Dumphani kupita ku nkhani
Smritivan Nyumba Yosungiramo Zinthu Zakale ndi Chikumbutso cha Chivomerezi ndi Siddharth Bathla

Dizayini ya Smritivan Nyumba Yosungiramo Zinthu Zakale ndi Chikumbutso cha Chivomerezi ndi Siddharth Bathla ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2023 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Mkati mwa Nyumba ndi Mawonekedwe.


SilivaMkati· 2023

Smritivan Nyumba Yosungiramo Zinthu Zakale ndi Chikumbutso cha Chivomerezi

ndi Siddharth Bathla

Kasitomala: Gujarat State Disaster Management Authority

Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Mkati

29,568

Mitundu

Kapangidwe

Za Smritivan Nyumba Yosungiramo Zinthu Zakale ndi Chikumbutso cha Chivomerezi

Smritivan ndi nyumba yosungiramo zinthu zakale za chivomerezi komanso chikumbutso chomwe chili pa phiri la Bhujio Dungar ku Bhuj, Gujarat, India. Nyumbayi ili ndi malo a mkati ndi kunja okwana ma mita 9200 sikweya, ogawidwa m'magawo asanu ndi awiri a mitu yosiyanasiyana ndi zipinda zowonetsera 27. Zowonetsedwazo zimakumbutsa za chivomerezi cha chaka cha 2001 kudzera m'nkhani za anthu, zikalata zosungidwa ndi zidziwitso za sayansi. Amisiri a m'derali anagwira nawo ntchito yopanga zojambulazo, ndipo nsalu zolukidwa zaphatikizidwa ndi zitsulo zolimba. Palinso makina aakulu oyerekezera chivomerezi ndi zikumbutso za pa kompyuta za anthu amene anamwalira. Mutu waukulu wa kapangidwe kake ndi kulimba mtima kwa anthu.

Chidziwitso

Za Mphoto ya Siliva ya A' Design Award

Smritivan Nyumba Yosungiramo Zinthu Zakale ndi Chikumbutso cha Chivomerezi ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. Smritivan Nyumba Yosungiramo Zinthu Zakale ndi Chikumbutso cha Chivomerezi akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Smritivan Nyumba Yosungiramo Zinthu Zakale ndi Chikumbutso cha Chivomerezi ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera
India’s largest memorial-museum, coming alive with stories of the devastating 2001 earthquake woven into the philosophy of the space. Metaphor of resilience and constant change is presented across 7 thematic blocks. Collaboratively designed with master craftspersons, vibrant, local crafts create scenography. Large-scale quake simulator, digital homage and personal stories bring an emotional connection. To animate the visitor experience, live actors and artists bring the museum journey alive.
Miyezo ndi Kuphimba
An integral part of the memorial, the museum is spread over 9200 square meters of indoor and outdoor experience on the Bhujio-Dungar hill. The exhibition space is divided into seven blocks, which are further divided into 27 galleries. On an average each gallery is 8 meters wide, 12 meters long and 4.5 metres high. The museum also houses other amenities like library, shop, cafe, auditorium, play area and temporary exhibition spaces.
Zizindikiro
Earthquake memorial, earthquake museum, immersive, interactive, craft, human-centric, scenography, storytelling, resilience, Bhuj, culture centre
Teknoloji Yopangira
All bespoke installations and narrative elements were custom-designed and fabricated in India, following iterative experimentation and prototyping. A fresh approach to processing local resources was implemented to create contextually-rooted exhibit spaces. Local craft persons were commissioned to co-create the largest ever narrative-based artworks of their repertoire. Contextual materials such as woven textiles, in synergy with durable materials like steel, create a blend of local and global expression.
Vuto la Dizayini
The responsibility to present sensitive personal and complex stories of the earthquake and beyond, to evoke varied emotions was a creative challenge and opportunity. Moving from an incident to an overarching story based on the ideas of resilience was pivotal. The 27 similar galleries dealt with an innovative, contextual design strategy for distinct and memorable thematic experiences. Translating the big idea into a physical reality demanded a smart orchestration of various stakeholders.
Kafukufuku
Narrative and design development took shape based on intensive continuous research rooted in ethnography, literature review, and archival data. Being an earthquake museum inspired by resilient stories of people and landscapes, geological, archaeological, and seismological experts directed the entire process. Personal stories and archival data were collected, analyzed, and curated from recurring, extensive field visits undertaken across entire quake-affected areas and humanitarian organizations.
Chilimbikitso
The unique, thriving culture of Kutch in west India, gave impetus to the museum’s content and design. The Timelessness of human resilience, absorbed from a nearby 4000-year-old civilization is carried forward in the museum’s ethos. The region’s rapid recovery post-2001 quake is embodied in Smritivan as universally relatable stories of human determination. Content design, scenography, and installations are based on and emerge from the rich local living traditions and crafts of the Kutch region.
Nthawi ya Polojekiti
After winning the open design competition on a proposal based on the concept of “eternal resilience” the project was initiated in 2018, in Bhuj city of Kutch district, Gujarat. Following detailed research and design, on-site execution began in 2020. The Smritivan Earthquake Museum and Memorial were inaugurated by the Hon’ble Prime Minister of India in August 2022. We continue to curate and engage with public programming for the museum.
Mdondomeko ya Ntchito
Since its inauguration, the museum receives an average footfall of foreign tourists and locals over 100,000 every quarter. Holistic end-to-end placemaking and local community engagement through digital marketing, and innovative public events are an extension of the design strategy. Each visitor adds a part of themselves to the museum through digital tributes for quake victims, which collect into a bright beam of light. India’s first design biennale on the “art of storytelling” was hosted here recently.
Mamembala a Gulu
Creative Director: Siddharth Bathla
Design Director: Prashasti Chandra
Visual Design: Masood Khan
Installation, Scenography: Suryanath Sunny
Research,Content: Niharika Joshi
Architect: Prashul Sharma
Special Artist: Mukul Goyal- Sculptor
Special Artist: Vankar Vishram Valji - (weaver shyamjibhai)- weaving
Special Artist: Dr. Ismail Khatri- block printing
Special Artist: Mukesh Bhanani- kala Raksha
Special Artist: Gafur Khatri- Rogan art
Special Artist: Paresh Khamir- lacquered artwork
Mwini Zithunzi
Image #1: Photographer Bharat Aggarwal, Smritivan, 2022.
Optional Image #1: Photographer Bharat Aggarwal, Smritivan, 2022.
Optional Image #2: Photographer Bharat Aggarwal, Smritivan, 2022.
Optional Image #3: Illustrator Masood Khan, Smritivan, 2022.
Optional Image #4: Photographer Bharat Aggarwal, Smritivan, 2022.

Video Credits: Cinematographer Sohaib Ilyas, Smritivan, 2022.

Sound Credits: ANBR - Stars, Ardie Son - Come back home, Ardie Son - Tonight is Golden, Smritivan, 2022.

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