Dizayini ya Tibetan Thangka Art Nyumba Yosungiramo Zinthu Zakale ndi AND Studio ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2024 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Nyumba, Zomanga ndi Zomangidwa.
SilivaZomangamanga· 2024
Tibetan Thangka Art Nyumba Yosungiramo Zinthu Zakale
ndi AND Studio
Kasitomala: And Studio
Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Zomangamanga
Wopambana Wotsimikizidwa
Tsimikizani Mkhalidwe wa Mphotho ya #152344Kapangidwe
Za Tibetan Thangka Art Nyumba Yosungiramo Zinthu Zakale
Lhasa Thangka Museum ndi nyumba yosungiramo zaluso za Thangka yomangidwa m'munsi mwa mapiri a ku Lhasa. Nyumbayi inakonzedwa mofanana ndi nyumba ya amonke a chi Tibet ndipo imapanga kuyanjana ndi phiri komanso thambo. Njira yakunja imakwera pakati pa zipinda za nyumbayi ndikutsogolera ku bwalo lalikulu lomwe lili pamwamba, pomwe njira yamkati imakonza malo owonetsera zaluso. Makoma achikhalidwe amiyala anasinthidwa kukhala makoma awiri a konkire olowetsa mpweya, omwe amathandiza kusunga kutentha ndikuchepetsa kugwiritsa ntchito mphamvu za magetsi. Zipangizo za kwanuko ndi anthu ogwira ntchito a kwanuko ndi omwe anagwiritsidwa ntchito. Nyumba yosungiramo zinthuyi imalimbikitsa zaluso za Thangka ndi chikhalidwe cha ku Tibet.
Chidziwitso
Za Mphoto ya Siliva ya A' Design Award
Tibetan Thangka Art Nyumba Yosungiramo Zinthu Zakale ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. Tibetan Thangka Art Nyumba Yosungiramo Zinthu Zakale akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Tibetan Thangka Art Nyumba Yosungiramo Zinthu Zakale ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.
Kumbuyo kwa Kapangidwe
Katundu wa Atolankhani
Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.
- Makhalidwe Apadera
- Set against the foothills of the mountains, the Lhasa Thangka Museum is organized in the manner of a Tibetan monastery, with an emphasis on dialogue with the mountain and the sky. The detail design respects the heritage of the local culture and reproduces the traditional artistic features with a modern architectural language.The museum aims to be a window for the dissemination of Thangka art, it will treasure and promote Thangka culture and Tibetan culture.
- Miyezo ndi Kuphimba
- The main tower is used as an exhibition space, as a vantage point to admire the landscape and at the same time acts as a "wind tower": it creates natural ventilation and cools the building during the very hot summers. The double wall structure guarantees the insulation of the building, the reduction energy consumption for heating and cooling by 30%, and the integration of the technical equipment.
- Zizindikiro
- museum, thangka art, concrete, brass, glass curtain wall
- Teknoloji Yopangira
- The project is organized in two paths: the external one, which takes up the path of the Tibetan monastery, a climb between the different volumes, which recalls the ascent of the mountain, to lead to the high square, where During the “Sho Dun” festival, you can admire a large Thangka suspended against the tower; the other interior, which organizes the exhibition spaces and the objects on display following the path of the believer in search of enlightenment. In order to get as close as possible to the zero carbon objective, quite a lot of work has been done on the search for local materials and producers and reducing CO2 production and energy consumption. We convinced our Client not to import materials from elsewhere, avoiding long supply transportation, favoring local manpower and materials. To protect the environment, quarries are now banned in the region. We therefore chose to reinterpret the traditional stone walls with double ventilated concrete walls. We used pressed clay, a local ancestral technique, to create the floor of the exhibition spaces.
- Vuto la Dizayini
- At first we wanted to use the local stone, following the vernacular architecture. However quarrying is now prohibited in this region in order to protect the environment. We have therefore chosen to reinterpret the traditional stone walls with double walls in concrete.
We chose concrete instead of steel and metal cladding in order to avoid any importation of materials. - Kafukufuku
- At the genesis of this project, a great collector contacted us to promote and exhibit this art from the Buddhist religion; a cultural and secular approach unprecedented in Tibet. Exploring Lhasa guided by a monk and by the client allowed us to immerse ourselves in this ancestral culture. For us, it was a question here of conceiving a poetic, spiritual project, intimately linked to this context. Through our architect's eyes, we have transcribed our learning of Buddhist culture to create a museum deeply rooted in the local reality; a secular place where the boundaries between art and spirituality merge.
- Chilimbikitso
- Two years ago we were approached by the largest holder of Thangka art collection in the world to study for a museum project in Tibet. We have the ambition to reconcile modernity and tradition. For this we took an initiatory journey to learn Thangka art, local culture, in its expressions of volumetric and architectural composition. The progression through the Potala Palace inspires the journey around the volumes of our project.
- Nthawi ya Polojekiti
- The project started in February 2019 and finished in May 2022 in Lhasa, China
- Mdondomeko ya Ntchito
- We designed this museum to promote learning and meditation. The light work and scenography are designed to sublimate the centuries-old paintings, which will serve as inspiration and testimony for future generations.
The museum itinerary was designed in collaboration with the curator and a local monk. The use of natural light as an architectural component has guided the design of the spaces. Zenithal light, claustra and fissures occasionally pierce the walls and roofs of the exhibition halls. - Petensi
- Design: AND Studio
Consultant: CSCEC AECOM Consultants Co., LTD - Mamembala a Gulu
- Lead Architect: Ning Wang
Lead Architect: Duccio Cardelli
Architect: Tomasso di Francia
Architect: Yutong Ma
Architect: Qinyi Li
Architect: Luca Amighetti
Architect: Dominika Kowalczyk - Mwini Zithunzi
- Photo and Video by: Arch-Exist Photography
Zolipidwa
Fufuzani Kupitilira Designers.org
Onani zinthu, ntchito ndi mwayi kuchokera kwa ogulitsa athu aulaliki.
Zina Zofufuza
Mapangidwe Ofanana
Fufuzani mapangidwe ena opambana mphotho ochokera mu gulu lomweli, osankhidwa malinga ndi ukadaulo.
