Lacquer Art Experience Pavilion Malo a Chikhalidwe ndi Jie Li

Dizayini ya Lacquer Art Experience Pavilion Malo a Chikhalidwe ndi Jie Li ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Nyumba, Zomanga ndi Zomangidwa.

BronzeZomangamanga· 2026

Lacquer Art Experience Pavilion Malo a Chikhalidwe

ndi Jie Li

Kasitomala: Li Jie

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Zomangamanga

6,294

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #176919

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Lacquer Art Experience Pavilion Malo a Chikhalidwe

Lacquer Art Experience Pavilion ndi nyumba ya chikhalidwe yomwe ili m'mudzi wa Fengshou, ku Shanghai. Nyumbayi ili ndi malo owonetsera zinthu, malo ogwirira ntchito a akatswiri a zaluso, chipinda cha tiyi ndi mabwalo omwe ndi otseguka kwa alendo ndi anthu a m'mudzimo. Nyumba za komweko zimagwiritsa ntchito makoma oyera ndi madenga otsetsereka a imvi. Nyumbayi imatsatira chikhalidwe cha komweko ichi pokhala ndi magulu asanu ndi limodzi a madenga otsetsereka olekanitsidwa ndi makoma opentidwa oyera. Mipata yopapatiza pakati pa madengawa imapanga misewu yaying'ono ndi mabwalo ang'onoang'ono. Kuwala kwa dzuwa, mpweya ndi zowoneka zimadutsa momasuka m'mipatayi. Mawindo aatali kumpoto ndi kum'mwera amathandizira kuyenda kwa mpweya wachilengedwe.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Lacquer Art Experience Pavilion Malo a Chikhalidwe ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Lacquer Art Experience Pavilion Malo a Chikhalidwe akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Lacquer Art Experience Pavilion Malo a Chikhalidwe amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: The practice of white walls and grey sloping roofs is basically adopted in the folk dwellings of Fengshou village. The experience pavilion adopts 6 groups of scattered sloping roof "clusters" to echo the "architectural prototype" of local residents; The facade material continues the local practice, using white paint. At the same time, the crack space between the clusters can allow sunlight, air and people's sight to pass through freely in order to bring a sense of breathing to the building.
Miyezo ndi Kuphimba: Building area: 454.2 square meters.Width 16900 mm x Depth 16200mm.
Zizindikiro: architecture, rural building, cultural center
Teknoloji Yopangira: The east and north sides of the base are the areas of villagers' self-built houses with poor construction quality. The south and west sides of the base are country parks with excellent view. From the perspective of master planning, the east and north sides of the building are designed as "serving Spaces" and the south and west sides are designed as "served Spaces" for public activities.
The scale of the site is about 20*30 meters. An outdoor "virtual courtyard" for tourists and villagers is based on the south side. The "virtual courtyard" is mainly composed of five "view frames" facing the landscape park on the south side and a piece wall on the west side, so as to keep the public open to the maximum extent while limiting the space. Space was defined as "serving space" and "served space" in an internal "solid” courtyard, the landscape stairs were set on the east side of the garden, also a wall between the stairs and courtyard was set to maximize the isolation to the east environment, Through the opening of the cave, it is obvious to see the pitched roofs of the houses and the people walking up and down the stairs. Due to the building's cluster form, there are a lot of “Crack Space” to connect the interior courtyard, interior space, exterior courtyard, and the country park landscape in the distance.
Vuto la Dizayini: 1) Challenges at the Site Level
The experience center is a public open space. It is crucial that visitors from the nearby park and villagers can freely pass through the building. Under the call of national rural revitalization, the local village government has started to organically update the original village. The lacquerware experience center was introduced as a cultural and creative industry, hoping to attract visitors from the surrounding park and boost the economic development of the village. In terms of site design, the boundaries of the courtyards on the south, north and west sides are designed as open fences, only serving to define the site boundaries. Visitors from the park and villagers can enter the site from the north and west sides. The main entrance and the internal hall are located on the west side. After entering the experience center, visitors can walk along the south side of the internal courtyard to visit three high exhibition spaces and artist studios. On the north side of the studios, there is an open staircase. Visitors can walk through the "perforated screen wall" via the staircase to the experience room on the north side of the second floor, and then cross the high hall and three high exhibition halls through the "bridge corridor" to reach the tea room on the east side of the second floor. The entire building, from the interior to the exterior, is a public cultural space that allows free movement.
2) Challenges at the Humanistic Level
The village is located in the riverside area between the urban area of Pujiang Town and the Huangpu River. The village was formed spontaneously by the original residents along the water, presenting an organically grown urban texture. The cluster of pitched-roof buildings is situated on a three-level wooden landscape platform. The six independent pitched roofs are separated from each other, creating gaps of various sizes between the volumes, which serve as "squares" and "alleys" on the roof. Visitors can wander among them, recreating the experience of a traditional village and providing humanistic care for both villagers and visitors at the level of habitation.
3) Challenges at the Climatic Level
