Subsidence Jewelry Zodzikongoletsa ndi Akhil Mane

Dizayini ya Subsidence Jewelry Zodzikongoletsa ndi Akhil Mane ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2025 Mphoto ya Chitsulo ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zodzikongoletsa.

ChitsuloZodzikongoletsa· 2025

Subsidence Jewelry Zodzikongoletsa

ndi Akhil Mane

Kasitomala: National Institute of Design

Wopambana pa Mphoto ya Chitsulo ya A' Design Award mu Gawo la Zodzikongoletsa

14,603

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #163982

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Subsidence Jewelry Zodzikongoletsa

Zopangidwa kuchokera ku zinthu zopezeka mwachilungamo, gulu limeneli lapadera la zodzikongoletsa limakweza chizindikiro pa nkhani ya kutsikira kwa nthaka. Kunja kwa mkuwa kosasalala kumafanana ndi pamwamba pa dziko lapansi losweka, pamene magawo a mkuwa wachikasu amayimira kukhudzidwa komwe kumafika pakati penipeni. Kapangidwe kake koyenera thupi, kokumbukitsa mapangidwe a nthaka ndi miyala, kakawonetsa bwino magawo osiyanasiyana a dothi, ndipo kakhalira chikumbutso champhamvu cha zotsatira za zochita za anthu. Gulu limeneli limapatsa mphamvu ovalawo kuti akhale ogula ozindikira ndiponso olimbikira tsogolo lopirira.

Chidziwitso

Za Mphoto ya Chitsulo ya A' Design Award

Subsidence Jewelry Zodzikongoletsa ndi mmodzi mwa opambana a Mphoto ya Chitsulo ya A' Design Award, kuzindikirika kolemekezeka komwe kumaperekedwa kwa mapangidwe abwino omwe amakwaniritsa zofunika za akatswiri ndi za makampani zomwe zimayembekezeka kuchokera ku zolengedwa zopangidwa bwino. Opambana a Chitsulo amaonetsa luso lalikulu, ukatswiri wapamwamba, kumvetsetsa kwa akatswiri ndi mphamvu yolenga ya opanga awo. Subsidence Jewelry Zodzikongoletsa akuyembekezeka kukhala cholengedwa choyamikiridwa kwambiri, chosirira ndi chokondedwa chomwe ndi chothandiza ndi chatsopano. Mapangidwe opambana Mphoto ya Chitsulo ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a makampani ndipo ali ndi makhalidwe a ukadaulo oyenerera olumikizidwa ndi chidziwitso ndi luso. Subsidence Jewelry Zodzikongoletsa amalemekezedwa chifukwa cha kusamala kwake ndipo anapangidwa kuti apereke kukonza kwa moyo kumene kumathandiza kusandutsa dziko kukhala malo abwino.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: The collection is a unique line of jewelry designed to spark conversation and raise awareness about the environmental issue of land subsidence. Inspired by this natural phenomenon, the pieces are ingeniously crafted from ethically sourced, recyclable metals and statement piece that reflect the subtle beauty of the earth's delicate balance.
Miyezo ndi Kuphimba: Ethically sourced and unlacquered brass and copper metal, Neckpiece:269mm, Armlet:172mm, finger Ring:67mm diax18mm
Zizindikiro: Sustainability, Non-precious Jewelry, Environmental Awareness, Unconventional Jewelry, Conscious Consumer
Teknoloji Yopangira: The collection, made from brass and copper metal plates, was initially prototyped through meticulous handcrafting and cutting techniques. However, for mass production, we plan to implement laser cutting technology to optimize the manufacturing process. Laser cutting will allow for precision in shaping the metal sheets, significantly reducing material wastage and ensuring uniformity across each piece. This advanced production method will not only streamline the process but also make it more sustainable by maximizing resource efficiency. The switch to laser cutting will ensure scalability while maintaining the intricate details and quality of the handcrafted prototypes.
Vuto la Dizayini: The creative challenge of this project lay in translating a complex environmental issue—land subsidence—into a compelling and wearable form of jewelry that would resonate with consumers. The research challenge involved not only ensuring scientific accuracy but also making the concept approachable and meaningful through design. Balancing aesthetics with a powerful message was crucial, as the jewelry needed to be visually appealing while also serving as a conversation starter about environmental sustainability. Additionally, the challenge extended to sourcing ethical materials and developing sustainable production methods, ensuring that the creation of the jewelry aligned with the collection's environmental values.
Kafukufuku: Crafted with precision and a commitment to sustainability, the Subsidence Jewellery collection is a unique line of adornments designed to raise awareness about the pressing environmental issue of land subsidence. Each piece, meticulously crafted from ethically sourced, recyclable materials, serves as a tangible reminder of the delicate balance between humans and the natural world.
Its ergonomic yet uneven, fractured copper exterior mimics the earth's cracked and uneven surface. Delving deeper, brass layers depict the descent, symbolizing the impact that travels beyond the surface, affecting the Earth's core.
This design, reminiscent of geological formations, utilizes contrasting copper and brass to visually represent the varying soil strata, all serving as a stark reminder of the unseen consequences of human activity.
The collection's thoughtfully designed elements foster a deeper connection with the environmental challenges facing our planet, inspiring wearers to take conscious action and become advocates for a more sustainable future.
Chilimbikitso: The collection draws inspiration from the pressing environmental issue of land subsidence, a phenomenon caused by the over-exploitation of groundwater, leading to the gradual sinking of land. This jewelry serves as a symbolic reminder of the consequences of human activity on the natural world, highlighting the fragile balance we share with our environment.
Nthawi ya Polojekiti: The Project started in March 2024 in India and finished in April 2024, and was part of Design India show- Student Category in August 2024.
Mdondomeko ya Ntchito: It is crafted from non-precious metals, embodies a powerful message of environmental awareness. Each piece becomes more than just an adornment; it serves as a tangible reminder of the delicate balance between human activity and the natural world. The wearer, by choosing this jewelry, becomes a conscious consumer, actively participating in a movement towards sustainability. The collection's design, incorporating elements that respond to the wearer's environment or link to educational resources, encourages deeper engagement and awareness of the issue of land subsidence. In essence, these pieces are not merely objects of beauty, but catalysts for positive change.
Mamembala a Gulu: Akhil Mane
Mwini Zithunzi: #1: The ring reflects the instability of sinking land
Photographer: Yash Bopche Model: Jayana Shah, #2: Through adornment, action for a sustainable future Photographer: Yash Bopche Model: Jayana Shah, #3 Maintaining harmony with nature Photographer: Yash Bopche Model: Jayana Shah, #4 The interconnectedness Photographer: Yash Bopche Model: Jayana Shah, #5 Cautionary tale Photographer: Yash Bopche Model: Jayana Shah