Dizayini ya Cremma Kosuyolu Kapangidwe ka Mkati mwa Kafe ndi Departman Architecture ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Mkati mwa Nyumba ndi Mawonekedwe.
SilivaMkati· 2026
Cremma Kosuyolu Kapangidwe ka Mkati mwa Kafe
Kasitomala: Departman Architecture
Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Mkati
Wopambana Wotsimikizidwa
Tsimikizani Mkhalidwe wa Mphotho ya #173238Kapangidwe
Za Cremma Kosuyolu Kapangidwe ka Mkati mwa Kafe
Cremma Kosuyolu ndi kafe yopangidwa mkati mwa nyumba, yomwe ili ku Istanbul, Turkey. Kapangidwe kake kali mu nyumba yakale yomangidwa ndi njerwa ndipo kali ndi zigawo zinayi zosanjikizana. Alendo amalowa kudzera pakhomo lakale lopindika ndikufika ku bala ya khofi, kenako amakwera kupita ku bwalo lokhala ndi denga lagalasi lokongoletsedwa ndi zitsulo zokongola komanso zomera za m'madera otentha. Bala yakumunsi imasiyanitsidwa ndi mizati yachikale ndi zokongoletsa za magetsi a neon, pomwe chipinda chapamwamba chili ndi magalasi ochokera pansi mpaka padenga komanso magetsi opangidwa mwaluso. Chitsulo cha Corten, konkire yosaphimba, magalasi opaka utoto ndi matabwa opangidwa mwapadera zimalumikiza cholowa chakale ndi kapangidwe kamakono.
Chidziwitso
Za Mphoto ya Siliva ya A' Design Award
Cremma Kosuyolu Kapangidwe ka Mkati mwa Kafe ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. Cremma Kosuyolu Kapangidwe ka Mkati mwa Kafe akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Cremma Kosuyolu Kapangidwe ka Mkati mwa Kafe ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.
Kumbuyo kwa Kapangidwe
Katundu wa Atolankhani
Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.
- Makhalidwe Apadera
- Cremma Kosuyolu is distinguished by its ability to sustain multiple, atmospherically distinct spatial registers within a single, cohesive interior. Across three levels, the design transitions from a glass-roofed atrium with ornamental ironwork and tropical planting, to an industrial lower bar anchored by classical columns and a fluid neon installation, to an upper floor defined by floor-to-ceiling glazing and sculptural lighting objects. This spatial diversity, unified by a restrained material palette, sets the project apart as an interior of rare complexity and depth.
- Miyezo ndi Kuphimba
- The building comprises 4 levels, each with distinct design elements. The ground floor features exposed brick masonry, providing a sense of durability and historical context. The upper level showcases a minimalist design with Corten steel and darker tones, creating visual interest against the lighter stone base. Both levels incorporate large glass windows, allowing transparency and connecting indoor spaces with the outdoors. High ceilings create an open and airy feel, emphasizing vertical space. Black metal beams add an industrial touch, both structurally and aesthetically.
- Zizindikiro
- cremmakosuyolu, departmanco, departmanarchitecture,
- Teknoloji Yopangira
- The project employs a carefully considered material strategy in which industrial and artisanal production techniques are deployed in deliberate contrast. The facade utilises weathering Corten steel, allowing the exterior to develop a natural oxidised patina consonant with the building's masonry. Internally, structural elements retain exposed concrete and ironwork, while bespoke joinery, ribbed metallic bar cladding, and custom upholstered seating were fabricated to specification. The stained-glass composition and wall-mounted bas-relief figures were executed as custom craft pieces, reinforcing the interior's dual commitment to industrial precision and hand-worked detail.
- Vuto la Dizayini
- The principal creative challenge resided in realising ambitious contemporary interventions within the constraints of an existing load-bearing brick masonry structure. Integrating large-scale steel construction elements including the glass-roofed atrium and Corten steel facade addition into a historic building of this typology demanded bespoke structural solutions at every stage. Reconciling the building's material and structural limitations with the design vision required close collaboration between architectural, structural, and fabrication disciplines, and necessitated iterative problem-solving to ensure both structural integrity and design fidelity were maintained throughout.
- Kafukufuku
- The design process was grounded in contextual field research conducted within the Kosuyolu neighbourhood and its immediate surroundings. The research objective was to establish a design language authentically rooted in its urban and historical context. Methodology comprised direct site observation and a systematic study of traditional Istanbul residential architecture, with particular focus on material character, spatial proportion, and ornamental detail. Findings revealed a strong vernacular identity defined by masonry, ironwork, and layered facades, elements that were subsequently translated into the interior and exterior design decisions, ensuring the project contributes meaningfully to its neighbourhood's architectural continuity.
- Chilimbikitso
- The design draws its inspiration from the intrinsic architectural character of the existing buildin's neighbourhoods. The central design motive was to establish a considered dialogue between the building's historical context and a rigorous contemporary spatial language, without subordinating one to the other. The result is a deliberate negotiation in which heritage and modernity are afforded equal presence across each of the project's distinct spatial layers.
- Nthawi ya Polojekiti
- The design process began in early 2023, with construction completed in December of the same year in Istanbul, Turkey.
- Mdondomeko ya Ntchito
- Cremma Kosuyolu guides visitors through a carefully sequenced spatial journey across four levels, each offering a distinct sensory experience. Guests enter through the historic arched facade at street level, moving into the coffee bar before ascending to the glass-roofed atrium, the social heart of the space. Further levels reveal progressively more intimate atmospheres, culminating in the glazed upper floor overlooking the surrounding tree canopy. Each transition is intentional, ensuring that the space rewards exploration while remaining intuitive and welcoming in its flow.
- Mamembala a Gulu
- Gulsah Kasap
Rıdvan Celik - Mwini Zithunzi
- Image #1-5: Photographer / Sinan Cırak, 2024.
Zolipidwa
Fufuzani Kupitilira Designers.org
Onani zinthu, ntchito ndi mwayi kuchokera kwa ogulitsa athu aulaliki.
Zina Zofufuza
Mapangidwe Ofanana
Fufuzani mapangidwe ena opambana mphotho ochokera mu gulu lomweli, osankhidwa malinga ndi ukadaulo.