The project is located on the banks of the Huangpu River in Minhang District, Shanghai. The site is crisscrossed by waterways and has a high humidity in the space environment. It has a subtropical monsoon climate, and users experience significant cold in winter and heat in summer. On the north-south section, it can be seen that the north wall of the first-floor restaurant and the mezzanine experience room has a long strip window, and vertical ventilation windows are set in the gaps between the clusters of buildings on the south side. The strip windows on the side walls of the second floor space are respectively arranged at the top and bottom, serving a ventilation function. The north-south through windows provide natural ventilation conditions for the experience center, reducing the load on air conditioning and making it an environmentally friendly building.
Kafukufuku: Lacquer Art Experience Pavilion is located in the Fengshou village, Shanghai. Under the call of the National Rural Revitalization, the local village government began to renovate the original village organically. The lacquer art experience Pavilion was introduced as a cultural and creative industry in order to attract tourists from the surrounding parks through the cultural and creative space experience to drive the economic development of the village.
The building successfully interprets the contemporary regeneration of traditional village architecture through the design language of modern minimalism:
①Architectural Texture. Fengshou Village is a typical traditional village in the south of the Yangtze River. The dwellings are built along both sides of the river, from the prospect of the master plan the building shows the architectural texture of free growth. The scale of the building area is about 18*18 meters, and the shape of the building block must break up and reorganized so that it can be well integrated into the delicate architectural texture of the area.
②Cluster form Impression. The practice of white walls and grey sloping roofs is basically adopted in the folk dwellings of Fengshou village. The experience pavilion adopts 6 groups of scattered sloping roof "clusters" to echo the "architectural prototype" of local residents; The facade material continues the local practice, using white paint.
③Guidance of Landscape. "Serving" and "Served" Spaces under the guidance of landscape: the east and north sides of the base are the areas of villagers' self-built houses with poor construction quality. The south and west sides of the base are country parks with excellent view. From the perspective of master planning, the east and north sides of the building are designed as "serving Spaces" and the south and west sides are designed as "served Spaces" for public activities.
④”Virtual & Real courtyard”: the scale of the site is about 20*30 meters. An outdoor "virtual courtyard" for tourists and villagers is based on the south side.Space was defined as "serving space" and "served space" in an internal "solid” courtyard, the landscape stairs were set on the east side of the garden, also a wall between the stairs and courtyard was set to maximize the isolation to the east environment.
⑤Promenade Architecture: The experience pavilion belongs to the public space, and it is very important for visitors and villagers to traverse the building freely. As for the aspect of the design level, the boundary of the courtyard on the south and northwest was designed as an open wall.The first floor is also connected by an outdoor staircase to the third floor, an internal courtyard was surrounded by six groups of an individual sloped roofs. The “crack space” between the pitched roof forms "laneways" and "plazas" of different sizes, through which the view can be traverse to the south and west side of the landscape park.
Chilimbikitso: Fengshou Village is a typical traditional village in the south of the Yangtze River. The dwellings are built along both sides of the river, from the prospect of the master plan the building shows the architectural texture of free growth. The BnB is located on the westernmost side of the Fengshou Village and the island adjacent to the country park. The island is surrounded by water on three sides, and the south side is integrated with the country park landscape green space. The scale of the building area is about 18*18 meters, and the shape of the building block must break up and reorganized so that it can be well integrated into the delicate architectural texture of the area.
Nthawi ya Polojekiti: The project started in November 2020 and finished in January 21 in the Fengshou village, Shanghai.
Mdondomeko ya Ntchito: The experience pavilion belongs to the public space, and it is very important for visitors and villagers to traverse the building freely. As for the aspect of the design level, the boundary of the courtyard on the south and northwest was designed as an open wall, which only serves as the boundary of the site.
Visitors and villagers can enter the site from the north and west side. The main entrance and internal lobby are located on the west side. After entering the experience pavilion, visitors can visit the internal courtyard which connects exhibition space and artist studios, on the north side of the studio is an open staircase, visitors can wander through the stairs to cross the "crack of the wall" to get to the “Experiencing Room”, and then across the exhibition hall through a bridge, finally arrive at the east tea room on the second floor.
The first floor is also connected by an outdoor staircase to the third floor, an internal courtyard was surrounded by six groups of an individual sloped roofs. The “crack space” between the pitched roof forms "laneways" and "plazas" of different sizes, through which the view can be traverse to the south and west side of the landscape park.
Mamembala a Gulu: Li Jie
Mwini Zithunzi: Image #1: Photographer Zhu Ruizi, Pespective 1, 2021.
Image #2: Photographer Zhu Ruizi, Pespective 2, 2021.
Image #3: Photographer Zhu Ruizi, Pespective 3, 2021.
Image #4: Photographer Zhu Ruizi, Pespective 4, 2021.
Image #5: Photographer Zhu Ruizi, Pespective 5, 2021.