Dumphani kupita ku nkhani
New Year Zojambula ndi Jui-Ping Lee

Dizayini ya New Year Zojambula ndi Jui-Ping Lee ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2024 Mphoto ya Chitsulo ya A' Design Award mu Gawo la Mpikisano la Luso la pa Digito.


ChitsuloLuso la pa Digito· 2024

New Year Zojambula

ndi Jui-Ping Lee

Wopambana pa Mphoto ya Chitsulo ya A' Design Award mu Gawo la Luso la pa Digito

52,919

Mitundu

Kapangidwe

Za New Year Zojambula

M'bwalo la bata, pakati pa chipale chofewa cha nyengo yozizira ndi mitundu yowala ya masamba a autumn, pakhala munthu wokongola wovala Kimono yokongola kwambiri. Chionekerochi chikuwonetsa mzimu wa Wabisabi, kukhazikitsa kukongola kwa kukhala wekha ndi mtendere. Mapangidwe okongola amakongoletsera nsaluyo, makamaka mitengo ya Pine, yoyimira ulemu; ndi Seigaiha yoimbirana yoyimira bata la nyanja. Kutalikitsa kumawulula zambiri zazing'onoting'ono, mbale ya mwala yokhala ndi dzina lolembera la wojambulayu ili kumanzere; ndipo pa Kimonoyo, mapangidwe a mbewa oyimira chaka chatsopano cha 2020, chaka cha mbewa.

Chidziwitso

Za Mphoto ya Chitsulo ya A' Design Award

New Year Zojambula ndi mmodzi mwa opambana a Mphoto ya Chitsulo ya A' Design Award, kuzindikirika kolemekezeka komwe kumaperekedwa kwa mapangidwe abwino omwe amakwaniritsa zofunika za akatswiri ndi za makampani zomwe zimayembekezeka kuchokera ku zolengedwa zopangidwa bwino. Opambana a Chitsulo amaonetsa luso lalikulu, ukatswiri wapamwamba, kumvetsetsa kwa akatswiri ndi mphamvu yolenga ya opanga awo. New Year Zojambula akuyembekezeka kukhala cholengedwa choyamikiridwa kwambiri, chosirira ndi chokondedwa chomwe ndi chothandiza ndi chatsopano. Mapangidwe opambana Mphoto ya Chitsulo ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a makampani ndipo ali ndi makhalidwe a ukadaulo oyenerera olumikizidwa ndi chidziwitso ndi luso. New Year Zojambula amalemekezedwa chifukwa cha kusamala kwake ndipo anapangidwa kuti apereke kukonza kwa moyo kumene kumathandiza kusandutsa dziko kukhala malo abwino.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera
An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Miyezo ndi Kuphimba
Original dimensions at 5600*3150 px, with 935 canvas layers
Zizindikiro
Illustration, Kimono, Furisode, Kouyou, Karesansui
Teknoloji Yopangira
Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Vuto la Dizayini
The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Kafukufuku
Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Chilimbikitso
When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Nthawi ya Polojekiti
The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Mdondomeko ya Ntchito
At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.

Zolipidwa

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