Gordafarid Ntchito Yaikulu: Zovala ndi Mina Aliyari

Dizayini ya Gordafarid Ntchito Yaikulu: Zovala ndi Mina Aliyari ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2025 Mphoto ya Chitsulo ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Fashoni, Zovala ndi Mikanjo.

ChitsuloFashoni· 2025

Gordafarid Ntchito Yaikulu: Zovala

ndi Mina Aliyari

Kasitomala: Kahkeshan Shahab Danesh

Wopambana pa Mphoto ya Chitsulo ya A' Design Award mu Gawo la Fashoni

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Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #167683

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Gordafarid Ntchito Yaikulu: Zovala

Malemba a Bukhu: Gordafarid ndi chovala chopangidwa kuchokera ku makapeti a Persia omwe adagwiritsidwanso ntchito. Makapeti olukidwa ndi manja omwe adawonongeka ndipo sanathekenso kugwiritsidwa ntchito m'njira yoyambirira amapanga gawo la pachifuwa ndipo amasunga mapangidwe awo oyambirira. Mabulukuti amapangidwa ndi nsalu ya linen pogwiritsa ntchito njira ya draping, yolimbikitsidwa ndi zovala za mafuko a ku Iran. Chovala chomangira mutu chimalumikiza masamu a Iran ndi njira ya origami. Sikafu yopangidwa ndi zingwe zachitsulo zooneka ngati spring ndi nsalu imatha kupatsidwa mawonekedwe osiyanasiyana pathupi. Zingwe zosinthika zimalola kusintha kwa kukula ndi ntchito. Gawo la kapeti limathanso kupachikidwa pakhoma kapena kuyikidwa pansi.

Chidziwitso

Za Mphoto ya Chitsulo ya A' Design Award

Gordafarid Ntchito Yaikulu: Zovala ndi mmodzi mwa opambana a Mphoto ya Chitsulo ya A' Design Award, kuzindikirika kolemekezeka komwe kumaperekedwa kwa mapangidwe abwino omwe amakwaniritsa zofunika za akatswiri ndi za makampani zomwe zimayembekezeka kuchokera ku zolengedwa zopangidwa bwino. Opambana a Chitsulo amaonetsa luso lalikulu, ukatswiri wapamwamba, kumvetsetsa kwa akatswiri ndi mphamvu yolenga ya opanga awo. Gordafarid Ntchito Yaikulu: Zovala akuyembekezeka kukhala cholengedwa choyamikiridwa kwambiri, chosirira ndi chokondedwa chomwe ndi chothandiza ndi chatsopano. Mapangidwe opambana Mphoto ya Chitsulo ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a makampani ndipo ali ndi makhalidwe a ukadaulo oyenerera olumikizidwa ndi chidziwitso ndi luso. Gordafarid Ntchito Yaikulu: Zovala amalemekezedwa chifukwa cha kusamala kwake ndipo anapangidwa kuti apereke kukonza kwa moyo kumene kumathandiza kusandutsa dziko kukhala malo abwino.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
Miyezo ndi Kuphimba: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
Zizindikiro: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
Teknoloji Yopangira: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
Vuto la Dizayini: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
Kafukufuku: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
Chilimbikitso: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
Nthawi ya Polojekiti: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
Mdondomeko ya Ntchito: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
Mamembala a Gulu: Mina Aliyari
Shahin Nayyer
Mwini Zithunzi: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024