Interpreting Discomfort Ntchito Yaikulu: Zithunzi Zojambulidwa ndi Mafuta (Oil Painting) ndi YunFen Wang

Dizayini ya Interpreting Discomfort Ntchito Yaikulu: Zithunzi Zojambulidwa ndi Mafuta (Oil Painting) ndi YunFen Wang ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2022 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Luso Lapadera ndi Mapangidwe a Zoyikidwa za Luso.

BronzeLuso Lapadera· 2022

Interpreting Discomfort Ntchito Yaikulu: Zithunzi Zojambulidwa ndi Mafuta (Oil Painting)

ndi YunFen Wang

Kasitomala: YunFen Wang

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Luso Lapadera

13,656

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #136563

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Interpreting Discomfort Ntchito Yaikulu: Zithunzi Zojambulidwa ndi Mafuta (Oil Painting)

Mawu a M'bukhu: Kutanthauzira Kusakhutira ndi mndandanda wa zithunzi zojambulidwa ndi mafuta zokhudza malo aumwini komanso kupanikizika kwa chikhalidwe cha anthu. Ntchitozi zikuonetsa manja ndi maso m'mikhalidwe yokonzedwa yomwe imabweretsanso mkati mwa nthawi zausiku za kusakhutira. Zochita zosonyeza chisamaliro zimatha kuyandikitsa anthu, koma kusamalidwa kwambiri kungayambitsenso kusakhutira. Zithunzizi zimaphatikiza njira ziwiri. Kujambula mosaonekera moyenera kumamanga maziko akuda ndi oyera omwe pambuyo pake amaphimbidwa ndi mtundu wina wowunikira (glazing). Kujambula mwachindunji kumagwiritsa ntchito mtundu wosakanizidwa mophatikizika pa mbali ya chithunzi. Mndandandawu wapangidwa pogwiritsa ntchito utoto wa mafuta pa nsalu (canvas) ndi papepala la matabwa, ndipo umasonyezedwa m'malo owonetsera zaluso monga chiyambi cha kukambirana.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Interpreting Discomfort Ntchito Yaikulu: Zithunzi Zojambulidwa ndi Mafuta (Oil Painting) ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Interpreting Discomfort Ntchito Yaikulu: Zithunzi Zojambulidwa ndi Mafuta (Oil Painting) akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Interpreting Discomfort Ntchito Yaikulu: Zithunzi Zojambulidwa ndi Mafuta (Oil Painting) amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: Many times “caring” actions will bring people closer together, but it can also make people uncomfortable with too much attention. In this series of works, she discuss how much attention is too much? How is this feeling of discomfort formed? For the attention given by others, we all want to classify it as concern, but too much attention may become a kind of pressure. She use this series of works to discuss with the viewer the comfortable distance of interaction between people.
Miyezo ndi Kuphimba: 24 x 48 inch / 24 x 30 inch / 20 x20 inch / 12 x 12 inch
Zizindikiro: hands, eyes, oil painting, art, surrealism
Teknoloji Yopangira: She examined the difference between indirect painting and direct painting, and used both of them in the picture. The indirect painting methods belongs to the technique of classic realistic oil painting, which is completed in black and white and then glaze color on top. Direct painting is the method of contemporary painting, which directly superimposes the adjusted color on the canvas.
Materials used: Oil paint, Wood Panel, Canvas
Vuto la Dizayini: Ideation and the atmosphere is the hardest part of this project. In the presentation of the picture, the shape of the hands must be placed harmoniously in the picture without losing the beauty.
Kafukufuku: The first thing is to study how to create an uncomfortable atmosphere. Eyes and hands are good parts for expressing emotions. The unnatural feeling of combining these two makes the picture more attractive and intriguing.
Chilimbikitso: The images she make for this project are staged recreations of her own experience, and she believe that it is also the experience of many other people. This series deals with issues of discomfort and stress in everyday life. We all care about how others view us, this has become the same as our invisible living standards.
Nthawi ya Polojekiti: The project began in San Francisco in 2020. Participated in Contemporary Venice 2021, Italy and Small Works 2021, New York.
Mdondomeko ya Ntchito: It will be displayed in a gallery, and these paintings can be a tool for conversation.