwa pamalo omwe denga limalumikizana. Mazenera akuluakulu amabweretsa kuwala kwachilengedwe ndi maonekedwe akunja m'zipinda zonse.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Taipei C House Ntchito Yaikulu ya Kapangidwe ka Nyumba Yokhala ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Taipei C House Ntchito Yaikulu ya Kapangidwe ka Nyumba Yokhala akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Taipei C House Ntchito Yaikulu ya Kapangidwe ka Nyumba Yokhala amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: The design team adopts irregular design, breaking the stereotype of the square impression in the space. Also, they transform the interior into a forest image, and they merge with the concept of honeycomb and cave, echoing the work configuration with the natural ecological environment. Moreover, they adopt large glass windows so that the outside sceneries accompany the interior design, breaking the distance from nature.
Miyezo ndi Kuphimba: The floor area is about 92.5624 square meters. The layout includes an entrance, a dining room, living room, kitchen, and it has a master bedroom, a child bedroom, two bathrooms, and a study room.
Zizindikiro: Wabi-sabi design, post-modern style, simple style, curved surface, cylindrical design, special building materials
Teknoloji Yopangira: The designers adopt terrazzo cylinders and laser-sculpted wave panels to create a post-modern and irregular space expression in the public sphere. They deliberately expose the beams and pillars directly in the room. The columns take good advantage of the terrazzo to shape the arc-shaped corners, and indirect lighting is made at the ceiling joints. With the cement polishing and the vision of the same tone and texture wall, the beams in the guest and dining room present interlacing geometric linear vision of polishing cement wavy board and black steel brush veneer in the public sphere.
Vuto la Dizayini: The child is in early childhood development, so the designers need to set up facilities that children can have activities and can play in the space. Thus, the designers adopt stones to pave a consistent and continuous floor in interior and exterior, creating an unconfined field without obvious distinctions and corners. Moreover, they reserve the floor-to-ceiling windows of each bedroom, allowing natural light and the indoor structure to create an open and bright feeling.
Kafukufuku: The designers adopts terrazzo, laser cutting corrugated steel sheet and grayscale paint based on the spirit of the ancient Japanese culture "Wabi-Sabi". Lots of terrazzo and cold color tones inject the philosophy of inaction into the enlarged sense of space. Compared with the light and white public spheres, the steel brush made of solid wood is adopted to spray paint. Both bedrooms continue the main design idea of the exterior, and more transparent lighting techniques and natural wood veneers are adopted to add a closer and better comfortable atmosphere in the bedrooms.
Chilimbikitso: Through thinking the picture of "home", the designers believe that not only its due functions, the home but also should be a place where clients can completely relax, tolerate, and restore their bodies and minds. In order to create such a healing sense, the team gets rid of the traditional design techniques that focus on form expression and style fabrication, and they concentrate entirely on the relationship between materials in the structure. With several cool-tone building materials, they outline a sense of volume in the interior.
Nthawi ya Polojekiti: The project is finished in February 2020 in Beitou Dist., Taipei City, Taiwan.
Mdondomeko ya Ntchito: When entering the door, the entrance area surrounded by columns and corrugated steel sheet adds visual privacy from the exterior to the interior in terms of functions. The corrugated steel sheet shapes the curved facade, and with the integration of the cabinet, it creates a clean and traceless storage function. A large amount of stone in the space creates a feeling of enlargement due to the relatively cold texture. However, space may have a risk of excessive indifference. In view of this, the designers adopt arc lines in the exterior to balance the cold texture.
Mamembala a Gulu: Chu-Cheng Chang, Pi-Chuan Pai
Mwini Zithunzi: HEY! CHEESE, 2020.