Dizayini ya Past at Last Mafashoni Osamala Chilengedwe ndi Tihana Miksa ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2021 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Fashoni, Zovala ndi Mikanjo.
SilivaFashoni· 2021
Past at Last Mafashoni Osamala Chilengedwe
ndi Tihana Miksa
Kasitomala: Tihana Mikša
Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Fashoni
Wopambana Wotsimikizidwa
Tsimikizani Mkhalidwe wa Mphotho ya #113802Kapangidwe
Za Past at Last Mafashoni Osamala Chilengedwe
Chofunika kwambiri m'mapangidwe a zovalazi ndi mawonekedwe okhudzika olemera, osangalatsa pamodzi ndi mitundu yosagwirizana. Chifukwa chake, zovalazi zimakhala zofanana mbali zonse, zosavuta komanso mawonekedwe otsekedwa popanda kusintha kwakukulu pa dongosolo lake. Zinthu izi zimafufuza mawonekedwe, kukhudzika, zipangizo, kayendedwe kamoyo ndi kamangidwe ka umisiri ka nsalu. Mitundu yake ndi yofewa komanso yopanda kuwala, kupatula zofiira zimene zimayang'ana mkati mwa mitundu yofewayo.
Chidziwitso
Za Mphoto ya Siliva ya A' Design Award
Past at Last Mafashoni Osamala Chilengedwe ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. Past at Last Mafashoni Osamala Chilengedwe akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Past at Last Mafashoni Osamala Chilengedwe ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.
Kumbuyo kwa Kapangidwe
Katundu wa Atolankhani
Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.
- Makhalidwe Apadera
- The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum. - Zizindikiro
- basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
- Teknoloji Yopangira
- The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
- Vuto la Dizayini
- Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques. - Chilimbikitso
- The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing. - Nthawi ya Polojekiti
- 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
- Mwini Zithunzi
- Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.
Zolipidwa
Fufuzani Kupitilira Designers.org
Onani zinthu, ntchito ndi mwayi kuchokera kwa ogulitsa athu aulaliki.
Zina Zofufuza
Mapangidwe Ofanana
Fufuzani mapangidwe ena opambana mphotho ochokera mu gulu lomweli, osankhidwa malinga ndi ukadaulo.
