Suwen Guqin ndi Shanghai Yitong Cultural Communication Co.,Ltd.

Dizayini ya Suwen Guqin ndi Shanghai Yitong Cultural Communication Co.,Ltd. ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2026 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Mapangidwe a Zipangizo Zoimba.

BronzeChipangizo Choimba· 2026

Suwen Guqin

ndi Shanghai Yitong Cultural Communication Co.,Ltd.

Kasitomala: Shanghai Yitong Cultural Communucation Co.,Ltd.

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Chipangizo Choimba

15,175

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #180049

Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Suwen Guqin

Suwen ndi guqin, chida chanyimbo cha zingwe chachikhalidwe cha ku China, chomwe chinapangidwanso mwatsopano kuti chiyimbidwe masiku ano. Mawonekedwe ake amatsatira qin ya nthawi ya mafumu a Tang yomwe imasungidwa ku Kachisi wa Horyuji. Bolodi loyimbitsa mawu limapangidwa ndi mtengo wa cedar wokalamba kapena paulownia, ndipo kumbuyo kumapangidwa ndi mtengo wa catalpa. Mzere woyambirira umasakaniza phulusa la nyanga za mbawala ndi utoto wachilengedwe wa lacquer. Malo amkati opangidwa mwaluso pa zamawu amapatsa thupi laling'ono limeneli kamvekedwe ndi kukula kwa mawu kwa chida chachikulu. Kumaliza kwa lacquer ya matte grain kumapanga malo owuma osaterera. Malo okulitsidwa omangira zingwe kumchira amathandiza kuyenda kwa zala kwa oyamba kumene komanso kwa oyimba omwe ali ndi manja ang'onoang'ono.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

Suwen Guqin ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. Suwen Guqin akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. Suwen Guqin amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
Miyezo ndi Kuphimba: 1100mm*150mm*45mm
Zizindikiro: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
Teknoloji Yopangira: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
Vuto la Dizayini: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
Kafukufuku: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
Chilimbikitso: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
Nthawi ya Polojekiti: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
Mdondomeko ya Ntchito: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
Mamembala a Gulu: Ding Liang