Xiangxin Huzhou Songyuanli Kapangidwe ka Mkati mwa Nyumba Yokhalamo ndi Zhijun Zhong

Dizayini ya Xiangxin Huzhou Songyuanli Kapangidwe ka Mkati mwa Nyumba Yokhalamo ndi Zhijun Zhong ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2023 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Mkati mwa Nyumba ndi Mawonekedwe.

SilivaMkati· 2023

Xiangxin Huzhou Songyuanli Kapangidwe ka Mkati mwa Nyumba Yokhalamo

ndi Zhijun Zhong

Kasitomala: Herabenna

Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Mkati

13,975

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #148815

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Xiangxin Huzhou Songyuanli Kapangidwe ka Mkati mwa Nyumba Yokhalamo

Xiangxin Huzhou Songyuanli ndi kapangidwe ka mkati mwa nyumba yokhalamo komwe kumagwiranso ntchito ngati nyumba yachitsanzo yosonyezedwa kwa anthu onse. Ntchitoyi ikukhudza malo a masikweya mita 696 ku Huzhou, m'chigawo cha Zhejiang, ku China. Kamangidwe ka nyumbayi kanatengera nyumba zamakolo za ku Huizhou, zokhala ndi makoma oyera ndi matailosi akuda. Mkati mwake, kristalo ndi chitsulo zinaphatikizidwa, ndipo ziwiya zagolide ndi zasiliva komanso zojambula zakale zimakwaniritsa zipinda. Mipando yake imagwiritsa ntchito silika wa kwawoko wa ku Huzhou. Njira zamakolo zosema, zosoka mabala ndi zopanga minda zinaphatikizidwa ndi moyo wamakono, kotero nyumbayi imakwaniritsa zosowa za mwini nyumba komanso alendo.

Chidziwitso

Za Mphoto ya Siliva ya A' Design Award

Xiangxin Huzhou Songyuanli Kapangidwe ka Mkati mwa Nyumba Yokhalamo ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. Xiangxin Huzhou Songyuanli Kapangidwe ka Mkati mwa Nyumba Yokhalamo akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Xiangxin Huzhou Songyuanli Kapangidwe ka Mkati mwa Nyumba Yokhalamo ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: The project is located in Huzhou, Zhejiang Province, and its architecture draws on the traditional "huizhou architecture" with its white wall and black tile, recreating the highlight of "Aesthetics of China". It intends to respect tradition, review history with contemporary aesthetic taste, open up the lifestyle of modern aristocrats, reorganize the elements of the new era, and write new "story chapters ",which can be traced back to the Chinese modern era.
Miyezo ndi Kuphimba: 696 square meters
Zizindikiro: Mansion, luxury, classical, golden age, aristocratic circle, Modern Times of China
Teknoloji Yopangira: Under the contemporary background, the design shows the aesthetics of China, incorporating classical British expressions into the design, and enhancing the space with soft furnishings such as gold and silver wares and antique paintings.

In terms of material selection, c crystal and metal are perfectly integrated, showing the prosperity of the industrial age and reappearing the golden years of the Oriental Modern. The interior furniture uses local silk products from Huzhou as raw materials, and the joint design with BIZZOTTO, the world leading furniture brand. This reflects the quality and craftsmanship, and conveys the essence of high quality spirit.

The design carries forward the excellence of Chinese culture by inheriting traditional Chinese dark engraving techniques, traditional handicraft embroidery techniques, Jiangnan gardening techniques and an inclusive human attitude.
Vuto la Dizayini: "Fusion is a better reservation"

In an era of rapid development of science and technology, the inheritance of handicrafts and excellent traditional culture has always been facing great difficulties. The design of the large space draws inspiration from modern 'Shanghai', applying the 'cross-border fusion' model once again to the design, integrating traditional culture with contemporary lifestyles and fusing Chinese and Western design features. The multifunctional parlour in the basement will lead the design to trendy movies and video games, and then disassemble and reorganize them to create a boy's ultimate dream playground. In the future design, standards and styles are constantly being broken. We prefer to try to constantly integrate and cross boundaries, challenging more and more interesting fields, and conveying a design concept that is constantly breaking through.
Kafukufuku: n the 1930s and 1940s, the area around the Yangtze River Basin, headed by Shiliyangchang (Shanghai), was gradually westernized. The aristocratic circle's recognition of "Ambilight" decoration has reached the peak of the times, and the classical and luxurious temperament of the space given by the luxury materials such as crystal, metal and leather is generally accepted by people in the circle, which has formed a unique interior decorative style such as naval style and Hong Kong style by integrating with the traditional implicit, class distinct interior layout style. As we all know, gold and silver utensils are the symbol of luxury and the belief of excellent craftsmanship and quality, and also reflect the attitude of noble circles pursuing quality of life. Promoting high quality of life is also the most desired quality concept to be conveyed by the design itself.
Chilimbikitso: When we think back to China in 1930s, the lifestyle of the upper aristocracy has always been regarded as a classic of the times. Chinese people's aesthetic appreciation began to go from traditional classical subtlety to international modernity. Interior decoration styles began to show the characteristics of the industrial era, not only modern and stylish but also retaining the traditional subtle and elegant temperament.
Nthawi ya Polojekiti: This project is located at No. 58 Meiquan Road, Wuxing District, Huzhou City, Zhejiang Province, China, and was completed in May 2022.
Mdondomeko ya Ntchito: This project is the private residence of the project developer, and also needs to be shown to the public as a prototype house. Therefore, we are faced with a paradox: our works should conform to both the owner's preferences and the audience's design preferences, which means that our design works should be both "relatively universal" and "exclusively pertinence". In the first stage, from the perspective of the audience circle, we mainly researched design preferences. In the second stage, we conducted a more detailed investigation on the design details for the owners, thus achieving both the exhibition purpose and meeting the exclusive needs of the owners.