Changes Cycles and Shapes Luso Wa Digito by Yuko Suzuki

Golide Zopangidwa ndi Makina · 2025

Changes Cycles and Shapes Luso Wa Digito

by Yuko Suzuki

Mphoto ya Golide ya A' Design Award 2025 in Zopangidwa ndi Makina
CLIENT: Feral File
Estimated Number of Design Views: 207,093
Verification code F514037D3D · Verify this award

Visit Site View at A' Design Award Press Release

Colors

About Changes Cycles and Shapes Luso Wa Digito

Ntchito iyi imafufuza funso lakuti, Kodi kujambula ndi chiyani? pofotokoza kuzungulira kwa zosonyeza zowoneka. Motengera kusintha kwa zojambula za Mondrian, ikhazikitsidwa pa chiwonetsero cha zigawo za kujambula, pomwe mawonekedwe amayenda pakati pa chithunzithunzi ndi chosamveka bwino, komanso pakati pa phokoso ndi mzere - lingaliro lomwe limagwiritsidwa ntchito pa mitundu. Ntchitoyi imawonetsa kusintha kwa zinthu za digito, kutsindika kuti mawonekedwe pakati pa kusintha ndiwo chofunikira kwambiri. Pophatikiza mawonekedwe osindikizidwa ndi baren, imawonetsa dzina la wojambulayo ngati wosindikiza m'njira ya digito.

About the Mphoto ya Golide ya A' Design Award

Changes Cycles and Shapes Luso Wa Digito ndi mmodzi mwa opambana a Mphoto ya Golide ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe a pamwamba, odabwitsa ndi odziwika. Opambana a Golide ndi zolengedwa zatsopano kwambiri, zoona patali ndi zonyezimira zomwe zimaonetsa luntha, nzeru ndi luso la opanga awo. Changes Cycles and Shapes Luso Wa Digito akuyembekezeka kukhala chopangidwa chotamandidwa kwambiri, chokhazikitsa zochitika ndi chachikulu chomwe chimabweretsa phindu losawonekapo kale. Mapangidwe opambana Mphoto ya Golide ya A' Design Award awa ndi ntchito yodabwitsa, yolemekezeka yomwe imapindulitsa kwambiri ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Changes Cycles and Shapes Luso Wa Digito amabweretsa zilakolako zamphamvu, kudzutsa chidwi, kulimbikitsa luso lolenga ndi kutikopa.

Press Kit

Unique Properties: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensions & Packaging: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tags: Generative Art, Coding
Production Technology: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Design Challenge: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Research: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiration: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Project Duration: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Operation Flow: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Image Credits: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.